Fendt Ted (53 results)

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. From their first film in 1963, Jean-Marie Straub and Danièle Huillet distinguished themselves as two of Europe's most inventive, generous, and uncompromising filmmakers. From Machorka-Muff (1963) through These Encounters of Theirs (2006), and in the subsequent solo work of Jean-Marie Straub, they developed groundbreaking and unique approaches to film adaptation, performance, sound recording, cinematography, and translation in films made across Germany, Italy, and France - including such modern classics as The Chronicle of Anna Magdalena Bach (1967), Moses and Aaron (1974), Class Relations (1983), and Sicilia! (1999). On the occasion of the first complete North American retrospective of their films in more than two decades, this volume traces the history of Straub's and Huillet's work, placing their films in the specific cultural, linguistic, and critical contexts in which they were produced and providing an account of their distribution and reception in the English-speaking world.…

Condition: New.

Condition: New. Num Pages: 224 pages. BIC Classification: AP. Category: (P) Professional & Vocational. Dimension: 200 x 170 x 15. Weight in Grams: 1000. . 2016. Paperback. . . . .

Condition: As New. Unread book in perfect condition.

Paperback or Softback. Condition: New. On the Figure in General and the Body in Particular: Figurative Invention in Cinema. Book.

Condition: New. pp. 224.

Condition: new.

Paperback. Condition: new. Paperback. From their first film in 1963, Jean-Marie Straub and Daniele Huillet distinguished themselves as two of Europe's most inventive, generous, and uncompromising filmmakers. From Machorka-Muff (1963) through These Encounters of Theirs (2006), and in the subsequent solo work of Jean-Marie Straub, they developed groundbreaking and unique approaches to film adaptation, performance, sound recording, cinematography, and translation in films made across Germany, Italy, and France including such modern classics as The Chronicle of Anna Magdalena Bach (1967), Moses and Aaron (1974), Class Relations (1983), and Sicilia! (1999). On the occasion of the first complete North American retrospective of their films in more than two decades, this volume traces the history of Straub's and Huillet's work, placing their films in the specific cultural, linguistic, and critical contexts in which they were produced and providing an account of their distribution and reception in the English-speaking world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: new. Paperback. These wide-ranging essays covering an array of film genres and styles propose a method of cinematic analysis and interpretation that foregrounds films formal and plastic qualities.Films fill our imagination with figures, figurines, and talismans. They ceaselessly rework the same archetypes and invent troubling prototypes especially when they establish a deeper relationship to reality. How do we understand these presences that are both so characteristic and so diverse in cinema? How does film deal with bodies, movements, and gestures? Why are we so drawn to these shadows, silhouettes, and hypothetical beings? What organises the figurative values at work in a film? How do cinematic creatures circulate from film to film and image to image? How does film articulate the links between the abstract and figurative? Is it possible to write a history of figurative forms? Starting from films themselves and works that are both classical (Sergei Eisenstein, Roberto Rossellini, Orson Welles) and contemporary (Abel Ferrara, Brian DePalma, Patricia Mazuy), celebrated (Robert Bresson, John Cassavetes, Ken Jacobs, Paul Sharits) and overlooked (Al Razutis, Jean Genet, Monte Hellman, and John Travolta), from auteurs as well as aesthetic questions (representations of dance, the naked body, character development), the essays in this volume, most available for the first in English, aim to open a field that has been neglected by analysis, while also suggesting the tools necessary to understanding figurative phenomena specific to cinema. A collection of wide-ranging essays written throughout the 1990s, On the Body in General and the Figure in Particular covers an array of genres and styles to propose an original method of cinematic analysis and interpretation foregrounding films formal and plastic qualities in all their multifaceted materiality and aesthetics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. Num Pages: 224 pages. BIC Classification: AP. Category: (P) Professional & Vocational. Dimension: 200 x 170 x 15. Weight in Grams: 1000. . 2016. Paperback. . . . . Books ship from the US and Ireland.

Condition: New.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 253 pages. 8.00x7.00x1.00 inches. In Stock.

First Edition. Softcover. First Edition. Text in English. Devoted to the work of French filmmaking duo Jean-Marie Straub and Daniele Huillet, remembered today for their radical, communist politics. Extremities lightly rubbed, else about Near Fine in perfect-bound wrappers with French flaps.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. pp. 224.

Condition: New.

Condition: As New. Unread book in perfect condition.

paperback. Condition: New. Special order direct from the distributor.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 253 pages. 8.00x7.00x1.00 inches. In Stock.

Paperback. Condition: Brand New. 260 pages. 9.02x6.00x1.00 inches. In Stock.