Dr Andrew Wilson (86 results)

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Very Good. Crease on cover*.

hardcover. Condition: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. Fine with no wear or markings in a near fine jacket due to light wear. 1st printing indicated on copyright page. Illustrated section.

Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condition: New.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. clean, unmarked copy. owner's name front endpaper.

Condition: New.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. clean, unmarked copy.

Hardback. Condition: New. These sketchbooks have an extraordinary story behind them, created as they were in 1942, Alfred Wallis's final year, when he lived in the Penzance poorhouse. They shine new light on his contribution to the development of modern art in Britain. A Cornish mariner and scrap metal dealer, he was self-taught and started to paint in around 1925 following the death of his wife three years earlier. A potent influence in the late 1920s for artists Winifred and Ben Nicholson and Christopher Wood, his simple and direct style communicated a truth of experience that also came to personify the overriding character of St Ives as an art community that valued his authenticity of expression. The legacy of his art continues to inspire artists today. This book brings together the contents of three sketchbooks that Wallis filled with drawings. With an introduction by curator Andrew Wilson, it offers a remarkable insight into Wallis's art of memory made tangible. 'No, I don't think a good Wallis is representational it is simply REAL.' - Ben Nicholson.…

Hardcover. Condition: Very Good. No Jacket. Caxton, London, no-date. Hard cover. Condition : Very good, clean unmarked text. No-notations. Illustration of Human Skull at front & Skeleton at rear.Fore pages browned. Book will be sent by UK postal service. Inventory #023789.

Paperback. Condition: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.…

Paperback. Condition: New. "All the work of the 1970s involved a kind of doubling; there was the world of the everyday and there was the world of the represented .a sense of our experiential worlds becoming bifurcated between image and reality." John Stezaker This is the first publication to explore the rich history of conceptual art in Britain during its most exciting and innovative period, from the mid 1960s to the election of Margaret Thatcher in 1979. It examines how the early works of this period took the form of a challenge to art's traditional boundaries and how by the mid 1970s, focus had shifted away from issues of art and individual experience towards questions of politics and identity, using the languages of documentary, propaganda and advertising in the service of action. After introducing the reader to the origins of this radical moment in British art, the book goes on to explore the textual work of Art and Language, Victor Burgin and others; the 'New Sculpture' being produced by those such as Richard Long and Michael Craig-Martin who questioned the traditional art object; and the artists who addressed society and politics, including Stephen Willats and Margaret Harrison.A final chapter deals with the key role of photography, film and print - revealing them to be key modes of dissemination and international exchange with Europe and America. Essays are complemented by in-focus texts on the most significant works and previously unpublished archival material. Featuring contributions by experts in the field, this is the key book on the subject for students, scholars and all those with an.…

Paperback. Condition: New. "All the work of the 1970s involved a kind of doubling; there was the world of the everyday and there was the world of the represented .a sense of our experiential worlds becoming bifurcated between image and reality." John Stezaker This is the first publication to explore the rich history of conceptual art in Britain during its most exciting and innovative period, from the mid 1960s to the election of Margaret Thatcher in 1979. It examines how the early works of this period took the form of a challenge to art's traditional boundaries and how by the mid 1970s, focus had shifted away from issues of art and individual experience towards questions of politics and identity, using the languages of documentary, propaganda and advertising in the service of action. After introducing the reader to the origins of this radical moment in British art, the book goes on to explore the textual work of Art and Language, Victor Burgin and others; the 'New Sculpture' being produced by those such as Richard Long and Michael Craig-Martin who questioned the traditional art object; and the artists who addressed society and politics, including Stephen Willats and Margaret Harrison.A final chapter deals with the key role of photography, film and print - revealing them to be key modes of dissemination and international exchange with Europe and America. Essays are complemented by in-focus texts on the most significant works and previously unpublished archival material. Featuring contributions by experts in the field, this is the key book on the subject for students, scholars and all those with an.…

hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condition: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.…

Hardcover. Condition: Good. No Jacket. Red cloth covers; good condition some fraying to ends of spine. Faded giolt lettering to spine. Hardcover C1910. No Jacket. 1st Edition. Vol.V 262 pages."Being a complete guide to the attainment and preservation of health".

Hardback. Condition: New. These sketchbooks have an extraordinary story behind them, created as they were in 1942, Alfred Wallis's final year, when he lived in the Penzance poorhouse. They shine new light on his contribution to the development of modern art in Britain. A Cornish mariner and scrap metal dealer, he was self-taught and started to paint in around 1925 following the death of his wife three years earlier. A potent influence in the late 1920s for artists Winifred and Ben Nicholson and Christopher Wood, his simple and direct style communicated a truth of experience that also came to personify the overriding character of St Ives as an art community that valued his authenticity of expression. The legacy of his art continues to inspire artists today. This book brings together the contents of three sketchbooks that Wallis filled with drawings. With an introduction by curator Andrew Wilson, it offers a remarkable insight into Wallis's art of memory made tangible. 'No, I don't think a good Wallis is representational it is simply REAL.' - Ben Nicholson.…

Hardcover. Condition: new. Hardcover. These sketchbooks have an extraordinary story behind them, created as they were in 1942, Alfred Walliss final year, when he lived in the Penzance poorhouse. They shine new light on his contribution to the development of modern art in Britain. A Cornish mariner and scrap metal dealer, he was self-taught and started to paint in around 1925 following the death of his wife three years earlier. A potent influence in the late 1920s for artists Winifred and Ben Nicholson and Christopher Wood, his simple and direct style communicated a truth of experience that also came to personify the overriding character of St Ives as an art community that valued his authenticity of expression. The legacy of his art continues to inspire artists today. This book brings together the contents of three sketchbooks that Wallis filled with drawings. With an introduction by curator Andrew Wilson, it offers a remarkable insight into Walliss art of memory made tangible. 'No, I dont think a good Wallis is representational it is simply REAL. - Ben Nicholson. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: Good. No edition remarks. 255 pages. No dust jacket. Pictorial cloth covered boards. Black and white photographs and diagrams. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and tanning.…

Paperback. Condition: new. Paperback. "All the work of the 1970s involved a kind of doubling; there was the world of the everyday and there was the world of the represented .a sense of our experiential worlds becoming bifurcated between image and reality." John Stezaker This is the first publication to explore the rich history of conceptual art in Britain during its most exciting and innovative period, from the mid 1960s to the election of Margaret Thatcher in 1979. It examines how the early works of this period took the form of a challenge to art's traditional boundaries and how by the mid 1970s, focus had shifted away from issues of art and individual experience towards questions of politics and identity, using the languages of documentary, propaganda and advertising in the service of action. After introducing the reader to the origins of this radical moment in British art, the book goes on to explore the textual work of Art & Language, Victor Burgin and others; the 'New Sculpture' being produced by those such as Richard Long and Michael Craig-Martin who questioned the traditional art object; and the artists who addressed society and politics, including Stephen Willats and Margaret Harrison.A final chapter deals with the key role of photography, film and print - revealing them to be key modes of dissemination and international exchange with Europe and America. Essays are complemented by in-focus texts on the most significant works and previously unpublished archival material. Featuring contributions by experts in the field, this is the key book on the subject for students, scholars and all those with an This publication explores the history of conceptual art in Britain during its most exciting and innovative period, from the mid 1960s, to the election of Margaret Thatcher in 1979. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. Paton Sir, Joseph Noel (illustrator).

Condition: New. Paton Sir, Joseph Noel (illustrator).

Hardcover. Condition: Good. No Jacket. Red cloth covers; good condition some fraying to ends of spine. Faded giolt lettering to spine. Hardcover C1910. No Jacket. 1st Edition. Vol.V 214 pages + index."Being a complete guide to the attainment and preservation of health".

Condition: Very Good. VG condition book without dust jacket. Boards are clean with little wear. Book has clean age-toned contents.

Condition: Very Good. VG condition book without dust jacket. Boards are clean with little wear. Book has clean age-toned contents.

Paperback. Condition: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.