Don E Wayne (44 results)

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardback. Condition: Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good.

Hardback. Condition: Good.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: As New. Unread book in perfect condition.

Condition: New.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condition: New.

Hardcover. Condition: Good. Dust Jacket Condition: Good. First Edition, First printing. Minor shelf wear to binding. Foxing on edges of text block. Small discoloration on ffep & rear pastedown. Previous owners name on ffep. Text is unmarked. Dj shelf worn with scuffs, creases, light foxing & small tears on edges in a mylar cover.…

Cloth. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. First printing.

hardcover. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First Edition, First Printing. Previous owner's name, otherwise a fine hardcover first edition copy in a near fine mylar protected DJ, black spine.

Condition: Very Good. 1984. Hardcover. Fine in fine dust wrapper. DW showing light shelfwear. Previous owner's name to ffep, remains a fine copy. . . . .

Condition: Very Good. 1984. Hardcover. Fine in fine dust wrapper. DW showing light shelfwear. Previous owner's name to ffep, remains a fine copy. . . . . Books ship from the US and Ireland.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:0299097706.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Taschenbuch. Condition: Neu. Neuware.

Condition: New.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. Print on Demand.

Wraps. Condition: Very Good. private catalog sticker clear-taped on front cover; text block clean and tight in moderately worn covers; 121 pp. w/index. B&W Illustrations (illustrator). Paperback.

Wraps. Condition: Very Good. private catalog sticker on front cover; text block clean and tight in lightly worn binding; small price-sticker abrasion at upper left corner of front cover; 121 pp. w/index. B&W Illustrations (illustrator). Paperback.

Hardback. Condition: New. Sixty-fifth annual volume, focusing notably on Shakespearean drama and the poetry of early modern England but with essays on a variety of other topics relevant to the period.Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2018 volume features essays presented at the conference at Queens University of Charlotte, North Carolina, as well as essays submitted directly to the journal. The volume opens with four essays on Shakespearean drama, offering readings ranging from the heteroglossia in Henry VIII to the limits of language in King Lear, social networks in Anthony and Cleopatra, and epiphanic excursions in the Shakespearean corpus. The next essays look at iconology, agency, and alterity on the early modern stage and colonial Peruvian art. The journal then returns us to the poetry of early modern England. The first of this group explores the perils of poor reading in The Countess of Montgomery's Uriana and is followed by essays investigating the aesthetic connection between Spenser and Catullus and the sacred circularities in John Donne's "Good Friday 1613. Riding Westward." The volume concludes with an extended consideration of meritocracy and misogyny in the works of Ben Jonson. Contributors: Nathan Dixon, Lisandra Estevez, Melissa J. Rack, Robert Lanier Reid, Rachel M. De Smith Roberts, Deneen Senasi, Jonathon Shelley, Kendall Spillman, John Wall, and Don E. Wayne. The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of the University of California, San Diego.…

Hardback. Condition: New. Sixty-fifth annual volume, focusing notably on Shakespearean drama and the poetry of early modern England but with essays on a variety of other topics relevant to the period.Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2018 volume features essays presented at the conference at Queens University of Charlotte, North Carolina, as well as essays submitted directly to the journal. The volume opens with four essays on Shakespearean drama, offering readings ranging from the heteroglossia in Henry VIII to the limits of language in King Lear, social networks in Anthony and Cleopatra, and epiphanic excursions in the Shakespearean corpus. The next essays look at iconology, agency, and alterity on the early modern stage and colonial Peruvian art. The journal then returns us to the poetry of early modern England. The first of this group explores the perils of poor reading in The Countess of Montgomery's Uriana and is followed by essays investigating the aesthetic connection between Spenser and Catullus and the sacred circularities in John Donne's "Good Friday 1613. Riding Westward." The volume concludes with an extended consideration of meritocracy and misogyny in the works of Ben Jonson. Contributors: Nathan Dixon, Lisandra Estevez, Melissa J. Rack, Robert Lanier Reid, Rachel M. De Smith Roberts, Deneen Senasi, Jonathon Shelley, Kendall Spillman, John Wall, and Don E. Wayne. The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of the University of California, San Diego.…