Duijn Esther Van (23 results)

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: Good. Paperback, numerous illustrations in colour, 4to. Academic Thesis.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Condition: New.

paperback. Condition: New. 1st.

Paperback. Condition: Brand New. 287 pages. 11.50x8.00x0.75 inches. In Stock.

Condition: New.

Condition: New. 2021. paperback. . . . . .

Hardback. Condition: New. The book addresses the question of how experts from a variety of educational backgrounds and with different professional identities created scientific conservation. How did they make science the type of knowledge carrying most authority in questions of conservation? From the ruins of the Second World War, international organisations (e.g. IIC), journals (e.g. Studies in Conservation), and institutes (e.g. the KIK-IRPA in Brussels) emerged. This book discusses these developments until the 1970s, when conservators confronted with the processual and intangible aspects of contemporary art started to question the principles of scientific conservation and again began to value other forms of knowledge.Contributors are: Camille Bourdiel, Marco Cardinali, Leib Celnik, Angela Cerasuolo, Esther van Duijn, Sven Dupré, Noémie Etienne, Thierry Ford, Michael von der Goltz, Jo Kirby, Hero Lotti, Salvador Muñoz-Viñas, Maeva Pimo, Ron Spronk, Geert Vanpaemel, and Aga Wielocha.…

Paperback. Condition: New.

Condition: New. 2021. paperback. . . . . . Books ship from the US and Ireland.

Hardback. Condition: New. The book addresses the question of how experts from a variety of educational backgrounds and with different professional identities created scientific conservation. How did they make science the type of knowledge carrying most authority in questions of conservation? From the ruins of the Second World War, international organisations (e.g. IIC), journals (e.g. Studies in Conservation), and institutes (e.g. the KIK-IRPA in Brussels) emerged. This book discusses these developments until the 1970s, when conservators confronted with the processual and intangible aspects of contemporary art started to question the principles of scientific conservation and again began to value other forms of knowledge.Contributors are: Camille Bourdiel, Marco Cardinali, Leib Celnik, Angela Cerasuolo, Esther van Duijn, Sven Dupré, Noémie Etienne, Thierry Ford, Michael von der Goltz, Jo Kirby, Hero Lotti, Salvador Muñoz-Viñas, Maeva Pimo, Ron Spronk, Geert Vanpaemel, and Aga Wielocha.…

Hardback. Condition: New. The book addresses the question of how experts from a variety of educational backgrounds and with different professional identities created scientific conservation. How did they make science the type of knowledge carrying most authority in questions of conservation? From the ruins of the Second World War, international organisations (e.g. IIC), journals (e.g. Studies in Conservation), and institutes (e.g. the KIK-IRPA in Brussels) emerged. This book discusses these developments until the 1970s, when conservators confronted with the processual and intangible aspects of contemporary art started to question the principles of scientific conservation and again began to value other forms of knowledge.Contributors are: Camille Bourdiel, Marco Cardinali, Leib Celnik, Angela Cerasuolo, Esther van Duijn, Sven Dupré, Noémie Etienne, Thierry Ford, Michael von der Goltz, Jo Kirby, Hero Lotti, Salvador Muñoz-Viñas, Maeva Pimo, Ron Spronk, Geert Vanpaemel, and Aga Wielocha.…

Buch. Condition: Neu. Neuware - The book addresses the question of how experts from a variety of educational backgrounds and with different professional identities created scientific conservation. How did they make science the type of knowledge carrying most authority in questions of conservation From the ruins of the Second World War, international organisations (e.g. IIC), journals (e.g. Studies in Conservation), and institutes (e.g. the KIK-IRPA in Brussels) emerged. This book discusses these developments until the 1970s, when conservators confronted with the processual and intangible aspects of contemporary art started to question the principles of scientific conservation and again began to value other forms of knowledge. Contributors are: Camille Bourdiel, Marco Cardinali, Leib Celnik, Angela Cerasuolo, Esther van Duijn, Sven Dupré, Noémie Etienne, Thierry Ford, Michael von der Goltz, Jo Kirby, Hero Lotti, Salvador Muñoz-Viñas, Maeva Pimo, Ron Spronk, Geert Vanpaemel, and Aga Wielocha.…

Hardback. Condition: New. The book addresses the question of how experts from a variety of educational backgrounds and with different professional identities created scientific conservation. How did they make science the type of knowledge carrying most authority in questions of conservation? From the ruins of the Second World War, international organisations (e.g. IIC), journals (e.g. Studies in Conservation), and institutes (e.g. the KIK-IRPA in Brussels) emerged. This book discusses these developments until the 1970s, when conservators confronted with the processual and intangible aspects of contemporary art started to question the principles of scientific conservation and again began to value other forms of knowledge.Contributors are: Camille Bourdiel, Marco Cardinali, Leib Celnik, Angela Cerasuolo, Esther van Duijn, Sven Dupré, Noémie Etienne, Thierry Ford, Michael von der Goltz, Jo Kirby, Hero Lotti, Salvador Muñoz-Viñas, Maeva Pimo, Ron Spronk, Geert Vanpaemel, and Aga Wielocha.…

Condition: new. Questo è un articolo print on demand.

Hardcover. Condition: Brand New. 440 pages. 9.25x6.10x9.25 inches. In Stock. This item is printed on demand.

Hardcover. Condition: new. Hardcover. The book addresses the question of how experts from a variety of educational backgrounds and with different professional identities created scientific conservation. How did they make science the type of knowledge carrying most authority in questions of conservation? From the ruins of the Second World War, international organisations (e.g. IIC), journals (e.g. Studies in Conservation), and institutes (e.g. the KIK-IRPA in Brussels) emerged. This book discusses these developments until the 1970s, when conservators confronted with the processual and intangible aspects of contemporary art started to question the principles of scientific conservation and again began to value other forms of knowledge.Contributors are: Camille Bourdiel, Marco Cardinali, Leib Celnik, Angela Cerasuolo, Esther van Duijn, Sven Dupre, Noemie Etienne, Thierry Ford, Michael von der Goltz, Jo Kirby, Hero Lotti, Salvador Munoz-Vinas, Maeva Pimo, Ron Spronk, Geert Vanpaemel, and Aga Wielocha. The book shows how experts from a variety of backgrounds made science the type of knowledge carrying most authority in questions of conservation following the Second World War until the 1970s, when the principles of scientific conservation were questioned again. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…