Eric Jan Sluijter (23 results)

Condition: New.

PB. B&W and color illustrations (illustrator). 240pp ISBN 0914738461 Published for the exhibition held at the Denver Art Museum, and The Newark Museum. very good, wraps (softcover) faint crease top corner front cover.

Condition: Good. Paperback, periodiek, enkele illustraties in z/w, 8vo. Leidschrift: histoprisch tijdschrift jaargang 6, nummer 3, augustus 1990. ISSN 0923-9146.

Soft Cover. Condition: Very Good Plus. First Edition. soft cover, folded card covers, as issued., circular owner blindstamps to cover and one preliminary page. slight lean or fore-edge overhang. no other flaws or wear. clean. no writing or markings. no bumps or tears. strong sewn binding.; english text.; 448pp., 366 illustrations, with good size color plate section. examines the use of female nudes in the art of the period, those who may have influenced rembrandt, his contemporaries, and his influence. Size: 4to - over 9¾" - 12" tall.

Condition: New.

Paperback. Condition: new. Paperback. Rembrandts extraordinary paintings of female nudes Andromeda, Susanna, Diana and Her Nymphs, Danae, Bathsheba as well as his etchings of nude women, have fascinated many generations of art lovers and art historians, but they have also elicited vehement criticism. They were considered against-the-grain, anti-classical, even ugly and unpleasant. However, Rembrandt chose conventional subjects, keeping close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists? To answer this question the author examines Rembrandts paintings and etchings against the foil of established pictorial traditions in the Netherlands as well as Italy. Exploring Rembrandts intense dialogue with the works of predecessors and peers, the author demonstrates that, more than any other artist, it was Rembrandts purpose to incite the greatest possible empathy in the viewer. This had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study the author presents an innovative approach to Rembrandts views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of Rembrandts artistic choices.This title was shortlisted for the Charles Rufus Morey Award of the College Art Association in 2007 First detailed study of Rembrandts fascinating depictions of female nudes Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. pp. 448 250 Illus. (Col.).

Paperback. Condition: Brand New. illustrated edition. 448 pages. 10.50x9.50x1.25 inches. In Stock.

cloth, dustjacket, large 8vo 318 pp., ca. 150 ills. Antwerp artists and artisans in London; Hubert Beuckelaer; Jan Wyck; floral marquetry; William III and his circle; very good condition (unused).

Condition: New. pp. 448.

Leiden, Primavera Pers, 1986. 598 pp. 215 b./w. ills. Softcover. 8vo.

Condition: New. pp. 448.

Condition: Very good.

Paperback. Condition: new. Paperback. Rembrandts extraordinary paintings of female nudes Andromeda, Susanna, Diana and Her Nymphs, Danae, Bathsheba as well as his etchings of nude women, have fascinated many generations of art lovers and art historians, but they have also elicited vehement criticism. They were considered against-the-grain, anti-classical, even ugly and unpleasant. However, Rembrandt chose conventional subjects, keeping close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists? To answer this question the author examines Rembrandts paintings and etchings against the foil of established pictorial traditions in the Netherlands as well as Italy. Exploring Rembrandts intense dialogue with the works of predecessors and peers, the author demonstrates that, more than any other artist, it was Rembrandts purpose to incite the greatest possible empathy in the viewer. This had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study the author presents an innovative approach to Rembrandts views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of Rembrandts artistic choices.This title was shortlisted for the Charles Rufus Morey Award of the College Art Association in 2007 First detailed study of Rembrandts fascinating depictions of female nudes Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. First Edition. Red covers with black lettering on the spine and front cover. First edition in this translation. Fresh covers, tight binding, clean pages and end-papers. Contains black and white illustrations. No dust-jacket. Previous owner's name, architectural historian Kerry Downes, in pencil at the front. Quantity Available: 1. Shipped Weight: under 1 kg. ISBN: 9040094438. ISBN/EAN: 9789040094439. Pictures of this item not already displayed here available upon request. Inventory No: 19023101028. All our books are sent by tracked mail.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 'This book consists of a collection of six studies that originally appeared in Dutch. They shed new light on intriguing aspects of Dutch art of the 17th century, focusing on paintings and prints representing subjects which assume a conspicuous position in the art of that period and deal with beauty and seduction, love and desire, chastity and unchastity.' (From the jacket). 2 inch score to the back panel of the jacket with faint corresponding mark to back cover(see photos), very occasional underlining. 9.5 x 7". 368 pages.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1400grams, ISBN:9040094438.

Taschenbuch. Condition: Neu. Neuware - Rembrandt's extraordinary paintings of female nudes - Andromeda, Susanna, Diana and Her Nymphs, Danaë, Bathsheba - as well as his etchings of nude women, have fascinated many generations of art lovers and art historians, but they have also elicited vehement criticism. They were considered against-the-grain, anti-classical, even ugly and unpleasant. However, Rembrandt chose conventional subjects, keeping close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists To answer this question the author examines Rembrandt's paintings and etchings against the foil of established pictorial traditions in the Netherlands as well as Italy. Exploring Rembrandt's intense dialogue with the works of predecessors and peers, the author demonstrates that, more than any other artist, it was Rembrandt's purpose to incite the greatest possible empathy in the viewer. This had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study the author presents an innovative approach to Rembrandt's views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of Rembrandt's artistic choices.This title was shortlisted for the Charles Rufus Morey Award of the College Art Association in 2007.

Condition: Very good.

Condition: Fair. Original pictorial boards, ribbon marker, numerous illustrations in colour and b/w, 4to. Oculi 14.; Dust jacket missing, small stain on side cut, small scratch to front board.

Paperback. Condition: New.

Hardcover. Condition: New.

2. Den Haag, E.J.Sluijter, 1986, in-8°, 98 pp + 21 black/white ills., cheaply glued in orig. stiff wrapper by publisher (bookblock partly broken). index, bibliography. Doctoral thesis presented at Leiden University.