Esser Heribert (53 results)

Softcover. 2 Briefe A4. Einer davon handschriftlich unterzeichnet von Esser. Brief des Antiquariats als Durchschlag. Auf dem Brief von Esser in Bleistift eine eigenhändig vorformulierte Antwort in Bleistift von Carl Wegner. Gelocht und gut erhalten. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Leuchtender Herbstbeginn! Wie wäre es mit einem guten Buch? Bei uns werden Sie fündig, stöbern Sie in unserem Ladengeschäft oder online. -- Wir kaufen Ihre werthaltigen Bücher! WidmO. …

weicher Einband. 198 S., Oktav, kartoniert. Titelblatt kleiner Namenseintrag. Sehr gutes Exemplar. Ergänzte und überarbeitete Auflage. Sprache: Deutsch (unbesetzt) 277 gr.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: Fine.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:9780195151510.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: New.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

9 x 13 cm. 1 Bl. Heribert Esser (* 12. Januar 1929 in Rheinhausen) ist ein deutscher Dirigent und Hochschullehrer. 1962 in Braunschweig zum Generalmusikdirektor ernannt, war er von 1987 bis 1994 Inhaber des Elder Chair of Music am Elder Conservatorium der University of Adelaide. Zuletzt leitete er das Philharmonische Staatsorchester Halle. (Wikipedia) Sprache: deutsch.…

Condition: New.

xvi, 101 S. Gr. 8°. Oln. Schutzumschlag. Mit eigenh. Angebotsbrief und Widmung auf Vorsatz des Verfassers Sprache: Englisch Gewicht in Gramm: 400.

Paperback. Condition: New. Heinrich Schenker's The Art of Performance shows this great music theorist in a new light. While his theoretical writings helped transform music theory in the twentieth century, this book draws on his experience as a musician and teacher to propose a sharp reevaluation of how musical compositions are realized in performance. Filled with concrete examples and numerous suggestions, the book will interest both music theorists and practicing performers. Schenker's approach is based on his argument that much of contemporary performance practice is rooted in the nineteenth-century cult of the virtuoso, which has resulted in an overemphasis on technical display. To counter this, he proposes specific ways to reconnect the composer's intentions and the musician's performance. Schenker begins by showing how performers can benefit from understanding the laws of composition. He demonstrates how a literal interpretation of the composer's indications can be self-defeating, and he provides a lively discussion of piano technique, including suggestions for pedal, sound color, orchestral effects, and balance. He devotes separate chapters to non-legato, legato, fingering, dynamics, tempo, and rests. In addition to the examples for pianists, Schenker covers a number of topics, such as bowing technique, that will prove invaluable for other instrumentalists and for conductors. The book concludes with an aphoristic and sometimes lyrical chapter on practicing. After Schenker's death, his student Oswald Jonas prepared the text for publication from Schenker's notes, eventually leaving the manuscript to his stepdaughter, Irene Schreier Scott, who entrusted the work of organizing and editing the disparate material to Jonas's friend and student Heribert Esser. She later translated it into English. This edition is the first publication in any language of this remarkable work.…

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. A re-evaluation of how musical compositions are realized in performance, this title argues that much of contemporary performance is rooted in the 19th-century cult of the virtuoso, which has resulted in an overemphasis on technical display. It suggests numerous ways to reconnect the composer's intentions and the musician's performance. Translator(s): Scott, Irene Schreier. Num Pages: 136 pages, 4 halftones, numerous music examples. BIC Classification: AVRG; AVS. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 155 x 9. Weight in Grams: 212. . 2000. Revised ed. paperback. . . . .…

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Good. Dust Jacket Condition: Good. Some pen markings throughout, worn dust jacket. Category: Rare.

Condition: New. A re-evaluation of how musical compositions are realized in performance, this title argues that much of contemporary performance is rooted in the 19th-century cult of the virtuoso, which has resulted in an overemphasis on technical display. It suggests numerous ways to reconnect the composer's intentions and the musician's performance. Translator(s): Scott, Irene Schreier. Num Pages: 136 pages, 4 halftones, numerous music examples. BIC Classification: AVRG; AVS. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 155 x 9. Weight in Grams: 212. . 2000. Revised ed. paperback. . . . . Books ship from the US and Ireland.…

Paperback. Condition: New. Heinrich Schenker's The Art of Performance shows this great music theorist in a new light. While his theoretical writings helped transform music theory in the twentieth century, this book draws on his experience as a musician and teacher to propose a sharp reevaluation of how musical compositions are realized in performance. Filled with concrete examples and numerous suggestions, the book will interest both music theorists and practicing performers. Schenker's approach is based on his argument that much of contemporary performance practice is rooted in the nineteenth-century cult of the virtuoso, which has resulted in an overemphasis on technical display. To counter this, he proposes specific ways to reconnect the composer's intentions and the musician's performance. Schenker begins by showing how performers can benefit from understanding the laws of composition. He demonstrates how a literal interpretation of the composer's indications can be self-defeating, and he provides a lively discussion of piano technique, including suggestions for pedal, sound color, orchestral effects, and balance. He devotes separate chapters to non-legato, legato, fingering, dynamics, tempo, and rests. In addition to the examples for pianists, Schenker covers a number of topics, such as bowing technique, that will prove invaluable for other instrumentalists and for conductors. The book concludes with an aphoristic and sometimes lyrical chapter on practicing. After Schenker's death, his student Oswald Jonas prepared the text for publication from Schenker's notes, eventually leaving the manuscript to his stepdaughter, Irene Schreier Scott, who entrusted the work of organizing and editing the disparate material to Jonas's friend and student Heribert Esser. She later translated it into English. This edition is the first publication in any language of this remarkable work.…

hardcover. Condition: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

Condition: New. In English.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.