Dibosa David (27 results)

SOFTCOVER. Condition: NEW. Dust Jacket Condition: Issued without a dustjacket. 1st Edition. Medium size 4to in colour printed stiff card covers, 144pp on thick art paper, colour plates, etc . [CONDITION: NEW unread and unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

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Paperback. Condition: New. Post-Critical Museology considers what the role of the public and the experience of audiences means to the everyday work of the art museum. It does this from the perspectives of the art museum itself as well as from the visitors it seeks. Through the analysis of material gathered from a major collaborative research project carried out at Tate Britain in London the book develops a conceptual reconfiguration of the relationship between art, culture and society in which questions about the art museum's relationship to global migration and the new media ecologies are examined. It suggests that whilst European museums have previously been studied as institutions of collection, heritage and tradition, however 'modern' their focus, it is now better to consider them as distributive networks in which value travels along transmedial and transcultural lines.Post-Critical Museology is intended as a contribution to progressive museological thinking and practice and calls for a new alignment of academics and professionals in what it announces as post-critical museology. An alignment that is committed to rethinking what an art museum in the twenty-first century could be, as well as what knowledge and understanding its future practitioners might draw upon in a rapidly changing social and cultural context. The book aims to be essential reading in the growing field of museum studies. It will also be of professional interest to all those working in the cultural sphere, including museum professionals, policy makers and art managers.…

Condition: New.

Condition: New. pp. 278.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 278.

Paperback. Condition: Brand New. 270 pages. 9.00x6.25x0.50 inches. In Stock.

Kartoniert / Broschiert. Condition: New. Andrew Dewdney is a professor of educational development at London South Bank University, and has been the Principal Investigator and Director of the Tate Encounters project, Head of the School of Film and Photography at Newport College .

Paperback. Condition: New. Post-Critical Museology considers what the role of the public and the experience of audiences means to the everyday work of the art museum. It does this from the perspectives of the art museum itself as well as from the visitors it seeks. Through the analysis of material gathered from a major collaborative research project carried out at Tate Britain in London the book develops a conceptual reconfiguration of the relationship between art, culture and society in which questions about the art museum's relationship to global migration and the new media ecologies are examined. It suggests that whilst European museums have previously been studied as institutions of collection, heritage and tradition, however 'modern' their focus, it is now better to consider them as distributive networks in which value travels along transmedial and transcultural lines.Post-Critical Museology is intended as a contribution to progressive museological thinking and practice and calls for a new alignment of academics and professionals in what it announces as post-critical museology. An alignment that is committed to rethinking what an art museum in the twenty-first century could be, as well as what knowledge and understanding its future practitioners might draw upon in a rapidly changing social and cultural context. The book aims to be essential reading in the growing field of museum studies. It will also be of professional interest to all those working in the cultural sphere, including museum professionals, policy makers and art managers.…

Paperback. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condition: New.

Hardcover. Condition: New.

Condition: New.

Condition: New. pp. 278.

Condition: New. In.

Condition: New.

Condition: New. pp. 278.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 270 pages. 9.50x6.50x0.75 inches. In Stock.

Condition: New. pp. 278 This item is printed on demand.

Paperback. Condition: Brand New. 270 pages. 9.00x6.25x0.50 inches. In Stock. This item is printed on demand.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Andrew Dewdney is a professor of educational development at London South Bank University, and has been the Principal Investigator and Director of the Tate Encounters project, Head of the School of Film and Photography at Newport College .…

Condition: New. pp. 278 This item is printed on demand.