Hauke Lehmann (79 results)
Politics of Affective Societies : An Interdisciplinary Essay
Bens, Jonas; Diefenbach, Aletta; John, Thomas; Kahl, Antje; Lehmann, Hauke
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The Politics of Affective Societies An Interdisciplinary Essay
Bens, Jonas & Aletta Diefenbach & Thomas John & Antje Kahl & Hauke Lehmann & Matthias Lüthjohann & Friederike Oberkrome & Hans Roth & Gabriel Scheidecker & Gerhard Thonhauser & Nur Yasemin Ural & Dina Wahba & Robert Walter-Jochum & M. Ragip Z
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Paperback. Condition: As New. Text clean and tight; Emotionskulturen / Emotioncultures; 8vo 8" - 9" tall; 128 pages.
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Paperback or Softback. Condition: New. Affect Poetics of the New Hollywood. Book.
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Politics of Affective Societies : An Interdisciplinary Essay
Bens, Jonas; Diefenbach, Aletta; John, Thomas; Kahl, Antje; Lehmann, Hauke
- Softcover
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Paperback. Condition: New. How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke Lehmann aims at rethinking our conception of a critical period in US film history - the New Hollywood: as a moment of crisis that can neither be reduced…to economic processes of adaption nor to a collection of masterpieces. Rather, the fine-grained analysis of core films reveals the power of cinematic images to affect their audiences - to confront them with the new. The films of the New Hollywood redefine the divisions of the classical genre system in a radical way and thereby transform the way spectators are addressed affectively in the cinema. The study describes a complex interplay between three modes of affectivity: suspense, paranoia, and melancholy. All three, each in their own way, implicate spectators in the deep-seated contradictions of their own feelings and their ways of being in the world: their relations to history, to society, and to cultural fantasy. On this basis, Affect Poetics of the New Hollywood projects an original conception of film history: as an affective history which can be re-written up to the present day.
The Politics of Affective Societies: An Interdisciplinary Essay (EmotionsKulturen / EmotionCultures)
Bens, Jonas; Diefenbach, Aletta; John, Thomas; Kahl, Antje; Lehmann, Hauke; Lüthjohann, Matthias; Oberkrome, Friederike; Roth, Hans; Scheidecker, Gabriel; Thonhauser, Gerhard; Ural, Nur Yasemin; Wahba, Dina; Walter-Jochum, Robert; Zik, M. Ragip
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The Politics of Affective Societies: An Interdisciplinary Essay (EmotionsKulturen / EmotionCultures)
Bens, Jonas; Diefenbach, Aletta; John, Thomas; Kahl, Antje; Lehmann, Hauke; Lüthjohann, Matthias; Oberkrome, Friederike; Roth, Hans; Scheidecker, Gabriel; Thonhauser, Gerhard; Ural, Nur Yasemin; Wahba, Dina; Walter-Jochum, Robert; Zik, M. Ragip
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Politics of Affective Societies : An Interdisciplinary Essay
Bens, Jonas; Diefenbach, Aletta; John, Thomas; Kahl, Antje; Lehmann, Hauke
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The Politics of Affective Societies: An Interdisciplinary Essay (EmotionsKulturen / EmotionCultures)
Bens, Jonas; Diefenbach, Aletta; John, Thomas; Kahl, Antje; Lehmann, Hauke; Lüthjohann, Matthias; Oberkrome, Friederike; Roth, Hans; Scheidecker, Gabriel; Thonhauser, Gerhard; Ural, Nur Yasemin; Wahba, Dina; Walter-Jochum, Robert; Zik, M. Ragip
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Politics of Affective Societies : An Interdisciplinary Essay
Bens, Jonas; Diefenbach, Aletta; John, Thomas; Kahl, Antje; Lehmann, Hauke
- Softcover
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Condition: New. 2022. Paperback. . . . . .
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The Politics of Affective Societies
Bens, Jonas|Diefenbach, Aletta|John, Thomas|Kahl, Antje|Lehmann, Hauke|Lüthjohann, Matthias
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Condition: New. Über den AutorrnrnJonas Bens (Dr. phil, Dipl.-Jur.) is research fellow at the Insitute of Social and Cultural Anthropology at Freie Universitaet Berlin.Aletta Diefenbach (M.A.) is a sociologist and works as a research fellow at the Colla.
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Paperback. Condition: New. How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke Lehmann aims at rethinking our conception of a critical period in US film history - the New Hollywood: as a moment of crisis that can neither be reduced…to economic processes of adaption nor to a collection of masterpieces. Rather, the fine-grained analysis of core films reveals the power of cinematic images to affect their audiences - to confront them with the new. The films of the New Hollywood redefine the divisions of the classical genre system in a radical way and thereby transform the way spectators are addressed affectively in the cinema. The study describes a complex interplay between three modes of affectivity: suspense, paranoia, and melancholy. All three, each in their own way, implicate spectators in the deep-seated contradictions of their own feelings and their ways of being in the world: their relations to history, to society, and to cultural fantasy. On this basis, Affect Poetics of the New Hollywood projects an original conception of film history: as an affective history which can be re-written up to the present day.
- Hardcover
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The Politics of Affective Societies
Bens, Jonas; Diefenbach, Aletta; John, Thomas; Kahl, Antje; Lehmann, Hauke; Lüthjohann, Matthias; Oberkrome, Friederike; Roth, Hans; Scheidecker, Gabriel; Thonhauser, Gerhard; Ural, Nur Yasemin; Wahba, Dina; Walter-Jochum, Robert; Zik, M. Ragip
- Softcover
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Taschenbuch. Condition: Neu. Affect Poetics of the New Hollywood | Suspense, Paranoia, and Melancholy | Hauke Lehmann | Taschenbuch | VIII | Englisch | 2022 | De Gruyter | EAN 9783110776812 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbri…ll[dot]com | Anbieter: preigu.
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Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - How is affective experience produced in the cinema And how can we write a history of this experience By asking these questions, this study by Hauke Lehmann aims at rethinking our conception of a critical period in US film history - the New Hollywoo…d: as a moment of crisis that can neither be reduced to economic processes of adaption nor to a collection of masterpieces. Rather, the fine-grained analysis of core films reveals the power of cinematic images to affect their audiences - to confront them with the new. The films of the New Hollywood redefine the divisions of the classical genre system in a radical way and thereby transform the way spectators are addressed affectively in the cinema. The study describes a complex interplay between three modes of affectivity: suspense, paranoia, and melancholy. All three, each in their own way, implicate spectators in the deep-seated contradictions of their own feelings and their ways of being in the world: their relations to history, to society, and to cultural fantasy. On this basis, Affect Poetics of the New Hollywood projects an original conception of film history: as an affective history which can be re-written up to the present day.
