Fendt Gene (95 results)
- Softcover
Seller: Zoom Books East, Glendale Heights, IL, U.S.A.Zoom Books East
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Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.
Published by Angelico Press, 2025
- Softcover
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- Softcover
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- Softcover
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- Softcover
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- Softcover
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- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Paperback. Condition: New. A year into the global pandemic, Gene Fendt repositions the attention of the Western world on a literary classic that bears a vital perspective. Presently, civilization cannot allow itself to think about being better. First it has to survive. Referencing Thomas Merton's claim that Camus' fictional acco…unt is actually a "modern myth about the destiny of man" and indication of the blight of "ambiguous and false explanations, interpretations, conventions, justifications, legalizations, evasions which infect our struggling civilization," Fendt makes the case that "modernity itself is a time of plague." Fendt asserts that perhaps "the originality of the modern plague is that most people admit of no symptoms." This chilling likeness to the asymptomatic Covid-19 victim is but one of the images of what the plague stands for in both the novel and contemporary society. The existentialist fiction of Camus is unwrapped by Fendt's fidelity to realism and Camus' motivations as an artist. As Camus calls nihilistic art and culture "barbaric," Fendt calls the barbarian a natural slave. If we are moved by the forces of powers that be without sense or knowledge of a proper end, we too have been rendered worse than ignorant. Beyond the presentation of The Plague as a myth, Fendt also provides generous insight into elements of this work that give an autobiographical portrait of Albert Camus´ artistic development. He provides an intelligent challenge to labeling Camus an atheist, if Camus is truly the artist Fendt believes him to be. It is also an unlikely but important contribution to the political philosophical study of solidarity.
- Softcover
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- Softcover
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Rant #3
Vitale, Alfred; Bey, Hakim; Breithaupt, Dave; Carr, Scott; Carter, Michael; Christy, Ana; Donnelly, J.; Elliot; Estabrook, Michael; Fendt, Gene; Fuller, Margaret; Gardner, Amanda; Goldman, Batya; Hix, H. Edgar; Huberman, David; Hulse, John; Kamberg, Mary-Lane; Kold, Buddy; Kolm, Ron; Kupferberg, Tuli; Mattingley, Ann Bender; Maynard, Joe; Parnell, Robyn; Plantenga, Bart; Salasin; Savage, Tom; Taylor, William; Topp, Mike; VanZant, Frank; Walton, Gary; Weasel Boy; Wilson, Clifford; Wilson, Mychal
Language: English
Published by Yorkville Press, New York, 1994
- Softcover
- First Edition
Seller: Village Works, New York, NY, U.S.A.Village Works
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Add to basketSoft cover. Condition: Very Good. 1st Edition. ISSN: 11068-9419Contains some /markings/ edge wear/discoloring/minor chipping due to age and handling. We may ask for additional charges for international shipping, if quoted shipping price does not cover actual shipping costs. 1994 date approximated. Alessi, Carl; Bad Bob; Neary, W…alt; Shalom; Stern, Oscar; Dweller, C.R. Stone; Wilson, Blair (illustrator).
- Hardcover
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- Hardcover
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- Hardcover
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- Softcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
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- Softcover
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- Softcover
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condition: new. Paperback. A year into the global pandemic, Gene Fendt repositions the attention of the Western world on a literary classic that bears a vital perspective. Presently, civilization cannot allow itself to think about being better. First it has to survive. Referencing Thomas Mertons claim that Camus ficti…onal account is actually a modern myth about the destiny of man and indication of the blight of ambiguous and false explanations, interpretations, conventions, justifications, legalizations, evasions which infect our struggling civilization, Fendt makes the case that modernity itself is a time of plague. Fendt asserts that perhaps the originality of the modern plague is that most people admit of no symptoms. This chilling likeness to the asymptomatic Covid-19 victim is but one of the images of what the plague stands for in both the novel and contemporary society. The existentialist fiction of Camus is unwrapped by Fendts fidelity to realism and Camus motivations as an artist. As Camus calls nihilistic art and culture barbaric, Fendt calls the barbarian a natural slave. If we are moved by the forces of powers that be without sense or knowledge of a proper end, we too have been rendered worse than ignorant. Beyond the presentation of The Plague as a myth, Fendt also provides generous insight into elements of this work that give an autobiographical portrait of Albert Camus artistic development. He provides an intelligent challenge to labeling Camus an atheist, if Camus is truly the artist Fendt believes him to be. It is also an unlikely but important contribution to the political philosophical study of solidarity. The literary classic brings a vital perspective to present times. "Modernity itself is a time of plague" and our nihilistic art and culture are barbaric. Fendt also challenges the claim that Camus was an atheist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Hardcover
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- Hardcover
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- Softcover
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Condition: New. 2022. Paperback. . . . . .
- Softcover
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- Hardcover
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- Softcover
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- Softcover
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- Softcover
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- Softcover
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- Softcover
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- Hardcover
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