Herve Jane (27 results)

Paperback. Condition: Very Good. No Jacket. Doremus, Gaetan; Beaujard, Yves; Beaujard, Ives (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: very good. Julliard, Michel (illustrator). Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Softcover. Condition: Très bon. Julliard, Michel (illustrator). Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

In-8 ( 220 X 145 mm ) de 166 pages, broché sous couverture imprimée. Bon exemplaire. Erotisme,Curiosa,Prostitution,Justice,Religion.

Condition: Neuf.

Condition: Neuf.

Condition: good. Photo non contractuelle. Envoi rapide et soigné.

Condition: Neuf.

Condition: very good. Photo non contractuelle. Envoi rapide et soigné.

paperback. Condition: Gut. Guter Zustand mit Gebrauchsspuren J74 Sprache: Französisch Gewicht in Gramm: 450.

Couverture souple. Condition: Bon. Pas de jaquette. 1992 OCCASION 370 GRAMMES 270 PAGES.

Couverture souple. Condition: bon. R200136653: 1990. In-8. Broché. Etat d'usage, Coins frottés, Coiffe en tête abîmée, Papier jauni. 332 pages. . . . Classification Dewey : 617.7-Ophtalmologie.

Broché. Condition: Etat moyen. in-8 Description :166 pp. Tampon. Couverture tachée. Langue : Français Nb de volumes : 1.

Couverture souple. Condition: bon. RO20256409: 1990. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 335 pages. . . . Classification Dewey : 616.9-Autres maladies.

Couverture souple. Condition: bon. R160139788: 1992. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 95 pages. Couverture rempliée. Ouvrage de bibliothèque avec une couverture plastique transparente sur la couverture originale. Tampons de bibliothèque sur la page de titre. Une étiquette de code en pied du dos et en pied de la première de couverture. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française.

Couverture souple. Condition: bon. R260138750: 1990. In-8. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 335 pages. Premier plat illustré en couleurs. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française.

Editions La Duraulié, 1988. In-8 broché de 166 pages. Bon état.

Couverture souple. Condition: Très bon. Dust Jacket Condition: Très bon. Livre Tres bon etat general. Envoi soigne [en Stock]. Livre.

Condition: Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Condition: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Couverture souple. Condition: Très bon. Edition originale. Réalmont 1988. 1 volume/1. -- Comme Neuf -- Broché cousu . Format 22,3 x 14,5 cm )( 348 gr ). ------ 169 pages . Quelques illustrations en noir. *************************** ref att.

Condition: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Couverture souple. Condition: Bon. Paris . Editions Rochevignes . 1985 . Broché 14,5 x 23 cm , de 191 pages , ornées de nombreuses reproductions . Bon état .

Condition: Used: Acceptable. Occasion - Etat Correct - Ancien livre de Bibliothèque - Kaléidoc : Les mammifères (2004) - Grand Format.

Condition: Used: Very Good. Occasion - Très Bon Etat - Reptiles et amphibiens (2003) - Grand Format.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Carole Condé and Karl Beveridge; " Autopatripassionata," by Christine Kozlov and Mayo Thompson; "Review: Chic Kicking Muse," by Sharlene Spingler; "Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of their colleagues, Furry and Feathered Friends," by Art & Language UK; " For Your Reference," Ian Wilson; "Review: Convoy," by Mayo Thompson; "The 'Liquidation' of Art: Self-Management or Self-Protection," by Jasna Tijardovic; "Bathysiderodromophobia," Ross Neher; "Has Your License Expired," by Nigel Lendon; "Work," by Joseph Kosuth; "Method or Mouthtalk," by Fern Tiger and Edward Robbins; "The Organization of Culture under Monopoly Capitalism, Part I: 'How Do You Feel About the Arts and Artifacts Indemnity Act?' The Organization of Culture under Monopoly Capitalism, Part II: Culture Ain't No Headless Horseman," by Michael Corris, Preston Heller, Andrew Menard; "History," by David Rushton and Paul Wood; "On the Class of Character in Art," by Goram Djordjevic; "Sociological Art as Utopian Strategy," by Hervé Fischer; "Art-Learning," by David Rushton and Paul Wood; correspondence by Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others; and notes: "May Stevens: Art & Class"; Jane Klion & Julie Wolf: Students Fighting Faculty at WU; Mayo Thompson: Natural Alliances; For the Sensitive Stefan Morawski: Theses on Aesthetics. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 72 - 73 and 77. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 261. Fair / Good. Volume One: light creasing of recto and verso; 10 cm. moisture soiling to bottom edge of recto carrying through to all pages; rubbing of cover edges with rounding of corners; previou.