Della Seta Fabrizio (101 results)

Soft cover. Condition: Very Good. Light wear only. 409 pages.

Brossura. Condition: Usato - Ottimo. Della Seta Fabrizio, Beethoven: Sinfonia Eroica. Una guida, Carocci, 2012.In-8 (Cm 21,9x15), pp. 179, brossura edit. Collana Studi superiori 464 Il pensiero musicale. Traccia di scritta all'antiporta, OTTIMO.

Paperback. Condition: Near Fine. A nice, bright copy. ; The Works Of Giuseppe Verdi: Study Scores; 10.9 X 8.5 X 1.6 inches; 525 pages.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: Very Good. VOLUME I ONLY of a two-volume set. A VG large bilingual (Italian and English lyrics) paperback with cover art as pictured. Light upper corner creases to the rear cover (and a few of the adjoining pages, and a bit of rubbing to the pages' top edge. In all other respects a like new book including bright contents (397 pp.) and a square, crease-free spine. **Extra charges to cover postage costs will apply to an order requesting expedited and/or international shipping because of the size and weight of this book.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Very good. Dust Jacket Condition: Very good. Very good condition. Binding is tight. Pages are clean and unmarked.

Paperback. Condition: Brand New. reprint edition. 173 pages. 11.00x8.00x0.33 inches. In Stock.

Condition: new.

Paperback. Condition: Good. 2-vol paperback set. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Brossura. Condition: Usato - Ottimo. Della Seta Fabrizio, ". non senza pazzia". Prospettive sul teatro musicale, Carocci 2008.In-8 (Cm 22x 15), pp. 315, brossura. edit. con alette. Collana Saggi 47. Numero al dorso, Ottimo.

Hardcover. Condition: Brand New. 448 pages. 6.58x1.37x9.51 inches. In Stock.

Brossura. Condition: Usato - Ottimo. Fabrizio Della Seta: «Non senza pazzia». Prospettive sul teatro musicale. Carocci, 2008pp. 315.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Brossura. Condition: ottimo. Formato in 8°; 409 pagine. Brossura editoriale. Interno fresco.

Hardcover. Condition: new. Hardcover. Bellini is the most complete monograph ever published to-date on the life and legacy of the composer from Catania. His achievements, presented in the historical-social context of his time, explore his relationships with educational institutions, the theatrical production system and the literary world, and impresarios, publishers, librettists, and other musicians alike. Each chapter is dedicated to a period of Bellini's life and the cities in which heworked: Catania, Naples, Milan, Venice, London, and Paris.Of Bellini's ten operas, only three are well-loved by the public; the other seven are rarely performed, and thus, are relativelyunknown. Bellini provides essential information on these lesser-known works, offering summaries of their synopses as well as discussions of various number of significant scenes and passages therein. Fabrizio Della Seta also explores the relationships between Bellini and the most famous singers of his time, such as Giuditta Pasta and Giovanni Battista Rubini, and the role his contemporaries played in shaping his musical style.Through a close, in-depth explorationof Bellini's operas, chamber music, and sacred and instrumental music, Della Seta positions the composer not only as a creator of memorable melodies, but as a first-rate dramatist whose musical structures wereimbued with cultural meaning and historical significance. Bellini is the most complete monograph ever published on the life of the composer. Through an in-depth exploration of his works, author Fabrizio Della Seta positions Bellini not only as a creator of memorable melodies, but as a first-rate dramatist whose musical structures were imbued with cultural and historical significance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

hardcover. Condition: As New. Looks like new.

Condition: NEW.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. Brand New.

Paperback. Condition: Brand New. Italian language. 8.30x5.50x1.00 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Taschenbuch. Condition: Neu. Neuware - (Vocal Score). Composed in 1818 on commission from an unknown individual in Lisbon, Adina was left to languish some years until its premiere in 1826, with a single performance in that city remaining virtually the only one on record until the opera's revival in 1963. The present vocal score is based on the critical edition of the orchestral full score prepared by Fabrizio Della Seta and published by the Fondazione Rossini of Pesaro in collaboration with Casa Ricordi. This Edition reconstructs for the first time the structure of the autograph score, which reflects the collective contributions of at least five different hands: having composed only four entirely new numbers and repurposed another three from Sigismondo, Rossini relied upon collaborators and copyists for the remainder of the music. Della Seta's detailed examination of this fundamental document (housed at the Fondazione Rossini) together with an informed assessment of the secondary sources, including a complete manuscript copy (housed at the British Library in London), various manuscript vocal parts with Rossini's autograph interventions (housed in the Royal Conservatory of Brussels), and the first edition of the vocal score published by Ricordi between 1855 and 1859, additionally reveals how the libretto printed in Lisbon for that single historic performance in 1826 differed substantially from the narrative disposition of the autograph score, with ample cuts and modifications (among those the suppression of the Aria Ali and the addition of a Coro). While neither attributable to Rossini himself nor pertaining to his original conceptual design of the opera, this Coro, the music of which survives in the first vocal score, is included as an Appendix to the edition.…