Hauptmann Edward (31 results)

Hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hard cover. Condition: Very good. No jacket. 2-inch scuff mark on back cover. Bottom edge of spine is bumped, but binding is tight. Inside is clean and unmarked.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Near Fine. No Jacket. 1989. Macmillan, New York, 1989. Pictorial soft cover. Book condition : Near fine, like new, appears unread. No-Notations. Heavy book may incur extra postage. Book will be sent by UK postal service. Bookseller Inventory #S013510. N/A (illustrator). N/A.

Hardcover. Condition: Good. Hardcover; surplus library copy with one library stamping; fading and shelf wear to exterior; former owner's name on front end page; small amount of u nderlining and a few margin notes; otherwise contents in good condition wit h tight binding. 519 p.

Condition: New.

Gebunden. Condition: New.

Paperback. Condition: New.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.

Condition: Good+. Vellum. Folio. Printed by Edition Leipzig, Leipzig, Germany. 1967. 202 pgs. 74 woodcut illustrations by Edward Gordon Craig, typography designed by Edward Johnston, printed in red and black in double column. 16 page pamphlet also written in German in rear pocket is present and in nice condition. Facsimile Edition of the original edition of 1929. Issued in a paper slipcase. Slipcase is chipped and worn to the extremities. Bound in 1/2 vellum boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text printed in red and black on pale cream laid paper, Text is clean and free of marks. Binding tight and solid. This is one of the most beautiful books of the inter-war period, both typographically and in terms of the exquisite illustration, which was conceived by Gordon Craig, who had recently designed a set for the play for the Moscow State Theater. The inspiration for the woodcuts were the wooden stage models that Craig had prepared for that production. The marriage between the illustration and Kessler's typography is as near perfect as in any printed book I know. The work was released in 1929 in a translation by Gerhart Hauptmann. The upper case title letters designed in woodcut were produced by graphic designer and typographer Eric Gill (1882-1940). The printed text in red and black is in a font that was designed especially for this work, the Hamlet Fraktur, which was developed by font artist Edward Johnston (1872-1944). The woodcuts are based on the designs and figurines for stage sets by the director, actor and graphic designer Edward Gordon Craig (1872-1966) , who used them here for the purposes of book art. ; 8vo 8" - 9" tall.…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1888 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 410 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 410 Language: English.…

Condition: New. Print on Demand.

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1888. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 410, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 410 410.…

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.

Softcover. Condition: New. Reprint. Language: English. Approximately 410 pages. English : Print-on-demand reprint. Original edition : 1888. This modern reproduction of The nature of harmony and metre by Hauptmann, Moritz, 1792-1868; Heathcote, William Edward, 1853-1915 makes an old or rare text available for consultation, bibliographic research, and specialized collections. Book images are non-contractual. This item is printed on demand and ships from our printing partners' facility nearest the destination. These facilities are located mainly in the United States, the United Kingdom and Canada.…