Gunn Robert G (45 results)

Soft cover. Condition: Near Fine. 1st Edition. Square tight binding. Light wear. Features fiction by Joe Haldeman, James Gunn, Richard A. Lovett, G. David Nordley, Jerry Oltion, and Suzette Haden Elgin. Nonfiction by K.J. Zimring, Don D'Ammassa, John G. Cramer, Ton Easton, and Anthony Lewis. Letters from Robert Metzger, et al. Cover art by David A. Hardy.…

Mass Market Paperback. Condition: Very Good. [1st printing] Oct. 1972; #P1749. Cover art is uncredited. Includes "Introduction"; "A Martian Odyssey" by Stanley G. Weinbaum; "Night" by Don A. Stuart; "The Day Is Done" by Lester del Rey; "Heavy Planet" by Milton A. Rothman; "-And He Built a Crooked House-" by Robert A. Heinlein; "Proof" by Hal Clement; "A Subway Named Mobius" by A. J. Deutsch; "Surface Tension" by James Blish; "Country Doctor" by William Morrison; "The Holes Around Mars" by Jerome Bixby; "The Deep Range" by Arthur C. Clarke; "The Cave of Night" by James E. Gunn; "Dust Rag" by Hal Clement; "Pate de Foie Gras" by Isaac Asimov; "Omnilingual" by H. Beam Piper; "The Big Bounce" by Walter S. Tevis; "Neutron Star" by Larry Niven; "Appendix". Tanning; edge and corner nicks and wear; creasing. Book.…

Wraps. Condition: Very Good. Vol. 30, No. 1. Edited by Ejler Jakobsson. Cover art by Gaughan for "Allison, Carmichael and Tattersall" (novelette) by Stephen Tall. Includes "Discover a Latent Moses" (novelette) by Michael G. Coney; "The Rub" (novelette) by A. Bertram Chandler; "The Tower of Glass" (pt. 1) by Robert Silverberg; "No Planet Like Home" by Robert Conquest; "Kintergarten" by James E. Gunn; "Darwin in teh Fields" by Ray Bradbury; "Sunpot" (Illustrated Feature) by Vaughn Bode. Features: "Editor's Page: On Genetics and Consensus"; "Galaxy Bookshelf". Illustrated by Gaughan. Rubbing; edge and corner wear; tanning. Magazine. …

Soft cover. Condition: Very Good. Light wear. Nice condition. No chipping. Edited by James L. Quinn. Cover art by Ken Fagg. Includes "The Thing in the Attic" (novelette) by James Blish; "A Monster Named Smith" (novelette) by James Gunn; "Beauty and the Beast" by Robert F. Young; "The Small World of M-75" by Ed. M. Clinton, Jr.; "Lonesome Hearts" by Russ Winterbotham; "Fair and Warmer" by E. G. von Wold; "Has Anybody Here Seen Kelly?" by Kenneth O'Hara; "The Big Stink" by Theodore R. Cogswell. Article; "Breaking the Time Barrier" by Alson J. Smith. Illustrated by Paul Orban, Ed Emsh, and Kelly Freas.…

SingleIssueMagazine. Condition: Very Good-. Vol. 3, No. 5. Edited by James L. Quinn. Cover art by Ken Fagg. Includes "The Thing in the Attic" (novelette) by James Blish; "A Monster Named Smith" (novelette) by James Gunn; "Beauty and the Beast" by Robert F. Young; "The Small World of M-75" by Ed. M. Clinton, Jr.; "Lonesome Hearts" by Russ Winterbotham; "Fair and Warmer" by E. G. von Wold; "Has Anybody Here Seen Kelly?" by Kenneth O'Hara; "The Big Stink" by Theodore R. Cogswell. Article; "Breaking the Time Barrier" by Alson J. Smith. Illustrated by Paul Orban, Ed Emsh, and Kelly Freas. Spine and hinge areas have been wet with light staining; otherwise issue is quite nice. Book. …

SingleIssueMagazine. Condition: Very Good-. Vol. 3, No. 5. Edited by James L. Quinn. Cover art by Ken Fagg. Includes "The Thing in the Attic" (novelette) by James Blish; "A Monster Named Smith" (novelette) by James Gunn; "Beauty and the Beast" by Robert F. Young; "The Small World of M-75" by Ed. M. Clinton, Jr.; "Lonesome Hearts" by Russ Winterbotham; "Fair and Warmer" by E. G. von Wold; "Has Anybody Here Seen Kelly?" by Kenneth O'Hara; "The Big Stink" by Theodore R. Cogswell. Article; "Breaking the Time Barrier" by Alson J. Smith. Illustrated by Paul Orban, Ed Emsh, and Kelly Freas. Lean; creasing; minor tears at spine ends; mild tanning; minor bumps to front. Book. …

Soft cover. Condition: Very Good. First Edition. 64 pp. Digest format. Edge and corner wear; no interior markings. Cover art by Dear. This issue contains: STORIES: Phantom Fortune by Hugh B. Cave; The Shrewd Banker by Leonard Gribble; Pony Run by Gerald Wyatt; Encounter at Sea - part one of two parts (originally titled: Barrier Reef Espionage) by John Gunn. ARTICLES: Summer Exams in March or May by Reg Butler; Gag Bag - anonymous; Scientists Will Probe the Aurora by H. J. Campbell; Highways and Byways in Many Lands by Hellier; Two Years in the Antarctic by E. W. Kevin Walton; Volleyball is a Thrilling Game by Don Anthony; The Night Sky in July by George Graham; A Fast Bowler is the Shock Weapon of the Team by Brian Statham; There Won't Be Any Panic - Life Saving for Swimmers by Sid G. Hedges; Touring with One Map by Ronald English; Set Sail for Marseilles by Robert E. Gibbs; Let's Try Fishing by Alan C. Jenkins; Can You Name These Objects - anonymous; Stamp of the Month by L. N. and M. Williams; Chess Problem by John Bee; and July Crossword (unmarked) by Gordon Doublas. Size: 12mo. Dear; (illustrator). Book.…

Mass Market Paperback. Condition: Very Good. First Edition. UK edition. Includes the stories in the July 1954 US edition, with the exception of the Winterbotham story and not all the essays and artwork, but has the same cover art by Fagg. Contains The Thing in the Attic by Blish (illustrated by Orban), A Monster Named Smith by Gunn (illustrated by Orban), Beauty and the Beast by Young (illustrated by Emsh), The Small World of M-75 by Clinton, Fair and Warmer by von Wald (illustrated by Orban), Has Anybody Here Seen Kelly by O'Hara (illustrated by Orban) and The Big Stink by Cogswell (missing the illustratons by Emsh). The back cover has a two inch crease to the top corner and a light stain but otherwise only slight wear to the covers. One or two spots to the page edges and there is some page browning but they are otherwise unmarked. Postage charge will be reduced by £1.50 when the order is processed. Valigursky, Ed; Orban, Paul; Emsh, Ed; Fagg, Ken;Young, Jerry; (illustrator).…

Paperback. Condition: Very Good. Vo. 2, No.4, Fall 1980. A creased spine with edge rubbings. No store stamp .Stories by : Robert A. Heinlein, Gregory Benford, James Gunn, Frederik Pohl, Jerry Pournelle, Charles Sheffield, G.Harry Stine,David Drake,Richard Wilson, Fred Saberhagen, Dean Ing. Volpe, Charles (illustrator). …

Softcover. Condition: Near Fine. Magazine. Octavo. 92pp. Printed wrappers. Rubbing with small marks on the front wrapper, near fine. This issue features Thom Gunn, D.M. Thomas, Peter Scupham, Gavin Bantock, Patience Tuckwell, John Cotton, Roy MacGregor-Hastie, David H.W. Grubb, and Adam Fox. Additional contributors include David Lambourne, George Herbert, Stefane Mallarme, Stefan Themerson, Paula Claire,Christopher Hampton, May Ivimy, Brenda La Rosa, Brian Peters, G.W. Ashby, Martin Booth, Donald Ward, Odette Tchernine, John Smith, Ronald Bottrall, Paul Lester, James Bernardin, Walter Bennett, Vashti Tyrrell, and Robert Garioch. …

Condition: New.

paperback. Condition: New. 1st.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Pundawar Manbur is one of the largest painted rock shelters in the Drysdale River valley of the Kimberley, Western Australia. It contains more than 600 rock paintings, engravings and rock markings with a complex series of overlapping styles of rock art. It is a cultural jewel of Kwini Country, within the lands of the Balanggarra Native Title determination. This monograph presents the first detailed recording and analysis of the site and its art. There are many figures in superposition, and many also in carefully targeted patterns of superimposition, making for a rich story of sequential engagements going back many thousands of years. There is much figurative art, including images from the earliest purported phase of Kimberley art, the Irregular Infill Animal Period, but there are also stencils and other markings. There is evidence of additive reuse - some of the figures have been repainted. There is also fascinating evidence of subtractive reuse, some of the images showing signs of having been 'battered' and/or scratched, that is, directly engaged with subsequent to their painting. This monograph is unusual in Australian archaeology as it does not focus on an excavated site; it focuses solely on the rock art of Pundawar Manbur and gives it the attention it deserves.…

Paperback. Condition: New. Pundawar Manbur is one of the largest painted rock shelters in the Drysdale River valley of the Kimberley, Western Australia. It contains more than 600 rock paintings, engravings and rock markings with a complex series of overlapping styles of rock art. It is a cultural jewel of Kwini Country, within the lands of the Balanggarra Native Title determination. This monograph presents the first detailed recording and analysis of the site and its art. There are many figures in superposition, and many also in carefully targeted patterns of superimposition, making for a rich story of sequential engagements going back many thousands of years. There is much figurative art, including images from the earliest purported phase of Kimberley art, the Irregular Infill Animal Period, but there are also stencils and other markings. There is evidence of additive reuse - some of the figures have been repainted. There is also fascinating evidence of subtractive reuse, some of the images showing signs of having been 'battered' and/or scratched, that is, directly engaged with subsequent to their painting. This monograph is unusual in Australian archaeology as it does not focus on an excavated site; it focuses solely on the rock art of Pundawar Manbur and gives it the attention it deserves.…

Condition: New.

Paperback. Condition: new. Paperback. Pundawar Manbur is one of the largest painted rock shelters in the Drysdale River valley of the Kimberley, Western Australia. It contains more than 600 rock paintings, engravings and rock markings with a complex series of overlapping styles of rock art. It is a cultural jewel of Kwini Country, within the lands of the Balanggarra Native Title determination. This monograph presents the first detailed recording and analysis of the site and its art. There are many figures in superposition, and many also in carefully targeted patterns of superimposition, making for a rich story of sequential engagements going back many thousands of years. There is much figurative art, including images from the earliest purported phase of Kimberley art, the Irregular Infill Animal Period, but there are also stencils and other markings. There is evidence of additive reuse some of the figures have been repainted. There is also fascinating evidence of subtractive reuse, some of the images showing signs of having been battered and/or scratched, that is, directly engaged with subsequent to their painting. This monograph is unusual in Australian archaeology as it does not focus on an excavated site; it focuses solely on the rock art of Pundawar Manbur and gives it the attention it deserves. This monograph offers the first detailed study of Pundawar Manbur, a major Kimberley rock art site with 600+ paintings and engravings. It reveals complex superimpositions, reuse practices, and imagery spanning thousands of years, highlighting its cultural significance in Kwini Country. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: As New. Unread book in perfect condition.

1st thus. Octavo, printed wraps, b&w illus, pp 128. Light wear to edges, spine slanted, pages lightly toned. Very good condition. Venture Science Fiction was an American digest-size science fiction magazine, first published from 1957 to 1958, and revived for a brief run in 1969 and 1970. (A British edition appeared for 28 issues between 1963 and 1965; it reprinted material from The Magazine of Fantasy & Science Fiction as well as from the US edition of Venture. This is the Australian version of the British edition, which was published two months later in Australia.) The magazine published some well-known writers, and SF historian Mike Ashley has suggested it was ahead of its time. This issue includes: four short stories by Chrles G. Finney, Avram Davidson, Will Worthington, and Robert Bloch; three novelettes by Algis Budrys, Walter M. Miller and Lincoln Boone, and P.G. Wodehouse; and a long featured story by James E. Gunn. (The somewhat unexpected in tis context P.G. Wodehouse story is "Honeysuckle Cottage", and involves Mr Mulliner and a story about a haunted house. It was apparently described by Ludwig Wittgenstein as the funniest thing he had ever read.).…

Paperback. Condition: Brand New. 234 pages. 8.07x0.63x11.38 inches. In Stock.

Paperback / softback. Condition: New. New copy - Usually dispatched within 3 working days.

Condition: New. 2025. paperback. . . . . .

Condition: NEW.

Paperback. Condition: new. Paperback. Pundawar Manbur is one of the largest painted rock shelters in the Drysdale River valley of the Kimberley, Western Australia. It contains more than 600 rock paintings, engravings and rock markings with a complex series of overlapping styles of rock art. It is a cultural jewel of Kwini Country, within the lands of the Balanggarra Native Title determination. This monograph presents the first detailed recording and analysis of the site and its art. There are many figures in superposition, and many also in carefully targeted patterns of superimposition, making for a rich story of sequential engagements going back many thousands of years. There is much figurative art, including images from the earliest purported phase of Kimberley art, the Irregular Infill Animal Period, but there are also stencils and other markings. There is evidence of additive reuse some of the figures have been repainted. There is also fascinating evidence of subtractive reuse, some of the images showing signs of having been battered and/or scratched, that is, directly engaged with subsequent to their painting. This monograph is unusual in Australian archaeology as it does not focus on an excavated site; it focuses solely on the rock art of Pundawar Manbur and gives it the attention it deserves. This monograph offers the first detailed study of Pundawar Manbur, a major Kimberley rock art site with 600+ paintings and engravings. It reveals complex superimpositions, reuse practices, and imagery spanning thousands of years, highlighting its cultural significance in Kwini Country. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condition: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: New. Pundawar Manbur is one of the largest painted rock shelters in the Drysdale River valley of the Kimberley, Western Australia. It contains more than 600 rock paintings, engravings and rock markings with a complex series of overlapping styles of rock art. It is a cultural jewel of Kwini Country, within the lands of the Balanggarra Native Title determination. This monograph presents the first detailed recording and analysis of the site and its art. There are many figures in superposition, and many also in carefully targeted patterns of superimposition, making for a rich story of sequential engagements going back many thousands of years. There is much figurative art, including images from the earliest purported phase of Kimberley art, the Irregular Infill Animal Period, but there are also stencils and other markings. There is evidence of additive reuse - some of the figures have been repainted. There is also fascinating evidence of subtractive reuse, some of the images showing signs of having been 'battered' and/or scratched, that is, directly engaged with subsequent to their painting. This monograph is unusual in Australian archaeology as it does not focus on an excavated site; it focuses solely on the rock art of Pundawar Manbur and gives it the attention it deserves.…

Soft cover. Condition: Very Good. Paperback. Minor wear to wrappers that show curling to corners, otherwise very good. [ Heavy - Please contact for overseas shipping quote ].

Paperback. Condition: new. Paperback. Pundawar Manbur is one of the largest painted rock shelters in the Drysdale River valley of the Kimberley, Western Australia. It contains more than 600 rock paintings, engravings and rock markings with a complex series of overlapping styles of rock art. It is a cultural jewel of Kwini Country, within the lands of the Balanggarra Native Title determination. This monograph presents the first detailed recording and analysis of the site and its art. There are many figures in superposition, and many also in carefully targeted patterns of superimposition, making for a rich story of sequential engagements going back many thousands of years. There is much figurative art, including images from the earliest purported phase of Kimberley art, the Irregular Infill Animal Period, but there are also stencils and other markings. There is evidence of additive reuse some of the figures have been repainted. There is also fascinating evidence of subtractive reuse, some of the images showing signs of having been battered and/or scratched, that is, directly engaged with subsequent to their painting. This monograph is unusual in Australian archaeology as it does not focus on an excavated site; it focuses solely on the rock art of Pundawar Manbur and gives it the attention it deserves. This monograph offers the first detailed study of Pundawar Manbur, a major Kimberley rock art site with 600+ paintings and engravings. It reveals complex superimpositions, reuse practices, and imagery spanning thousands of years, highlighting its cultural significance in Kwini Country. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condition: New. Pundawar Manbur is one of the largest painted rock shelters in the Drysdale River valley of the Kimberley, Western Australia. It contains more than 600 rock paintings, engravings and rock markings with a complex series of overlapping styles of rock art. It is a cultural jewel of Kwini Country, within the lands of the Balanggarra Native Title determination. This monograph presents the first detailed recording and analysis of the site and its art. There are many figures in superposition, and many also in carefully targeted patterns of superimposition, making for a rich story of sequential engagements going back many thousands of years. There is much figurative art, including images from the earliest purported phase of Kimberley art, the Irregular Infill Animal Period, but there are also stencils and other markings. There is evidence of additive reuse - some of the figures have been repainted. There is also fascinating evidence of subtractive reuse, some of the images showing signs of having been 'battered' and/or scratched, that is, directly engaged with subsequent to their painting. This monograph is unusual in Australian archaeology as it does not focus on an excavated site; it focuses solely on the rock art of Pundawar Manbur and gives it the attention it deserves.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.