Garrett Edwin (52 results)

Paperback. Condition: Good. This is a quaint collection of by-words, old sayings, phrases, and stories that are unique for the most part to a particular section of Tennessee. Most of the stories and by-words are from a bygone day, a time when children attended one-teacher schools, when there were very few automobiles; an era when it was a rarity to see an airplane fly across the sky, and upon being heard, children would race out of the schoolhouse to get a glimpse of it.The reader should be aware that there are words in this collection of sayings, such as splouzed (rhyme with blouse), scrouged (rhyme with gouged), and scrootch (rhyme with pooch) which were attempts by the author to capture correct phonetic sounds of the words, since many of these words might never have been written down.This collection of sayings, many of which have faded into non-usage, but all of which bring back fond memories, is written in honor of the author's father, Booz Garrett, 2/12/1896-7/16/1962, a decorated veteran of WI and truly a gentle man.…

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. This is a quaint collection of by-words, old sayings, phrases, and stories that are unique for the most part to a particular section of Tennessee. Most of the stories and by-words are from a bygone day, a time when children attended one-teacher schools, when there were very few automobiles; an era when it was a rarity to see an airplane fly across the sky, and upon being heard, children would race out of the schoolhouse to get a glimpse of it.The reader should be aware that there are words in this collection of sayings, such as splouzed (rhyme with blouse), scrouged (rhyme with gouged), and scrootch (rhyme with pooch) which were attempts by the author to capture correct phonetic sounds of the words, since many of these words might never have been written down.This collection of sayings, many of which have faded into non-usage, but all of which bring back fond memories, is written in honor of the author's father, Booz Garrett, 2/12/1896-7/16/1962, a decorated veteran of WI and truly a gentle man.…

Hardcover. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

PAPERBACK. (5.5 x 8.5 inches). viii. + 244pp. + blanks. viii. + 244pp. + blanks. Printed in the USA. Presumed First [paperback] Edition, none stated. Was published in a hardcover edition. VG+. Light exterior shelf wear else a clean/tight/crisp copy. No names or writings, no spine creasing.

Condition: New.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. Menzo, Edwin; McGlashan, Mark (illustrator).…

Softcover. Condition: Good with no dust jacket. Sound binding, slightly cocked. Clean, slightly tanned pages. Edge wear and fading to wrappers. Wrappers have general shelf wear, soiling. Contents: Corke, "Reflections on a Grest Stone Face"; Ribiero, "Brazil: Between Dogpatch and Yoknapatawpha"; Honig, "The Seizures of Honor in Calderón"; Sullivan, "The Poet as Translator"; Garrett, "A Wreath for Garibaldi"; Department KR: Edward Seidensticker, "The Business at Hand," and Dore Ashton, "St. -John Perse's Guadeloupe"; Jhabvala, "Wedding Preparations"; Maddow, "'To Hell the Rabbis'"; Rebsamen, "Margot and the Gargoyle"; poetry by James Wright, Leonard E. Nathan, John S. Eels Jr. , Harold Witt, David Posner, Emilie Bix Buchwald, George Hemphill, Claire McAllister; reviews. 9.0" tall; 178 pages. …

Condition: New.

Paperback. Condition: New. The first book on Peruvian-American artist Andrea Morales, whose photographs honor her community and their activism in Memphis and the surrounding region. This vibrant catalog showcases a decade's work by Peruvian-American photographer Andrea Morales (b. 1984), whose camera captures community life and activism in the American South, particularly in her home city of Memphis, Tennessee. It accompanies her first major exhibition at the Memphis Brooks Museum of Art, represents the first scholarly publication on her work, and the first major museum exhibition dedicated to movement journalism. Memphis has long been a place bubbling with social movements. Roll Down Like Water-a nod to Dr. Martin Luther King, Jr.'s iconic last speech in the city-shows Morales's incredible ability to engage with her subjects. From intimate portraits and records of daily life to the documentation of social and environmental movements with local and national resonance, her photography builds a passionate and tender portrait of this unique part of the South. Morales centers her practice on building long-term relationships with the communities she photographs and views this relationship as one of collaboration rather than detached observation. Her approach is informed by movement journalism, which recognizes that journalism, like the camera, is not totally objective. By establishing a human connection between chronicler and people and rooting it in an ethical and rigorous framework, Morales's community-driven visual storytelling reaches beyond historical injustice to capture the liveliness and joy of the communities she photographs. For Memphis and Morales, King's words loom large. Echoing his description of collective liberation as "an inescapable network of mutuality, tied into a single garment of destiny," Morales's captivating images of the South chart new, sustainable paths in photojournalism, while reflecting upon identity, community, and the power of storytelling.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Softcover. First Edition; First Printing. Book condition is Very Good in wraps. Slight foxing to covers. Some staining and edge wear to exterior. Text is clean and unmarked. ; 8vo. 9"h x 6"w. In this issue: Nature, Mind and Method: "Our "Polar Partnership" with the World around Us", "On Seeing the Unseen: Imagination in Science and Religion", "Methods in Scientific and Religious Inquiry", "Theological Questions to Scientists", "Mind in Nature".…

Paperback. Condition: New. The first book on Peruvian-American artist Andrea Morales, whose photographs honor her community and their activism in Memphis and the surrounding region. This vibrant catalog showcases a decade's work by Peruvian-American photographer Andrea Morales (b. 1984), whose camera captures community life and activism in the American South, particularly in her home city of Memphis, Tennessee. It accompanies her first major exhibition at the Memphis Brooks Museum of Art, represents the first scholarly publication on her work, and the first major museum exhibition dedicated to movement journalism. Memphis has long been a place bubbling with social movements. Roll Down Like Water-a nod to Dr. Martin Luther King, Jr.'s iconic last speech in the city-shows Morales's incredible ability to engage with her subjects. From intimate portraits and records of daily life to the documentation of social and environmental movements with local and national resonance, her photography builds a passionate and tender portrait of this unique part of the South. Morales centers her practice on building long-term relationships with the communities she photographs and views this relationship as one of collaboration rather than detached observation. Her approach is informed by movement journalism, which recognizes that journalism, like the camera, is not totally objective. By establishing a human connection between chronicler and people and rooting it in an ethical and rigorous framework, Morales's community-driven visual storytelling reaches beyond historical injustice to capture the liveliness and joy of the communities she photographs. For Memphis and Morales, King's words loom large. Echoing his description of collective liberation as "an inescapable network of mutuality, tied into a single garment of destiny," Morales's captivating images of the South chart new, sustainable paths in photojournalism, while reflecting upon identity, community, and the power of storytelling.…

Paperback. Condition: Very Good. Trade PB. 8vo. Published by Memphis Brooks Museum of Art in association with Paul Holberton Publishing, Memphis, Tennessee. 2024. 160 pgs. Illustrated. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. The first book on Peruvian-American artist Andrea Morales, whose photographs honor her community and their activism in Memphis and the surrounding region. This vibrant catalog showcases a decade's work by Peruvian-American photographer Andrea Morales (b. 1984) , whose camera captures community life and activism in the American South, particularly in her home city of Memphis, Tennessee. ; 7.87 X 0.4 X 9.84 inches; 160 pages.…

Condition: New. In English.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Paperback. Condition: Brand New. 160 pages. 9.84x7.87x9.84 inches. In Stock.

Condition: New. In English.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Condition: New. &Uumlber den AutorRosamund Garrett is chief curator at the Memphis Brooks Museum of Art, where she also serves as the curator of European and decorative arts.

Paperback. Condition: New. This vibrant catalogue showcases a decade's work by Memphis-based Peruvian-American photographer Andrea Morales (b. 1984), whose camera sympatheticallydelves into community life and activism in the American South. It accompanies herfirst major exhibition at the Memphis Brooks Museum of Art, represents the firstscholarly publication on her work, and the first major museum exhibition dedicatedto movement journalism.The unofficial capital of the Mississippi Delta, Memphis, Tennessee, has long been aplace bubbling with activism and social movements. Roll Down Like Water - a nod to Dr.Martin Luther King, Jr.'s iconic last speech in the city in support of the 1968 SanitationWorkers' Strike - shows Andrea Morales's incredible ability to engage with her subjects,in Memphis and the surrounding region, through the lens. From intimate portraits andrecords of daily life to the documentation of social and environmental movements withlocal and national resonance, her photography builds a passionate and tender portrait ofthis unique part of the American South.The energy vibrating through Morales's stills is the energy of the people themselves:the artist centres her practice on building long-term relationships with the communitiesshe photographs, and views this relationship as one of collaboration rather thandetached observation. Her approach is informed by 'movement journalism', whichrecognizes that journalism, like the camera, is not totally objective: behind laptops andlenses are people, institutions and systems that hold and wield power, for good or ill.By establishing a human connection between chronicler and people and rooting it inan ethical and rigorous framework, Morales's 'community-driven visual storytelling'reaches beyond historical injustice to capture the liveliness and joy of the communitiesshe photographs.For Memphis, and Morales, King's words loom large. Echoing his descriptionof collective liberation as 'an inescapable network of mutuality, tied into a singlegarment of destiny', Morales's captivating images of the American South inmoments of turbulence, stillness, darkness and beauty chart new, sustainable pathsin photojournalism, while reflecting upon identity, community and the power ofstorytelling.…