Francesca Stevens (22 results)

Pictorial Soft Cover. Condition: Very Good+. 28 p., illustrated [otob: 8] Size: 8 1/4 x 5 3/4 inches.

Hardcover. 8vo. Pp: xii, 496. First edition. Yellow dust jacket with blue illustration and text. Navy buckram boards with gilt lettering to front and spine. Signed: "To Nike, with very best wishes for the future and stay in touch. Sincerely yours Michael London 9th July, 2003."ISBN: 0953773051 Near fine with wear to top edge.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Very good in very good dust jacket (in protector) , some highlighting Index ; Blue hardcover binding, notes, bibliography, gazetteer, index ; 4to (10.125 X 1.0625 X 11.9 inches); 256 pages.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New. 2026. 1st Edition. hardcover. . . . . .

Condition: New.

Condition: New. Jasmine Hazel Shadrack is an adjunct professor at the Don Wright Faculty of Music Research and Composition, Western University, Canada and a Lecturer in Music at MK College, UK. Her monograph Black Metal, Trauma, Subjectivity, and So.

Condition: New. 2026. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: Brand New. 254 pages. 9.18x6.12x9.45 inches. In Stock.

Buch. Condition: Neu. Neuware - Where are the women and femmes in metal music, culture, and scholarship What are the modes of address and engagement when, as Laina Dawes stated, 'you love a music form that doesn't love you back' This interdisciplinary edited collection focuses on centring women and femme voices in metal music, culture, and scholarship, fostering an intersectional feminist position to analyse the varying perspectives and experiences. There has been a trend, which has also been acknowledged amongst feminist metal scholars, of sidelining and sometimes devaluing those voices that are so valid and important in a male-dominated music culture and scholarship. Contributors challenge and rectify this by: centring intersectional gendered identity; elevating women's voices, and musical and other types of labour; and foregrounding trauma, herstory, and queering within metal music culture and scholarship. The audience for this edited collection is students and scholars of metal music studies, popular music studies, musicology, performance studies, gender, queer and decolonial studies, cultural studies, ethnography, feminism, trauma, and herstory. The metal music press and metalheads around the world will also be interested in this convocation.…

Hardcover. Condition: As New. Dust Jacket Condition: Near Fine. 1st Edition. signed inscribed by author GIFT QUALITY PICK UP IN SHERMAN OAKS OKAY First edition Very good condition hard cover nice dust jacket gently read clean pages. Inscribed by Author(s).

Hardcover. Condition: new. Hardcover. Where are the women and femmes in metal music, culture, and scholarship? What are the modes of address and engagement when, as Laina Dawes stated, you love a music form that doesnt love you back? This interdisciplinary edited collection focuses on centring women and femme voices in metal music, culture, and scholarship, fostering an intersectional feminist position to analyse the varying perspectives and experiences. There has been a trend, which has also been acknowledged amongst feminist metal scholars, of sidelining and sometimes devaluing those voices that are so valid and important in a male-dominated music culture and scholarship. Contributors challenge and rectify this by: centring intersectional gendered identity; elevating womens voices, and musical and other types of labour; and foregrounding trauma, herstory, and queering within metal music culture and scholarship. The audience for this edited collection is students and scholars of metal music studies, popular music studies, musicology, performance studies, gender, queer and decolonial studies, cultural studies, ethnography, feminism, trauma, and herstory. The metal music press and metalheads around the world will also be interested in this convocation. This collection fosters an intersectional feminist position, adopting this lens to analyse the varying perspectives and experiences of women and femme metal musicians, fans, and scholars, addressing issues in metal music and scholarship such as misogyny, misogynoir, ableism, and heteronormativity from voices all around the globe. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condition: new. Hardcover. Where are the women and femmes in metal music, culture, and scholarship? What are the modes of address and engagement when, as Laina Dawes stated, you love a music form that doesnt love you back? This interdisciplinary edited collection focuses on centring women and femme voices in metal music, culture, and scholarship, fostering an intersectional feminist position to analyse the varying perspectives and experiences. There has been a trend, which has also been acknowledged amongst feminist metal scholars, of sidelining and sometimes devaluing those voices that are so valid and important in a male-dominated music culture and scholarship. Contributors challenge and rectify this by: centring intersectional gendered identity; elevating womens voices, and musical and other types of labour; and foregrounding trauma, herstory, and queering within metal music culture and scholarship. The audience for this edited collection is students and scholars of metal music studies, popular music studies, musicology, performance studies, gender, queer and decolonial studies, cultural studies, ethnography, feminism, trauma, and herstory. The metal music press and metalheads around the world will also be interested in this convocation. This collection fosters an intersectional feminist position, adopting this lens to analyse the varying perspectives and experiences of women and femme metal musicians, fans, and scholars, addressing issues in metal music and scholarship such as misogyny, misogynoir, ableism, and heteronormativity from voices all around the globe. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Condition: new. Hardcover. Where are the women and femmes in metal music, culture, and scholarship? What are the modes of address and engagement when, as Laina Dawes stated, you love a music form that doesnt love you back? This interdisciplinary edited collection focuses on centring women and femme voices in metal music, culture, and scholarship, fostering an intersectional feminist position to analyse the varying perspectives and experiences. There has been a trend, which has also been acknowledged amongst feminist metal scholars, of sidelining and sometimes devaluing those voices that are so valid and important in a male-dominated music culture and scholarship. Contributors challenge and rectify this by: centring intersectional gendered identity; elevating womens voices, and musical and other types of labour; and foregrounding trauma, herstory, and queering within metal music culture and scholarship. The audience for this edited collection is students and scholars of metal music studies, popular music studies, musicology, performance studies, gender, queer and decolonial studies, cultural studies, ethnography, feminism, trauma, and herstory. The metal music press and metalheads around the world will also be interested in this convocation. This collection fosters an intersectional feminist position, adopting this lens to analyse the varying perspectives and experiences of women and femme metal musicians, fans, and scholars, addressing issues in metal music and scholarship such as misogyny, misogynoir, ableism, and heteronormativity from voices all around the globe. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…