Hilde Raske (43 results)
- Softcover
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- Softcover
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- Softcover
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- Softcover
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Seller: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Paperback. Condition: New. Rudolf Steiner's architectural masterpiece, the double-domed building known as the first Goetheanum, featured decorated ceilings that were designed and partly painted by Steiner himself, utilizing vegetable colors and a new layering technique. Steiner emphasized that he was seeking a new artistic conce…ption based on a conscious understanding of the nature of color. Contemporaries report the extraordinary effect of the domed ceilings' paintings combined with the multicolored light emanating from the engraved glass windows. The cupolas depicted the creation and ages of the world, the initiators of the various cultural epochs and the figure of Christ. Tragically, the 'complete work of art' that was the first Goetheanum burned down on New Year's Eve 1922 - so today we can only get an impression of the lost paintings and windows from Rudolf Steiner's pastel sketches and drawings and a handful of photographs. In this lavish volume, the result of decades of research and study, Hilde Raske provides a detailed examination of the artistic work on the two cupolas, including Rudolf Steiner's draft sketches and his written and verbal statements. Featuring 30 color and more than 100 black-and-white illustrations, this printing is a high-quality facsimile of the long out-of-print original edition from 1983.HILDE RASKE, an artist and eurythmist, worked and experimented for many years to understand Rudolf Steiner's art and use of color. Raske grew so familiar with his unique works that she could vividly and clearly describe every detail. She referred to Steiner's artworks as 'events' in color and light-and-dark, with living colors that 'spoke' to her. It is said that, in the course of the many years preparing the manuscript for The Language of Color in the First Goetheanum, she would remark: 'I can hear my paintings. And if I don't hear them, then they're just not quite right yet.'.
- Softcover
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
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Condition: New. 2023. Paperback. . . . . .
- Softcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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- Softcover
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condition: new. Paperback. Rudolf Steiner's architectural masterpiece, the double-domed building known as the first Goetheanum, featured decorated ceilings that were designed and partly painted by Steiner himself, utilizing vegetable colors and a new layering technique. Steiner emphasized that he was seeking a new art…istic conception based on a conscious understanding of the nature of color. Contemporaries report the extraordinary effect of the domed ceilings' paintings combined with the multicolored light emanating from the engraved glass windows.The cupolas depicted the creation and ages of the world, the initiators of the various cultural epochs and the figure of Christ. Tragically, the 'complete work of art' that was the first Goetheanum burned down on New Year's Eve 1922 - so today we can only get an impression of the lost paintings and windows from Rudolf Steiner's pastel sketches and drawings and a handful of photographs. In this lavish volume, the result of decades of research and study, Hilde Raske provides a detailed examination of the artistic work on the two cupolas, including Rudolf Steiner's draft sketches and his written and verbal statements. Featuring 30 color and more than 100 black-and-white illustrations, this printing is a high-quality facsimile of the long out-of-print original edition from 1983.HILDE RASKE, an artist and eurythmist, worked and experimented for many years to understand Rudolf Steiner's art and use of color. Raske grew so familiar with his unique works that she could vividly and clearly describe every detail. She referred to Steiner's artworks as 'events' in color and light-and-dark, with living colors that 'spoke' to her. It is said that, in the course of the many years preparing the manuscript for The Language of Color in the First Goetheanum, she would remark: 'I can hear my paintings. And if I don't hear them, then they're just not quite right yet.' Hilde Raske, an artist and eurythmist, worked and experimented for many years to understand Rudolf Steiner's art and use of color. Raske grew so familiar with his unique works that she could vividly and clearly describe every detail. She referred to Steiner's artworks as 'events' in color and light-and-dark, with living colors that 'spoke' to her. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Softcover
Seller: Chiron Media, Wallingford, United KingdomChiron Media
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Paperback. Condition: New.
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- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Paperback. Condition: New. Rudolf Steiner's architectural masterpiece, the double-domed building known as the first Goetheanum, featured decorated ceilings that were designed and partly painted by Steiner himself, utilizing vegetable colors and a new layering technique. Steiner emphasized that he was seeking a new artistic conce…ption based on a conscious understanding of the nature of color. Contemporaries report the extraordinary effect of the domed ceilings' paintings combined with the multicolored light emanating from the engraved glass windows. The cupolas depicted the creation and ages of the world, the initiators of the various cultural epochs and the figure of Christ. Tragically, the 'complete work of art' that was the first Goetheanum burned down on New Year's Eve 1922 - so today we can only get an impression of the lost paintings and windows from Rudolf Steiner's pastel sketches and drawings and a handful of photographs. In this lavish volume, the result of decades of research and study, Hilde Raske provides a detailed examination of the artistic work on the two cupolas, including Rudolf Steiner's draft sketches and his written and verbal statements. Featuring 30 color and more than 100 black-and-white illustrations, this printing is a high-quality facsimile of the long out-of-print original edition from 1983.HILDE RASKE, an artist and eurythmist, worked and experimented for many years to understand Rudolf Steiner's art and use of color. Raske grew so familiar with his unique works that she could vividly and clearly describe every detail. She referred to Steiner's artworks as 'events' in color and light-and-dark, with living colors that 'spoke' to her. It is said that, in the course of the many years preparing the manuscript for The Language of Color in the First Goetheanum, she would remark: 'I can hear my paintings. And if I don't hear them, then they're just not quite right yet.'.
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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Condition: As New. Unread book in perfect condition.
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Paperback. Condition: Brand New. 288 pages. 11.50x9.02x0.71 inches. In Stock.
- Softcover
Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condition: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.
- Softcover
Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE
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- Softcover
Seller: Biblios, frankfurt am main, HESSE, GermanyBiblios
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- Softcover
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Condition: New. 2nd edition NO-PA16APR2015-KAP.
- Softcover
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- Softcover
Seller: CitiRetail, Stevenage, United KingdomCitiRetail
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Paperback. Condition: new. Paperback. Rudolf Steiner's architectural masterpiece, the double-domed building known as the first Goetheanum, featured decorated ceilings that were designed and partly painted by Steiner himself, utilizing vegetable colors and a new layering technique. Steiner emphasized that he was seeking a new art…istic conception based on a conscious understanding of the nature of color. Contemporaries report the extraordinary effect of the domed ceilings' paintings combined with the multicolored light emanating from the engraved glass windows.The cupolas depicted the creation and ages of the world, the initiators of the various cultural epochs and the figure of Christ. Tragically, the 'complete work of art' that was the first Goetheanum burned down on New Year's Eve 1922 - so today we can only get an impression of the lost paintings and windows from Rudolf Steiner's pastel sketches and drawings and a handful of photographs. In this lavish volume, the result of decades of research and study, Hilde Raske provides a detailed examination of the artistic work on the two cupolas, including Rudolf Steiner's draft sketches and his written and verbal statements. Featuring 30 color and more than 100 black-and-white illustrations, this printing is a high-quality facsimile of the long out-of-print original edition from 1983.HILDE RASKE, an artist and eurythmist, worked and experimented for many years to understand Rudolf Steiner's art and use of color. Raske grew so familiar with his unique works that she could vividly and clearly describe every detail. She referred to Steiner's artworks as 'events' in color and light-and-dark, with living colors that 'spoke' to her. It is said that, in the course of the many years preparing the manuscript for The Language of Color in the First Goetheanum, she would remark: 'I can hear my paintings. And if I don't hear them, then they're just not quite right yet.' Hilde Raske, an artist and eurythmist, worked and experimented for many years to understand Rudolf Steiner's art and use of color. Raske grew so familiar with his unique works that she could vividly and clearly describe every detail. She referred to Steiner's artworks as 'events' in color and light-and-dark, with living colors that 'spoke' to her. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Language: English
Published by Walter Keller Verlag, Dornach, Switzerland
- Hardcover
Seller: Sheila B. Amdur, Coventry, CT, U.S.A.Sheila B. Amdur
Contact seller5-star sellerHardcover. Condition: Finr. No Jacket. With extensive b & w and color plates. White color pictorial glossy hardcover. Copyright dated 1983, Acknowledgment page dated 1986/87. The English Edition.
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- Softcover
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
Contact seller5-star sellerCondition: New
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Paperback. Condition: New. Rudolf Steiner's architectural masterpiece, the double-domed building known as the first Goetheanum, featured decorated ceilings that were designed and partly painted by Steiner himself, utilizing vegetable colors and a new layering technique. Steiner emphasized that he was seeking a new artistic conce…ption based on a conscious understanding of the nature of color. Contemporaries report the extraordinary effect of the domed ceilings' paintings combined with the multicolored light emanating from the engraved glass windows. The cupolas depicted the creation and ages of the world, the initiators of the various cultural epochs and the figure of Christ. Tragically, the 'complete work of art' that was the first Goetheanum burned down on New Year's Eve 1922 - so today we can only get an impression of the lost paintings and windows from Rudolf Steiner's pastel sketches and drawings and a handful of photographs. In this lavish volume, the result of decades of research and study, Hilde Raske provides a detailed examination of the artistic work on the two cupolas, including Rudolf Steiner's draft sketches and his written and verbal statements. Featuring 30 color and more than 100 black-and-white illustrations, this printing is a high-quality facsimile of the long out-of-print original edition from 1983.HILDE RASKE, an artist and eurythmist, worked and experimented for many years to understand Rudolf Steiner's art and use of color. Raske grew so familiar with his unique works that she could vividly and clearly describe every detail. She referred to Steiner's artworks as 'events' in color and light-and-dark, with living colors that 'spoke' to her. It is said that, in the course of the many years preparing the manuscript for The Language of Color in the First Goetheanum, she would remark: 'I can hear my paintings. And if I don't hear them, then they're just not quite right yet.'.
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- Softcover
Seller: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contact seller5-star sellerCondition: New
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Paperback. Condition: new. Paperback. Rudolf Steiner's architectural masterpiece, the double-domed building known as the first Goetheanum, featured decorated ceilings that were designed and partly painted by Steiner himself, utilizing vegetable colors and a new layering technique. Steiner emphasized that he was seeking a new art…istic conception based on a conscious understanding of the nature of color. Contemporaries report the extraordinary effect of the domed ceilings' paintings combined with the multicolored light emanating from the engraved glass windows.The cupolas depicted the creation and ages of the world, the initiators of the various cultural epochs and the figure of Christ. Tragically, the 'complete work of art' that was the first Goetheanum burned down on New Year's Eve 1922 - so today we can only get an impression of the lost paintings and windows from Rudolf Steiner's pastel sketches and drawings and a handful of photographs. In this lavish volume, the result of decades of research and study, Hilde Raske provides a detailed examination of the artistic work on the two cupolas, including Rudolf Steiner's draft sketches and his written and verbal statements. Featuring 30 color and more than 100 black-and-white illustrations, this printing is a high-quality facsimile of the long out-of-print original edition from 1983.HILDE RASKE, an artist and eurythmist, worked and experimented for many years to understand Rudolf Steiner's art and use of color. Raske grew so familiar with his unique works that she could vividly and clearly describe every detail. She referred to Steiner's artworks as 'events' in color and light-and-dark, with living colors that 'spoke' to her. It is said that, in the course of the many years preparing the manuscript for The Language of Color in the First Goetheanum, she would remark: 'I can hear my paintings. And if I don't hear them, then they're just not quite right yet.' Hilde Raske, an artist and eurythmist, worked and experimented for many years to understand Rudolf Steiner's art and use of color. Raske grew so familiar with his unique works that she could vividly and clearly describe every detail. She referred to Steiner's artworks as 'events' in color and light-and-dark, with living colors that 'spoke' to her. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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- Softcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Taschenbuch. Condition: Neu. Neuware - Rudolf Steiner's architectural masterpiece, the double-domed building, the first Goetheanum, featured decorated ceilings designed and partly painted by Steiner himself, using vegetable colors and a new layering technique. He emphasized that he was looking for a new artistic concept based on… consciously understanding the nature of color. Contemporaries reported the extraordinary effect of the domed ceiling paintings combined with the multicolored light coming through the engraved colored-glass windows.The cupolas depicted the creation and ages of the world, the initiators of the various cultural epochs, and the figure of Christ. Tragically, the first Goetheanum--the 'complete work of art'--was destroyed by fire on New Year's Eve 1922. Thus, today we can get only an impression of the lost paintings and windows from Steiner's pastel sketches and drawings, as well as a handful of photographs.In this lavish volume--the result of decades of research and study--Hilde Raske provides a detailed examination of the artistic work on the two cupolas, including Steiner's draft sketches and his written and verbal statements. Featuring 30 color and more than 100 black-and-white illustrations, this edition presents a high-quality facsimile of the long out-of-print original edition of 1983.
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Language: English
Published by Walter Keller Verlag, 1983
- Hardcover
Seller: Fireside Bookshop, Stroud, GLOS, United KingdomFireside Bookshop
Contact seller5-star sellerAssociation member: PBFA
Condition: Used - Very good
£ 75.00
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Add to basketHardcover. Condition: Very Good. No D/J. Slight mark to rear board. Previous owners signature to ffep.
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Language: English
Published by Walter Keller Verlag, 1983
- Hardcover
- First Edition
Seller: Fireside Bookshop, Stroud, GLOS, United KingdomFireside Bookshop
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Condition: Used - Very good
£ 75.00
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Add to basketHardcover. Condition: Very Good. No D/J. First Edition. Previous owners signature to ffep. Slight marking to white laminate on front and rear boards and spine. Corners of boards slightly bumped.
Published by Walter Keller Verlag
- Hardcover
- First Edition
Seller: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.Magers and Quinn Booksellers
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£ 52.03
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Add to basketHardcover. Condition: Very Good. No Jacket. Condition: Very Good; Hardcover, no dustjacket as issued. First Edition 1983. The book is in Very Good condition with clean cover and pages, square spine and a tight binding. Corners barely bumped. Photos upon request.
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- Softcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
Contact seller5-star sellerCondition: New
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Paperback. Condition: New. Rudolf Steiner's architectural masterpiece, the double-domed building known as the first Goetheanum, featured decorated ceilings that were designed and partly painted by Steiner himself, utilizing vegetable colors and a new layering technique. Steiner emphasized that he was seeking a new artistic conce…ption based on a conscious understanding of the nature of color. Contemporaries report the extraordinary effect of the domed ceilings' paintings combined with the multicolored light emanating from the engraved glass windows. The cupolas depicted the creation and ages of the world, the initiators of the various cultural epochs and the figure of Christ. Tragically, the 'complete work of art' that was the first Goetheanum burned down on New Year's Eve 1922 - so today we can only get an impression of the lost paintings and windows from Rudolf Steiner's pastel sketches and drawings and a handful of photographs. In this lavish volume, the result of decades of research and study, Hilde Raske provides a detailed examination of the artistic work on the two cupolas, including Rudolf Steiner's draft sketches and his written and verbal statements. Featuring 30 color and more than 100 black-and-white illustrations, this printing is a high-quality facsimile of the long out-of-print original edition from 1983.HILDE RASKE, an artist and eurythmist, worked and experimented for many years to understand Rudolf Steiner's art and use of color. Raske grew so familiar with his unique works that she could vividly and clearly describe every detail. She referred to Steiner's artworks as 'events' in color and light-and-dark, with living colors that 'spoke' to her. It is said that, in the course of the many years preparing the manuscript for The Language of Color in the First Goetheanum, she would remark: 'I can hear my paintings. And if I don't hear them, then they're just not quite right yet.'.
Published by Walter Keller Verlag - Switzerland, 1983
- Hardcover
Seller: Nicholas J. Certo, Newburgh, NY, U.S.A.Nicholas J. Certo
Contact seller5-star sellerCondition: Used - Very good
£ 57.39
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Add to basketHardcover. Condition: Very Good. Small ink name to front free endpaper, no other marking. VG in glazed pictorial boards. Rudolf Steiner s architectural masterpiece, the double-domed building, the first Goetheanum, featured decorated ceilings designed and partly painted by Steiner himself, using vegetable colors and a new layerin…g technique. He emphasized that he was looking for a new artistic concept based on consciously understanding the nature of color. Contemporaries reported the extraordinary effect of the domed ceiling paintings combined with the multicolored light coming through the engraved colored-glass windows.
