Language: English
Published by Oxford University Press, 2017
ISBN 10: 0199355916 ISBN 13: 9780199355914
Seller: Arty Bees Books, Wellington, New Zealand
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Book and jacket in very tidy condition. No inscriptions or markings. Creative practice in music, particularly in traditional concert culture, is commonly understood in terms of a rather stark division of labour between composer and performer. But this overlooks the distributed and interactive nature of the creative processes on which so much contemporary music depends. The incorporation of two features-improvisation and collaboration-into much contemporary music suggests that the received view of the relationship between composition and performance requires reassessment. Improvisation and collaborative working practices blur the composition/performance divide and, in doing so, provide important new perspectives on the forms of distributed creativity that play a central part in much contemporary music. Distributed Creativity: Collaboration and Improvisation in Contemporary Music explores the different ways in which collaboration and improvisation enable and constrain creative processes. Thirteen chapters and twelve shorter Interventions offer a range of perspectives on distributed creativity in music, on composer/performer collaborations and on contemporary improvisation practices. The chapters provide substantial discussions of a variety of conceptual frameworks and particular projects, while the Interventions present more informal contributions from a variety of practitioners (performers, composers, improvisers), giving insights into the pleasures and perils of working creatively in collaborative and improvised ways.
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Language: English
Published by Oxford University Press, 2017
ISBN 10: 0199355916 ISBN 13: 9780199355914
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Language: English
Published by Oxford University Press, 2017
ISBN 10: 0199355916 ISBN 13: 9780199355914
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Language: English
Published by Oxford University Press, 2017
ISBN 10: 0199355916 ISBN 13: 9780199355914
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Language: English
Published by Oxford University Press, 2017
ISBN 10: 0199355916 ISBN 13: 9780199355914
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Language: English
Published by Oxford University Press, 2021
ISBN 10: 0190947276 ISBN 13: 9780190947279
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Published by Oxford University Press, 2017
ISBN 10: 0199355916 ISBN 13: 9780199355914
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Language: English
Published by Oxford University Press Inc, 2018
ISBN 10: 0199355916 ISBN 13: 9780199355914
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Language: English
Published by Oxford University Press Inc, 2017
ISBN 10: 0199355916 ISBN 13: 9780199355914
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Language: English
Published by Oxford University Press, 2021
ISBN 10: 0190947276 ISBN 13: 9780190947279
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Language: English
Published by Oxford University Press, 2021
ISBN 10: 0190947276 ISBN 13: 9780190947279
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Language: English
Published by Oxford University Press, 2022
ISBN 10: 0190947276 ISBN 13: 9780190947279
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Language: English
Published by Oxford University Press, 2022
ISBN 10: 0190947276 ISBN 13: 9780190947279
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Language: English
Published by Oxford University Press, 2021
ISBN 10: 0190947276 ISBN 13: 9780190947279
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Published by Oxford University Press, 2021
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Hardcover. Condition: Brand New. 648 pages. 9.85x7.15x1.42 inches. In Stock.
Language: English
Published by Oxford University Press, 2021
ISBN 10: 0190947276 ISBN 13: 9780190947279
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Language: English
Published by Oxford University Press Inc, New York, 2022
ISBN 10: 0190947276 ISBN 13: 9780190947279
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Hardcover. Condition: new. Hardcover. Music represents one of humanity's most vivid contemplations on the nature of time itself. The ways that music can modify, intensify, and even dismantle our understanding of time's passing is at the foundation of musical experience, and is common to listeners, composers, and performers alike. The Oxford Handbook of Time in Music provides a range of compelling new scholarship that examines the making of musical time, its effects and structures. Bringing together philosophical, psychological, and socio-cultural understandings of time in music, the chapters highlight the act of 'making' not just as cultural construction but also in terms of the perceptual, cognitive underpinnings that allow us to 'make' sense of time in music. Thus, the Handbook is a unique synthesis of divergent perspectives on the nature of time in music. With its focus on contemporary music (while paying attention to some of the generative temporalities of the nineteenth century), the volume establishes the richness and complexity of so much current music-making and in the process overcomes historic demarcations between art and popular musics. The Oxford Handbook of Time in Music brings together philosophical, psychological, and socio-cultural understandings of time in music, highlighting the act of 'making' as both cultural construction while also referring to the perceptual, cognitive underpinnings that allow us to 'make' sense of time in music. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Hardcover. Condition: Brand New. 648 pages. 9.85x7.15x1.42 inches. In Stock.
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Language: English
Published by Oxford University Press Dez 2021, 2021
ISBN 10: 0190947276 ISBN 13: 9780190947279
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Buch. Condition: Neu. Neuware - The Oxford Handbook of Time in Music brings together philosophical, psychological, and socio-cultural understandings of time in music, highlighting the act of 'making' as both cultural construction while also referring to the perceptual, cognitive underpinnings that allow us to 'make' sense of time in music.
Language: English
Published by Oxford University Press Inc, 2018
ISBN 10: 0199355916 ISBN 13: 9780199355914
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Language: English
Published by Oxford University Press Inc, 2018
ISBN 10: 0199355916 ISBN 13: 9780199355914
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