Herlinger Jan (43 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Hardcover. Condition: Very Good. Hardcover. Slight shelfwear to cover but otherwise sharp, attractive copy with clean, unmarked pages throughout. Binding is solid.

Soft cover. Condition: New. Student Edition. New 1995 Copyright With A 2006 Printing In Soft Cover Format, Bible, Christ And His Word, Grade 4: Student Soft Cover Work Text With Lessons 1-36, Glossary, Concordance, Full Color Maps And Pictorial Brown Cover, 1995 Copyright With 2006 Printing, ISBN 1583311106 (1995 Copyright) C5.…

Hardcover. Condition: Near Fine. First edition thus (NAP). Cloth-covered boards, signature-sewn. "A new critical text and translation on facing pages, with an introduction, annotations, and indices verborum and nominum et rerum." Note that the text is reproduced from a typescript. A beautiful clean copy bound in real cloth. Strong binding and hinges. Gilt titles unfaded. I believe this book was issued without any dustjacket. Faint pencil mark corner front endpaper, else no marks. A little creasing at foot of spine, with a hint of wear to extremities. Boards ever so slightly bowed.…

Hardcover. Condition: Near Fine with no dust jacket. "A new critical text and translation on facing pages, with an introduction, annotations, and indices verborum and nominum et rerum by Jan Herlinger." Part of The Greek and Latin Music Theory Series. small letter R on bottom edge of pages. 109 pages.; 6 1/4 x 9 1/4 ".…

Soft Cover. Condition: Very Good. Copyright 1990 by the American Musicolog. 205 + pp. Vol. XLIII, Summer 1990, No. 2 issue only! ISSN: 0003 0139. A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Relevant addendum placed by previous owner or publisher included. …

Soft cover. Condition: Very Good. Book has been used but has several years of productive life remaining. The cover has small scratches and bumps, and the interior pages may have some minimal markings (writing, underlining, highlighting) on fewer than 30 pages. Book was issued to a student and has been stamped. Ships same or next business day via USPS Media Mail or Canada Post Expedited.…

Hardcover. Condition: Fine. 1st Edition. First Edition. 8vo. 109 pp. Text in parallel Latin and English. Light blue cloth lettered in black and gilt. Remainder stamp to bottom edge, else fine.

hardback. Condition: New. viii, 321p. : ill., music ; 24 cm. Includes index. No dust jacket.

Hardcover. First Edition Thus; First Printing. Book condition is Very Good in boards. Boards slightly bowed, weak foxing to page edges. Text is clean and unmarked. ; 9.26 X 6.21 X 1 inches; 109 pages.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:0803236697. …

Hardcover. Condition: Excellent condition. viii, 321 pp. Studies in the History of Music Theory and Literature. Volume 4.

Hardcover. Condition: Very good condition. xii, 109 pp. Greek and Latin Music Theory. Volume 01. LCC: 8323367.

Hardcover. Condition: Very good condition. Greek and Latin Music Theory. Volume 03. LCC: 8323367.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:0803236697.…

Hard Cover. Condition: Very Good. No Jacket. First Edition. Medieval work on music theory, with original Latin opposite a modern English translation, with brief commentary. Beldomandi, (died 1428), was a physician and professor in Padua after receiving his doctorate there in 1409, teaching arithmetic & astronomy as well as music; his writings were reprinted into the 16th century, but this is the first critical translation of these works, based on multiple sources. Hardcover, as pictured; no jacket, likely as issued. Publisher's Greek and Latin Music Theory 4. Light wear, minor rubbing & bumps, tiny smudge on spine, minor foxing to page edges, rubberstamped "R" on bottom edge - a remainder mark? Text clean; x, 182 pages; indexes, couple of figures, two pages of manuscript reproduced, notes. Size: Octavo.…

Hardcover. Condition: New. No Jacket. Hbk 182pp no dj as issued a new and unread copy excellent clean tight unmarked as new.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: sehr guter Zustand. Name im Vorsatz. Neuwertiges Exemplar.

Condition: New. In English.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Condition: New. 1984. Hardcover. . . . . .

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: Very Good. 2018 OUP hardcover reprint edition. Unread copy in very good condition. All the chapters include areas of discussion whose coverage in the series hitherto has been either wholly lacking or, at best, marginal: Muslim and Jewish musical traditions of the Middle Ages, late-medieval office chant, medieval dance music, musical instruments in society, music in Central and Eastern Europe, music theory of the fourteenth and fifteenth centuries, music and early Renaissance humanism. The first chapter and the last three present the conceptualization of music in speculative theory, philosophy, compositional and didactic practice, and musical historiography. Four chapters, and part of the first, illustrate important musical repertories and genres as they were developed within diverse societies. Introduction - Reinhard Strohm I. Muslim and Jewish Musical Traditions of the Middle Ages - Ammon Shiloah Part I: Musical Cultures of Muslims in Spain The Emergence of an Andalusian Style in Music Landmarks in al-Tifashi's Account The Nawba Tradition Slave Singing-Girls Musical Instruments The Advent of New Poetic Genres Part II: Jewish Musical Traditions in Spain, Provence, and Southern Italy The Golden Age of Jewish Culture The Jewish Musical Tradition Synagogue and Folk Music The Mystical Dimension Writings on Music The Role of the Jews in the Transmission of Knowledge II. Late Medieval Plainchant for the Divine Office - Andrew Hughes Introduction The Church Institutions The Nature of the Innovations General Overview Carolingian and Romanesque Offices, 850-1150 Twelfth- and Thirteenth-Century Reforms: The Era of New Orders and Uses: 1100-1250 The Era of Poetry: 1100 to 1580 Relics and Canonization New Feasts Models and Evolution of the Genre New Compositions: 850-1150 Twelfth and Thirteenth Centuries Later Rhymed Office Conclusion III. Instrumental Music, c.1300-c.1520 - Howard Mayer Brown and Keith Polk Part I: Instrumentalists A Note on Sources Status and Education Guilds and Patronage European Circulation and Development of the Art Part II: Musical Sources and Performance Early and Monophonic Sources of Instrumental Music Tablatures Music for Instrumental Ensembles Performance from Memory, Improvisation, and Ornamentation Part III: Instruments: Their Groupings and their Repertories Trumpet Bands Loud Wind Bands Keyboard Instruments Soft Instruments Ensembles of Instruments and of Voices and Instruments IV. Dances and Dance Music, c.1300-c.1530 - Walter Salmen Secular Dance Locations Dances in and around Churches Dancing as a Therapeutic Aid Dancing in Secular and Religious Dramas Solo Dances Round Dances Paired Dances Dancing Masters and Treatises Dance Songs Dance Accompaniments Instrumental Dance Music V. Polyphonic Music in Central Europe, c.1300-c.1520 - Tom R. Ward Musical Repertories and Institutions of the Earlier Fifteenth Century The Bohemian Cantio Oswald von Wolkenstein The Imperial Chapel before 1450 Potzlinger's Music Collection: A Cross-section of European Music Early Fifteenth-Century Music in Poland Mensural Polyphony in Bohemia Poland after 1450 The German-Speaking Region after 1450 The Imperial Chapel until the Death of Maximilian German Song from 1440 to 1520 VI. Music Theory of the Fourteenth and Early Fifteenth Centuries - Jan Herlinger Introduction Fundamentals Mode Counterpoint Mensuration Musica speculativa VII. Music Theory and Musical Thinking after 1450 - Bonnie J. Blackburn Introduction German and Central European Theory Spanish Theory Bartolome Ramos de Pareja John Hothby Johannes Tinctoris Franchino Gaffurio and Musical Humanism Guilielmus Monachus and 'English Counterpoint' Pietro Aaron Music Theory and the Arts VIII. Music, Humanism, and the Idea of a 'Rebirth' of the Arts - Reinhard Strohm Introduction The Imagery of Decline, Rebirth, and Survival Common History and the System of the Arts Competition and Emulation The Status of Music Tinctoris Martin Le Franc Critique Appendix: Testimonia. …

paperback. Condition: New. In shrink wrap. Looks like an interesting title.