Gideon Rubin (25 results)

Hardcover. Condition: new. Hardcover. Gideon Rubin (b. 1973, Israel) is an artist who lives and works in London. Exploring identity, history and the inheritance of trauma in his enigmatic paintings, Rubins subject matter draws on myriad references such as film, popular culture, art history and literature, creating and investigating mythologies from the recent past. Haunting and subtly theatrical, the paintings often feature faceless yet familiar figures. Underlying each work is Rubins expressive mark-making, muted palette and understated use of negative space and raw canvas. _Look Again_ is Gideon Rubins second major trade monograph and showcases his substantial body of work since 2015, including studies of people in nature and scenes of solitude and intimacy. Author and art critic Jennifer Higgie discusses the evolution of his artistic style and his many influencesBalthus, De Kooning, Guston and Diebenkorn to name a few. Dr Matthew Holmans expansive essay touches on Rubins cinematic characters, source material, his use of artistic conventions and engagement with sexuality. Holman investigates the meaning of redaction in Rubins work, both in his faceless portraits and in Black Booka work in which Rubin used black paint to erase the contents of a 1938 English translation of Mein Kampf.Exhibited at the Freud Museum in London in 2018, Black Book is an exploration of what is left out of history, as much as what is remembered.Painting is essential to Rubin, as both a creative and therapeutic act; a log keeping him afloat in the middle of the sea, as he puts it. In conversation with fellow artist Varda Caivano, Rubin analyses his motivations, processes and doubts, and explains his surprising route to painting. Despite coming from a lineage of painters on his fathers side, it was largely his mothers academic love of art that galvanised his artistic career, as well as a transformational experience in South America that opened him up to painting. An emotive poem by South Korean author Park Joon sheds further light on Rubins imagination.Rubin studied at the School of Visual Arts in New York and then at the Slade School of Fine Arts in London. He has had numerous international one-man shows and his works are included in a number of international private and public collections. Recent exhibitions include 13, Galleria Monica De Cardenas, Milan (2023), Dark Noise, The Kupferman House Collection, Israel (2023), Portrait without a Face, Fox Jensen Gallery, Tokyo (2023), a solo show at CASSIUS&Co., London (2023) and Living Memory, a two-person show with Louise Bourgeois in a Grade II listed chapel in London (2023). Rubins work has been featured in publications such as _Artribune_, _San Francisco Examiner, Vestoj, Koln Kultur, Galerie Magazine, Suedostschweiz Newspaper_ and _Elephant_ among others. The publication has been supported by Galerie Karsten Greve, who represent Rubins work in Paris, Cologne and St. Moritz. Look Again is Tel Aviv-born, London-based artist Gideon Rubins second major trade monograph and showcases his substantial body of work since 2015. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. Brand New.

hardcover. Condition: New. *Brand new* Ships from USA.

Condition: As New. Unread book in perfect condition.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. Gideon Rubin (b. 1973, Israel) is an artist who lives and works in London. Exploring identity, history and the inheritance of trauma in his enigmatic paintings, Rubin's subject matter draws on myriad references such as film, popular culture, art history and literature, creating and investigating mythologies from the recent past. Haunting and subtly theatrical, the paintings often feature faceless yet familiar figures. Underlying each work is Rubin's expressive mark-making, muted palette and understated use of negative space and raw canvas. _Look Again_ is Gideon Rubin's second major trade monograph and showcases his substantial body of work since 2015, including studies of people in nature and scenes of solitude and intimacy. Author and art critic Jennifer Higgie discusses the evolution of his artistic style and his many influences-Balthus, De Kooning, Guston and Diebenkorn to name a few. Dr Matthew Holman's expansive essay touches on Rubin's cinematic characters, source material, his use of artistic conventions and engagement with sexuality. Holman investigates the meaning of redaction in Rubin's work, both in his faceless portraits and in Black Book-a work in which Rubin used black paint to erase the contents of a 1938 English translation of Mein Kampf.Exhibited at the Freud Museum in London in 2018, Black Book is an exploration of what is left out of history, as much as what is remembered.Painting is essential to Rubin, as both a creative and therapeutic act; 'a log keeping him afloat in the middle of the sea', as he puts it. In conversation with fellow artist Varda Caivano, Rubin analyses his motivations, processes and doubts, and explains his surprising route to painting. Despite coming from a lineage of painters on his father's side, it was largely his mother's academic love of art that galvanised his artistic career, as well as a transformational experience in South America that opened him up to painting. An emotive poem by South Korean author Park Joon sheds further light on Rubin's imagination.Rubin studied at the School of Visual Arts in New York and then at the Slade School of Fine Arts in London. He has had numerous international one-man shows and his works are included in a number of international private and public collections. Recent exhibitions include 13, Galleria Monica De Cardenas, Milan (2023), Dark Noise, The Kupferman House Collection, Israel (2023), Portrait without a Face, Fox Jensen Gallery, Tokyo (2023), a solo show at CASSIUSandCo., London (2023) and Living Memory, a two-person show with Louise Bourgeois in a Grade II listed chapel in London (2023). Rubin's work has been featured in publications such as _Artribune_, _San Francisco Examiner, Vestoj, Koln Kultur, Galerie Magazine, Südostschweiz Newspaper_ and _Elephant_ among others. The publication has been supported by Galerie Karsten Greve, who represent Rubin's work in Paris, Cologne and St. Moritz.

Condition: New.

Condition: New. In.

Hardcover. Condition: New.

Hardback. Condition: New. Gideon Rubin (b. 1973, Israel) is an artist who lives and works in London. Exploring identity, history and the inheritance of trauma in his enigmatic paintings, Rubin's subject matter draws on myriad references such as film, popular culture, art history and literature, creating and investigating mythologies from the recent past. Haunting and subtly theatrical, the paintings often feature faceless yet familiar figures. Underlying each work is Rubin's expressive mark-making, muted palette and understated use of negative space and raw canvas. _Look Again_ is Gideon Rubin's second major trade monograph and showcases his substantial body of work since 2015, including studies of people in nature and scenes of solitude and intimacy. Author and art critic Jennifer Higgie discusses the evolution of his artistic style and his many influences-Balthus, De Kooning, Guston and Diebenkorn to name a few. Dr Matthew Holman's expansive essay touches on Rubin's cinematic characters, source material, his use of artistic conventions and engagement with sexuality. Holman investigates the meaning of redaction in Rubin's work, both in his faceless portraits and in Black Book-a work in which Rubin used black paint to erase the contents of a 1938 English translation of Mein Kampf.Exhibited at the Freud Museum in London in 2018, Black Book is an exploration of what is left out of history, as much as what is remembered.Painting is essential to Rubin, as both a creative and therapeutic act; 'a log keeping him afloat in the middle of the sea', as he puts it. In conversation with fellow artist Varda Caivano, Rubin analyses his motivations, processes and doubts, and explains his surprising route to painting. Despite coming from a lineage of painters on his father's side, it was largely his mother's academic love of art that galvanised his artistic career, as well as a transformational experience in South America that opened him up to painting. An emotive poem by South Korean author Park Joon sheds further light on Rubin's imagination.Rubin studied at the School of Visual Arts in New York and then at the Slade School of Fine Arts in London. He has had numerous international one-man shows and his works are included in a number of international private and public collections. Recent exhibitions include 13, Galleria Monica De Cardenas, Milan (2023), Dark Noise, The Kupferman House Collection, Israel (2023), Portrait without a Face, Fox Jensen Gallery, Tokyo (2023), a solo show at CASSIUSandCo., London (2023) and Living Memory, a two-person show with Louise Bourgeois in a Grade II listed chapel in London (2023). Rubin's work has been featured in publications such as _Artribune_, _San Francisco Examiner, Vestoj, Koln Kultur, Galerie Magazine, Südostschweiz Newspaper_ and _Elephant_ among others. The publication has been supported by Galerie Karsten Greve, who represent Rubin's work in Paris, Cologne and St. Moritz.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: new.

Paperback. Condition: Very Good. Gideon Rubin (b. 1973, Israel) is an artist who lives and works in London. Exploring identity, history and the inheritance of trauma in his enigmatic paintings, Rubins subject matter draws on myriad references such as film, popular culture, art history and literature, creating and investigating mythologies from the recent past. Haunting and subtly theatrical, the paintings often feature faceless yet familiar figures. Underlying each work is Rubins expressive mark-making, muted palette and understated use of negative space and raw canvas. _Look Again_ is Gideon Rubins second major trade monograph and showcases his substantial body of work since 2015, including studies of people in nature and scenes of solitude and intimacy. Author and art critic Jennifer Higgie discusses the evolution of his artistic style and his many influencesBalthus, De Kooning, Guston and Diebenkorn to name a few. Dr Matthew Holmans expansive essay touches on Rubins cinematic characters, source material, his use of artistic conventions and engagement with sexuality. Holman investigates the meaning of redaction in Rubins work, both in his faceless portraits and in Black Booka work in which Rubin used black paint to erase the contents of a 1938 English translation of Mein Kampf.Exhibited at the Freud Museum in London in 2018, Black Book is an exploration of what is left out of history, as much as what is remembered. Painting is essential to Rubin, as both a creative and therapeutic act; a log keeping him afloat in the middle of the sea, as he puts it. In conversation with fellow artist Varda Caivano, Rubin analyses his motivations, processes and doubts, and explains his surprising route to painting. Despite coming from a lineage of painters on his fathers side, it was largely his mothers academic love of art that galvanised his artistic career, as well as a transformational experience in South America that opened him up to painting. An emotive poem by South Korean author Park Joon sheds further light on Rubins imagination. Rubin studied at the School of Visual Arts in New York and then at the Slade School of Fine Arts in London. He has had numerous international one-man shows and his works are included in a number of international private and public collections. Recent exhibitions include 13, Galleria Monica De Cardenas, Milan (2023), Dark Noise, The Kupferman House Collection, Israel (2023), Portrait without a Face, Fox Jensen Gallery, Tokyo (2023), a solo show at CASSIUS&Co., London (2023) and Living Memory, a two-person show with Louise Bourgeois in a Grade II listed chapel in London (2023). Rubins work has been featured in publications such as _Artribune_, _San Francisco Examiner, Vestoj, Koln Kultur, Galerie Magazine, Sudostschweiz Newspaper_ and _Elephant_ among others. The publication has been supported by Galerie Karsten Greve, who represent Rubins work in Paris, Cologne and St. Moritz. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Brand New. 228 pages. 10.30x8.30x1.02 inches. In Stock.

Hardcover. Condition: Fine. First Edition. Hardback. 8vo. pp 64. Original publisher's grey cloth with white lettering at front. ISSUED SANS D/W. Copiously illustrated in colour throughout. Published in a limited run of 1500. ISBN: 9783940824448 Very good indeed. Very good indeed.

Condition: New.

Condition: New.

Hardcover. Condition: Brand New. 228 pages. 10.30x8.30x1.02 inches. In Stock.

Hardcover. Condition: new. Hardcover. Gideon Rubin (b. 1973, Israel) is an artist who lives and works in London. Exploring identity, history and the inheritance of trauma in his enigmatic paintings, Rubins subject matter draws on myriad references such as film, popular culture, art history and literature, creating and investigating mythologies from the recent past. Haunting and subtly theatrical, the paintings often feature faceless yet familiar figures. Underlying each work is Rubins expressive mark-making, muted palette and understated use of negative space and raw canvas. _Look Again_ is Gideon Rubins second major trade monograph and showcases his substantial body of work since 2015, including studies of people in nature and scenes of solitude and intimacy. Author and art critic Jennifer Higgie discusses the evolution of his artistic style and his many influencesBalthus, De Kooning, Guston and Diebenkorn to name a few. Dr Matthew Holmans expansive essay touches on Rubins cinematic characters, source material, his use of artistic conventions and engagement with sexuality. Holman investigates the meaning of redaction in Rubins work, both in his faceless portraits and in Black Booka work in which Rubin used black paint to erase the contents of a 1938 English translation of Mein Kampf.Exhibited at the Freud Museum in London in 2018, Black Book is an exploration of what is left out of history, as much as what is remembered.Painting is essential to Rubin, as both a creative and therapeutic act; a log keeping him afloat in the middle of the sea, as he puts it. In conversation with fellow artist Varda Caivano, Rubin analyses his motivations, processes and doubts, and explains his surprising route to painting. Despite coming from a lineage of painters on his fathers side, it was largely his mothers academic love of art that galvanised his artistic career, as well as a transformational experience in South America that opened him up to painting. An emotive poem by South Korean author Park Joon sheds further light on Rubins imagination.Rubin studied at the School of Visual Arts in New York and then at the Slade School of Fine Arts in London. He has had numerous international one-man shows and his works are included in a number of international private and public collections. Recent exhibitions include 13, Galleria Monica De Cardenas, Milan (2023), Dark Noise, The Kupferman House Collection, Israel (2023), Portrait without a Face, Fox Jensen Gallery, Tokyo (2023), a solo show at CASSIUS&Co., London (2023) and Living Memory, a two-person show with Louise Bourgeois in a Grade II listed chapel in London (2023). Rubins work has been featured in publications such as _Artribune_, _San Francisco Examiner, Vestoj, Koln Kultur, Galerie Magazine, Suedostschweiz Newspaper_ and _Elephant_ among others. The publication has been supported by Galerie Karsten Greve, who represent Rubins work in Paris, Cologne and St. Moritz. Look Again is Tel Aviv-born, London-based artist Gideon Rubins second major trade monograph and showcases his substantial body of work since 2015. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condition: New. Gideon Rubin (b. 1973, Israel) is an artist who lives and works in London. Exploring identity, history and the inheritance of trauma in his enigmatic paintings, Rubin's subject matter draws on myriad references such as film, popular culture, art history and literature, creating and investigating mythologies from the recent past. Haunting and subtly theatrical, the paintings often feature faceless yet familiar figures. Underlying each work is Rubin's expressive mark-making, muted palette and understated use of negative space and raw canvas. _Look Again_ is Gideon Rubin's second major trade monograph and showcases his substantial body of work since 2015, including studies of people in nature and scenes of solitude and intimacy. Author and art critic Jennifer Higgie discusses the evolution of his artistic style and his many influences-Balthus, De Kooning, Guston and Diebenkorn to name a few. Dr Matthew Holman's expansive essay touches on Rubin's cinematic characters, source material, his use of artistic conventions and engagement with sexuality. Holman investigates the meaning of redaction in Rubin's work, both in his faceless portraits and in Black Book-a work in which Rubin used black paint to erase the contents of a 1938 English translation of Mein Kampf.Exhibited at the Freud Museum in London in 2018, Black Book is an exploration of what is left out of history, as much as what is remembered.Painting is essential to Rubin, as both a creative and therapeutic act; 'a log keeping him afloat in the middle of the sea', as he puts it. In conversation with fellow artist Varda Caivano, Rubin analyses his motivations, processes and doubts, and explains his surprising route to painting. Despite coming from a lineage of painters on his father's side, it was largely his mother's academic love of art that galvanised his artistic career, as well as a transformational experience in South America that opened him up to painting. An emotive poem by South Korean author Park Joon sheds further light on Rubin's imagination.Rubin studied at the School of Visual Arts in New York and then at the Slade School of Fine Arts in London. He has had numerous international one-man shows and his works are included in a number of international private and public collections. Recent exhibitions include 13, Galleria Monica De Cardenas, Milan (2023), Dark Noise, The Kupferman House Collection, Israel (2023), Portrait without a Face, Fox Jensen Gallery, Tokyo (2023), a solo show at CASSIUSandCo., London (2023) and Living Memory, a two-person show with Louise Bourgeois in a Grade II listed chapel in London (2023). Rubin's work has been featured in publications such as _Artribune_, _San Francisco Examiner, Vestoj, Koln Kultur, Galerie Magazine, Südostschweiz Newspaper_ and _Elephant_ among others. The publication has been supported by Galerie Karsten Greve, who represent Rubin's work in Paris, Cologne and St. Moritz.

Buch. Condition: Neu. Neuware - The second monograph to showcase Gideon Rubin's paintings and explorations of intimacy and solitude, identity and the inheritance of trauma, with essays by Jennifer Higgie and Dr. Matthew Holman and an exclusive conversation between Rubin and fellow painter Varda Caivano.Gideon Rubin (b. 1973, Israel) is an artist who lives and works in London. Exploring identity, history, and the inheritance of trauma in his enigmatic paintings, Rubin's subject matter draws on myriad references such as film, popular culture, art history, and literature, creating and investigating mythologies from the recent past. Haunting and subtly theatrical, the paintings often feature faceless yet familiar figures. Underlying each work is Rubin's expressive mark-making, muted palette and understated use of negative space and raw canvas.Look Again is Gideon Rubin's second major trade monograph and showcases his substantial body of work since 2015, including studies of people in nature and scenes of solitude and intimacy. Author and art critic Jennifer Higgie discusses the evolution of his artistic style and his many influences - Balthus, De Kooning, Guston, and Diebenkorn to name a few. Matthew Holman's expansive essay touches on Rubin's cinematic characters, source material, his use of artistic conventions and engagement with sexuality. Holman investigates the meaning of redaction in Rubin's work, both in his faceless portraits and in Black Book - a work in which Rubin used black paint to erase the contents of a 1938 English translation of Mein Kampf. Exhibited at the Freud Museum in London in 2018, Black Book is an exploration of what is left out of history, as much as what is remembered.Painting is essential to Rubin, as both a creative and therapeutic act; 'a log keeping him afloat in the middle of the sea,' as he puts it. In conversation with fellow artist Varda Caivano, Rubin analyses his motivations, processes, and doubts, and explains his surprising route to painting. Despite coming from a lineage of painters on his father's side, it was largely his mother's academic love of art that galvanized his artistic career, as well as a transformational experience in South America that opened him up to painting. An emotive poem by South Korean author Park Joon sheds further light on Rubin's imagination.

Hardback. Condition: New. Gideon Rubin (b. 1973, Israel) is an artist who lives and works in London. Exploring identity, history and the inheritance of trauma in his enigmatic paintings, Rubin's subject matter draws on myriad references such as film, popular culture, art history and literature, creating and investigating mythologies from the recent past. Haunting and subtly theatrical, the paintings often feature faceless yet familiar figures. Underlying each work is Rubin's expressive mark-making, muted palette and understated use of negative space and raw canvas. _Look Again_ is Gideon Rubin's second major trade monograph and showcases his substantial body of work since 2015, including studies of people in nature and scenes of solitude and intimacy. Author and art critic Jennifer Higgie discusses the evolution of his artistic style and his many influences-Balthus, De Kooning, Guston and Diebenkorn to name a few. Dr Matthew Holman's expansive essay touches on Rubin's cinematic characters, source material, his use of artistic conventions and engagement with sexuality. Holman investigates the meaning of redaction in Rubin's work, both in his faceless portraits and in Black Book-a work in which Rubin used black paint to erase the contents of a 1938 English translation of Mein Kampf.Exhibited at the Freud Museum in London in 2018, Black Book is an exploration of what is left out of history, as much as what is remembered.Painting is essential to Rubin, as both a creative and therapeutic act; 'a log keeping him afloat in the middle of the sea', as he puts it. In conversation with fellow artist Varda Caivano, Rubin analyses his motivations, processes and doubts, and explains his surprising route to painting. Despite coming from a lineage of painters on his father's side, it was largely his mother's academic love of art that galvanised his artistic career, as well as a transformational experience in South America that opened him up to painting. An emotive poem by South Korean author Park Joon sheds further light on Rubin's imagination.Rubin studied at the School of Visual Arts in New York and then at the Slade School of Fine Arts in London. He has had numerous international one-man shows and his works are included in a number of international private and public collections. Recent exhibitions include 13, Galleria Monica De Cardenas, Milan (2023), Dark Noise, The Kupferman House Collection, Israel (2023), Portrait without a Face, Fox Jensen Gallery, Tokyo (2023), a solo show at CASSIUSandCo., London (2023) and Living Memory, a two-person show with Louise Bourgeois in a Grade II listed chapel in London (2023). Rubin's work has been featured in publications such as _Artribune_, _San Francisco Examiner, Vestoj, Koln Kultur, Galerie Magazine, Südostschweiz Newspaper_ and _Elephant_ among others. The publication has been supported by Galerie Karsten Greve, who represent Rubin's work in Paris, Cologne and St. Moritz.