Giulia Lamoni (14 results)

Condition: Very Good. : «Flâneur: New Urban Narratives» es un volumen colectivo de ensayos sobre arte, fotografía y ciudad, publicado por Procur.arte en tapa blanda, con 213 páginas en inglés.Reúne una selección de ponencias del congreso internacional celebrado en mayo de 2015 en el Teatro Municipal São Luiz de Lisboa. Los textos abordan la ciudad y la fotografía contemporánea, así como su encuentro en el espacio público entendido como lugar de exposición. El congreso inauguró el proyecto europeo Flâneur: New Urban Narratives.Publicado en 2016, el volumen tuvo una tirada de 1.000 ejemplares y mide 170 × 237 mm. La coordinación corresponde a Margarida Brito Alves, Pedro Costa, Giulia Lamoni, José Luís Saldanha, Ana Isabel Soares y Mirian Tavares.Para lectores interesados en fotografía contemporánea, arte y reflexión sobre el espacio urbano. EAN: 9789899538733 Tipo: Libros Categoría: Arte y Cultura Título: Flâneur: New Urban Narratives Autor: Margarida Brito Alves| Francesco Careri| Letícia Carmo| Pedro Costa| Álvaro Domingues| Sandra Vieira Jürgens| Giulia Lamoni| Cláudia Albuquerque de Lima| Ricardo Lopes| Teresa Lousa| Ana Balona de Oliveira| Yves Pedrazzini| Nuno Rodrigues| José Luís Saldanha| Luísa Sanchez Salvador| Ricardo Luís Silva| Basia Sliwinska| Ana Isabel Soares| João Soares| Johanna Steindorf| Mirian Tavares Editorial: Procur.arte Idioma: en Páginas: 213 Formato: tapa blanda.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: New. The catalogue for The power with which we leap together. Women artists in Spain and Portugal between dictatorship and democracy stems from an exhibition held at IVAM - Institut Valencià d'Art Modern, in partnership with CAM and curated by Giulia Lamoni and Patricia Mayayo.Bringing together works by 59 renowned Iberian women artists, the exhibition examines the work created during the pre-revolutionary period in Portugal, before the Carnation Revolution in 1974, and in Spain, prior to the death of the dictator Francisco Franco, in 1975. In both countries, women had already started to challenge the established order, and there was a strong feeling of sisterhood on either side of the border.In addition to the curatorial text, the publication features four essays by prominent Portuguese and Spanish researchers, interspersed with images of several of the works on display, spread through the nine sections that also structure the exhibition.With design by the artist Dayana Lucas, each essay is jointly written by a Spanish and a Portuguese researcher, thus forging relationships and allowing for the examination of themes that have been little studied until now: abstractionism in the work of women artists between 1960 and 1970, feminism in Iberian pop art, the mobility of women artists in the Iberian Peninsula in the final decades of the Cold War, and a proposed dialogue between the two countries through artists' books.…

Paperback. Condition: new. Paperback. The catalogue for The power with which we leap together. Women artists in Spain and Portugal between dictatorship and democracy stems from an exhibition held at IVAM Institut Valencia d'Art Modern, in partnership with CAM and curated by Giulia Lamoni and Patricia Mayayo. Bringing together works by 59 renowned Iberian women artists, the exhibition examines the work created during the pre-revolutionary period in Portugal, before the Carnation Revolution in 1974, and in Spain, prior to the death of the dictator Francisco Franco, in 1975. In both countries, women had already started to challenge the established order, and there was a strong feeling of sisterhood on either side of the border. In addition to the curatorial text, the publication features four essays by prominent Portuguese and Spanish researchers, interspersed with images of several of the works on display, spread through the nine sections that also structure the exhibition. With design by the artist Dayana Lucas, each essay is jointly written by a Spanish and a Portuguese researcher, thus forging relationships and allowing for the examination of themes that have been little studied until now: abstractionism in the work of women artists between 1960 and 1970, feminism in Iberian pop art, the mobility of women artists in the Iberian Peninsula in the final decades of the Cold War, and a proposed dialogue between the two countries through artists' books. AUTHORS: With contributions by David Cortes, Giulia Lamoni, Isabel Tejeda, Leonor de Oliveira, Marcia Oliveira, Margarida Brito Alves, Pablo Santa Olalla, Patricia Mayayo. SELLING POINTS: . Collaboration between CAM and IVAM Institut Valencia d'Art Modern . The catalogue also contains reproductions of works shown for the first time in this exhibition . For the first time in a book, almost 150 works by renowned Iberian women artists 95 colour, 50 b/w illustrations Brings together works by 59 renowned Iberian women artists, the exhibition examines the work created during the pre-revolutionary period in Portugal, before the Carnation Revolution in 1974, and in Spain, prior to the death of the dictator Francisco Franco, in 1975. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. 192 pages. 9.26x6.50x0.64 inches. In Stock.

Hardcover. Condition: Brand New. 288 pages. 12.00x9.25x1.25 inches. In Stock.

Softcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2010. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2010. Ammareal gives back up to 15% of this item's net price to charity organizations. …

Taschenbuch. Condition: Neu. Neuware - Brings together works by 59 renowned Iberian women artists, the exhibition examines the work created during the pre-revolutionary period in Portugal, before the Carnation Revolution in 1974, and in Spain, prior to the death of the dictator Francisco Franco, in 1975.The catalogue for The power with which we leap together. Women artists in Spain and Portugal between dictatorship and democracy stems from an exhibition held at IVAM Institut Valencià d'Art Modern, in partnership with CAM and curated by Giulia Lamoni and Patricia Mayayo. Bringing together works by 59 renowned Iberian women artists, the exhibition examines the work created during the pre-revolutionary period in Portugal, before the Carnation Revolution in 1974, and in Spain, prior to the death of the dictator Francisco Franco, in 1975. In both countries, women had already started to challenge the established order, and there was a strong feeling of sisterhood on either side of the border. In addition to the curatorial text, the publication features four essays by prominent Portuguese and Spanish researchers, interspersed with images of several of the works on display, spread through the nine sections that also structure the exhibition. With design by the artist Dayana Lucas, each essay is jointly written by a Spanish and a Portuguese researcher, thus forging relationships and allowing for the examination of themes that have been little studied until now: abstractionism in the work of women artists between 1960 and 1970, feminism in Iberian pop art, the mobility of women artists in the Iberian Peninsula in the final decades of the Cold War, and a proposed dialogue between the two countries through artists' books.…

Paperback. Condition: new. Paperback. The catalogue for The power with which we leap together. Women artists in Spain and Portugal between dictatorship and democracy stems from an exhibition held at IVAM Institut Valencia d'Art Modern, in partnership with CAM and curated by Giulia Lamoni and Patricia Mayayo. Bringing together works by 59 renowned Iberian women artists, the exhibition examines the work created during the pre-revolutionary period in Portugal, before the Carnation Revolution in 1974, and in Spain, prior to the death of the dictator Francisco Franco, in 1975. In both countries, women had already started to challenge the established order, and there was a strong feeling of sisterhood on either side of the border. In addition to the curatorial text, the publication features four essays by prominent Portuguese and Spanish researchers, interspersed with images of several of the works on display, spread through the nine sections that also structure the exhibition. With design by the artist Dayana Lucas, each essay is jointly written by a Spanish and a Portuguese researcher, thus forging relationships and allowing for the examination of themes that have been little studied until now: abstractionism in the work of women artists between 1960 and 1970, feminism in Iberian pop art, the mobility of women artists in the Iberian Peninsula in the final decades of the Cold War, and a proposed dialogue between the two countries through artists' books. AUTHORS: With contributions by David Cortes, Giulia Lamoni, Isabel Tejeda, Leonor de Oliveira, Marcia Oliveira, Margarida Brito Alves, Pablo Santa Olalla, Patricia Mayayo. SELLING POINTS: . Collaboration between CAM and IVAM Institut Valencia d'Art Modern . The catalogue also contains reproductions of works shown for the first time in this exhibition . For the first time in a book, almost 150 works by renowned Iberian women artists 95 colour, 50 b/w illustrations Brings together works by 59 renowned Iberian women artists, the exhibition examines the work created during the pre-revolutionary period in Portugal, before the Carnation Revolution in 1974, and in Spain, prior to the death of the dictator Francisco Franco, in 1975. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condition: New. The catalogue for The power with which we leap together. Women artists in Spain and Portugal between dictatorship and democracy stems from an exhibition held at IVAM - Institut Valencià d'Art Modern, in partnership with CAM and curated by Giulia Lamoni and Patricia Mayayo.Bringing together works by 59 renowned Iberian women artists, the exhibition examines the work created during the pre-revolutionary period in Portugal, before the Carnation Revolution in 1974, and in Spain, prior to the death of the dictator Francisco Franco, in 1975. In both countries, women had already started to challenge the established order, and there was a strong feeling of sisterhood on either side of the border.In addition to the curatorial text, the publication features four essays by prominent Portuguese and Spanish researchers, interspersed with images of several of the works on display, spread through the nine sections that also structure the exhibition.With design by the artist Dayana Lucas, each essay is jointly written by a Spanish and a Portuguese researcher, thus forging relationships and allowing for the examination of themes that have been little studied until now: abstractionism in the work of women artists between 1960 and 1970, feminism in Iberian pop art, the mobility of women artists in the Iberian Peninsula in the final decades of the Cold War, and a proposed dialogue between the two countries through artists' books.…

Hardcover. Condition: New.

Hardcover. Condition: New.

Paperback. Condition: new. Paperback. The catalogue for The power with which we leap together. Women artists in Spain and Portugal between dictatorship and democracy stems from an exhibition held at IVAM Institut Valencia d'Art Modern, in partnership with CAM and curated by Giulia Lamoni and Patricia Mayayo. Bringing together works by 59 renowned Iberian women artists, the exhibition examines the work created during the pre-revolutionary period in Portugal, before the Carnation Revolution in 1974, and in Spain, prior to the death of the dictator Francisco Franco, in 1975. In both countries, women had already started to challenge the established order, and there was a strong feeling of sisterhood on either side of the border. In addition to the curatorial text, the publication features four essays by prominent Portuguese and Spanish researchers, interspersed with images of several of the works on display, spread through the nine sections that also structure the exhibition. With design by the artist Dayana Lucas, each essay is jointly written by a Spanish and a Portuguese researcher, thus forging relationships and allowing for the examination of themes that have been little studied until now: abstractionism in the work of women artists between 1960 and 1970, feminism in Iberian pop art, the mobility of women artists in the Iberian Peninsula in the final decades of the Cold War, and a proposed dialogue between the two countries through artists' books. AUTHORS: With contributions by David Cortes, Giulia Lamoni, Isabel Tejeda, Leonor de Oliveira, Marcia Oliveira, Margarida Brito Alves, Pablo Santa Olalla, Patricia Mayayo. SELLING POINTS: . Collaboration between CAM and IVAM Institut Valencia d'Art Modern . The catalogue also contains reproductions of works shown for the first time in this exhibition . For the first time in a book, almost 150 works by renowned Iberian women artists 95 colour, 50 b/w illustrations Brings together works by 59 renowned Iberian women artists, the exhibition examines the work created during the pre-revolutionary period in Portugal, before the Carnation Revolution in 1974, and in Spain, prior to the death of the dictator Francisco Franco, in 1975. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…