Del Junco Manuel (123 results)

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket As Issued. Mild shelfwear and bumping to boards, mild soiling on page edges. Solid binding and clean text. No ownership marks, ex-lib marks, stamps or stickers. International addresses will require extra postage due to size. ; Color Illustrations; 4to 11" - 13" tall; 329 pages. …

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Condition: Hardcover. First edition. Hardcover. First Edition. Minor shelf-wear. Free of any markings and no writings inside. For any additional information or pictures, please inquire.

Hardcover. Condition: New. A true Renaissance man with a clear, unified aesthetic vision, the Swiss artist, designer, architect and writer Max Bill combined the virtues of 'homo faber' and 'homo ludens' throughout his intensely productive career, launching the Concrete art movement and establishing himself as the single most decisive influence on postwar Swiss graphic design. This gorgeously designed, hefty volume-the most thorough Bill overview ever published in English, and the only monograph in print-presents Bill's oeuvre both chronologically and thematically, across every facet of his multifaceted oeuvre: painting, graphic art, sculpture, architecture, book and magazine design, industrial and furniture design, graphic design and advertising typography-from large-format posters to small inserts in periodicals-as well as his designs for exhibition spaces. Bill stands out for his enormous influence on Latin American geometric art (through his 1951 retrospective at the São Paulo Museum of Modern Art), as well as for his essays, his work as an educator and his political and social concerns. All these aspects of his life and work are covered in this profusely illustrated catalogue, along with essays by scholars and a selection of previously unpublished essays by Bill himself. Max Bill (1908-94) studied at the Bauhaus from 1927 to 1928 with Wassily Kandinsky, Paul Klee and Oskar Schlemmer, after which he moved to Zurich. He cofounded the Ulm School of Design in Germany in 1951. He had his first US exhibition at the Staempfli Gallery in New York City in 1963 and was the subject of retrospectives at the Albright-Knox Art Gallery in Buffalo and the Los Angeles County Museum of Art in 1974, and the Solomon R. Guggenheim Museum in New York City in 1988. BEAUTIFUL COPY!!.…

Hardcover. Condition: Very Good. None. 1. Minor shelf wear; some rubbing to boards. Else a bright, clean copy. The definitive illustrated monograph on 20th-century Swiss artist, designer, and architect Max Bill, whose work spanned from graphic design and advertising typography to product and furniture design and from painting to sculpture. A true Renaissance man with a clear, unified aesthetic vision, the Swiss artist, designer, architect and writer Max Bill combined the virtues of homo faber and homo ludens throughout his intensely productive career, launching the Concrete art movement and establishing himself as the single most decisive influence on postwar Swiss graphic design. This gorgeously designed, hefty volume--the most thorough Bill overview ever published in English, and the only monograph in print--presents Bill's oeuvre both chronologically and thematically, across every facet of his multifaceted oeuvre: painting, graphic art, sculpture, architecture, book and magazine design, industrial and furniture design, graphic design and advertising typography--from large-format posters to small inserts in periodicals--as well as his designs for exhibition spaces. Bill stands out for his enormous influence on Latin American geometric art (through his 1951 retrospective at the São Paulo Museum of Modern Art), as well as for his essays, his work as an educator and his political and social concerns. All these aspects of his life and work are covered in this profusely illustrated catalogue, along with essays by scholars and a selection of previously unpublished essays by Bill himself. Max Bill (1908-94) studied at the Bauhaus from 1927 to 1928 with Wassily Kandinsky, Paul Klee and Oskar Schlemmer, after which he moved to Zurich. He cofounded the Ulm School of Design in Germany in 1951. He had his first US exhibition at the Staempfli Gallery in New York City in 1963 and was the subject of retrospectives at the Albright-Knox Art Gallery in Buffalo and the Los Angeles County Museum of Art in 1974, and the Solomon R. Guggenheim Museum in New York City in 1988. .…

Hardcover. bw pictorial & light aqua boards w/ white, black printing. 291 pgs w/ bw & color illustrations; numerous gate-folds & transparent, photo overlay. text in English. In 1950, 18 American abstract painters signed an open letter addressed to the president of the Metropolitan Museum of Art to express their intense disapproval of the museum's contemporaneous exhibit American Painting Today: 1950. The artists were William Baziotes, James Brooks, Fritz Bultman, Jimmy Ernst, Adolph Gottlieb, Hans Hofmann, Weldon Kees, Willem de Kooning, Robert Motherwell, Barnett Newman, Jackson Pollock, Richard Pousette-Dart, Ad Reinhardt, Mark Rothko, Theodoros Stamos, Hedda Sterne, Clyfford Still and Bradley Walker Tomlin. This artistic coalition, which included many members of the New York School and is now considered a watershed movement in mid-20th-century American art history, challenged the museum's policies for their narrow understanding of what made certain art worth exhibiting. Though they resisted being labeled as a collective, media coverage of the museum boycott, which included a now-famous group portrait in Life magazine taken by photographer Nina Leen, ultimately contributed to the success of the 18 "Irascibles" in what became known as the abstract expressionist movement. This publication collects 18 paintings by the artists, images from Leen's photoshoot and extensive documentation of the letter-writing process with relevant catalogs and magazines. Featuring more than 230 illustrations alongside original essays by several art historians and curators that examine the complex history of the New York School, this volume serves as a time capsule of the exciting period of early abstract expressionism in the United States.--Amazon. VG- (bruise to lower spine w/ creasing & small tear to spine edge. light shelf-wear & indentions to lower cover edge.).…

Hardcover. Condition: Very Good. Oversized hardcover, no dust jacket still in shrink wrap. Very good condition. Binding is strong and tight. Corners and spine square; pages clean and crisp. This is an oversized book- extra shipping required for international or priority shipping. Please email with questions or to see any photos. We are a real brick and mortar bookstore and ship books everyday. This listing was written by a real person with the book in front of them for inspection.…

Condition: New.

Hardcover. Condition: new. Hardcover. The definitive book on Art Deco: an elegant large-format hardcover with hundreds of museum-quality color reproductions featuring exquisite examples of Art Deco jewellery, ceramics, laquer, fashion, textiles, graphic design and art workModern Taste: Art Deco in Paris, 1910-1935 offers readers an opportunity to appreciate, examine, assess and enjoy an artistic movement that defies easy definition but which has been described as "the last of the total styles" Art Deco.Comprehensive and beautifully designed, Modern Taste includes nearly 400 works in a wide array of media: painting, sculpture, furniture, fashion design, jewelry, film, architecture, glassware and ceramics are all represented, alongside the photography, drawings and advertisements that helped create "the modern taste."The book aims to question the almost total absence of Art Deco from the history of modern art and from curatorial practice, and to vindicate--as some exemplary cases did in the wake of the Deco revival from the 1970s onwards--not only the evident beauty of Art Deco but also the fascination exerted by this singularly modern phenomenon with all its cultural and artistic complexity. What we know as Art Deco was an alternative style to the avant-garde. It stood for a modernity that was pragmatic and ornamental rather than utopian and functional, and it became the great shaper of modern desire and taste, leaving its characteristic stamp on Western society in the early decades of the 20th century.An elegant and stylish addition to any design library." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condition: New. 1. Modern Taste: Art Deco in Paris, 1910-1935, edited and written by Tim Benton, Manuel Fontán del Junco, and María Zozaya, is a 501-page exhibition catalogue published by Artbook D.A.P. in 2014. It was produced to accompany the major Fundación Juan March presentation in Madrid and stands as one of the most comprehensive treatments of Art Deco as an art-historical subject in recent decades. The book's central argument is that Art Deco has been unjustly sidelined in accounts of modern art and curatorial practice. The authors position it as the last of the total styles - a form of modernity that was pragmatic and ornamental rather than utopian and functional, and one that became the great shaper of Western taste and commercial culture through the first three decades of the twentieth century. The focus is Paris, 1910 to 1935, the movement's essential time and place. Nearly 400 works are represented across an exceptional range of media: painting, sculpture, furniture, fashion design, jewelry, film, architecture, glassware, ceramics, photography, drawings, and advertisements. The catalogue is extensively illustrated and designed to match the visual ambition of its subject. It is a serious working reference for collectors, curators, students, and anyone with a genuine interest in the decorative arts and design history of the interwar period.…

Hardcover. Condition: Very Good. Large 4to, hardcover, 299, profusely illustrated. In very good condition, with only minor signs of use.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: As new. bw pictorial & light aqua boards w/ white, black printing. 291 pgs w/ bw & color illustrations; numerous gate-folds & transparent, photo overlay. text in English. In 1950, 18 American abstract painters signed an open letter addressed to the president of the Metropolitan Museum of Art to express their intense disapproval of the museum's contemporaneous exhibit American Painting Today: 1950. The artists were William Baziotes, James Brooks, Fritz Bultman, Jimmy Ernst, Adolph Gottlieb, Hans Hofmann, Weldon Kees, Willem de Kooning, Robert Motherwell, Barnett Newman, Jackson Pollock, Richard Pousette-Dart, Ad Reinhardt, Mark Rothko, Theodoros Stamos, Hedda Sterne, Clyfford Still and Bradley Walker Tomlin. This artistic coalition, which included many members of the New York School and is now considered a watershed movement in mid-20th-century American art history, challenged the museum's policies for their narrow understanding of what made certain art worth exhibiting. Though they resisted being labeled as a collective, media coverage of the museum boycott, which included a now-famous group portrait in Life magazine taken by photographer Nina Leen, ultimately contributed to the success of the 18 "Irascibles" in what became known as the abstract expressionist movement. This publication collects 18 paintings by the artists, images from Leen's photoshoot and extensive documentation of the letter-writing process with relevant catalogs and magazines. Featuring more than 230 illustrations alongside original essays by several art historians and curators that examine the complex history of the New York School, this volume serves as a time capsule of the exciting period of early abstract expressionism in the United States.--Amazon.…

Condition: New.

Hardcover without dustjacket as issued, 332 pages; in English, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Encuadernación de tapa dura. Condition: Como Nuevo. 1ª Edición.

Paperback. Condition: VG. Light gray paper covers with black paper spine; 233 pp., many color and BW illus. Text is in Spanish. Issued in conjunction with a 2016 exhibition of post-war paintings and photgraphs. The work of 60 painters and 21 photographers is included, to number 158 pieces in the exhibition. Many, if not all, are pictured here. This is the "unboxed" version of this catalogue, without the extra ficticious newspaper feature. Uncommon, either way.…

Condition: As New. Unread book in perfect condition.

Condition: New. Idioma/Language: Español. La tarea de dirigir es sencilla y compleja a la vez. Dirigir un equipo, una empresa, un proyecto o cualquier organización lo hacen muchas personas. Dirigir con éxito no lo hacen tantas. Conquistar el Polo Sur lo logró Amundsen frente al fracaso de Scott, y la victoria de Blas de Lezo con un puñado de hombres y algunos barcos frente al almirante Edward Vernon con 180 navíos y 23. 600 soldados, es un caso excepcional. Eran directores extraordinarios, pero todos podemos llegar a ser uno de ellos: sólo necesitamos preparación. Los tiempos actuales no son sencillos y por eso ser un buen director reporta grandes beneficios tanto a la organización representada como a la persona. Es muy importante desarrollar las cualidades innatas en casi todas las personas, y más si desean dirigir o están dirigiendo. En esta obra se documentan y enseñan las habilidades imprescindibles para dirigir en cualquier tipo de organización. Enseña habilidades relacionadas con su entorno inmediato (dirigir equipos de alto rendimiento y gestión del tiempo), facilita un instrumento práctico y sencillo para conocer cómo hacerlo mejor (modelo L-J) y para saber cómo conectar con el exterior y hacerlo con éxito (hablar en público, persuasión y dinámica de reuniones). También penetra en el mundo interior del director para que se conozca mejor y pueda gestionar su propia felicidad y desarrollo profesional. Todo se trata de forma práctica, incluyendo test de autoconocimiento y amenas lecturas a modo de fábulas. El libro está orientado a toda persona encargada de dirigir o deseosa de hacerlo. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Hardcover without dustjacket as issued, 502 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Rustica (tapa blanda). Condition: New. Dust Jacket Condition: Nuevo. 03. La tarea de dirigir es sencilla y compleja a la vez. Dirigir un equipo, una empresa, un proyecto o cualquier organización lo hacen muchas personas. Dirigir con éxito no lo hacen tantas. . Conquistar el Polo Sur lo logró Amundsen frente al fracaso de Scott, y la victoria de Blas de Lezo con un puñado de hombres y algunos barcos frente al almirante Edward Vernon con 180 navíos y 23.600 soldados, es un caso excepcional. Eran directores extraordinarios, pero todos podemos llegar a ser uno de ellos: sólo necesitamos preparación. . Los tiempos actuales no son sencillos y por eso ser un buen director reporta grandes beneficios tanto a la organización representada como a la persona. Es muy importante desarrollar las cualidades innatas en casi todas las personas, y más si desean dirigir o están dirigiendo. . En esta nueva edición corregida y ampliada se documentan y enseñan las habilidades imprescindibles para dirigir en cualquier tipo de organización. Enseña habilidades relacionadas con su entorno inmediato (dirigir equipos de alto rendimiento y gestión del tiempo), facilita un instrumento práctico y sencillo para conocer cómo hacerlo mejor (modelo L-J) y para saber cómo conectar con el exterior y hacerlo con éxito (hablar en público, persuasión y dinámica de reuniones). También penetra en el mundo interior del director para que se conozca mejor y pueda gestionar su propia felicidad y desarrollo profesional. . Todo se trata de forma práctica, incluyendo test de autoconocimiento y amenas lecturas a modo de fábulas. . El libro está orientado a toda persona encargada de dirigir o deseosa de hacerlo. LIBRO.…

8° Halbleinen. Condition: Wie neu. ca. 450 Seiten In spanischer und englischer Sprache DE-70-04 Sprache: Spanisch Gewicht in Gramm: 1112.

Softcover, 234 pages, in Spanish; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Good. 277 pages : illustrations (chiefly color) ; 29 cm. Hardcover. Good binding and cover. Library stamps and markings. Catalog of an exhibition held at the Museo del Prado, Madrid, Spain, November 15, 2022-March 5, 2023 Includes contributions by: Felipe Pereda, Manuel Fontan del Junco, Florina H. Capistrano-Baker, Patrick Flores, Amy Y. T. Chang, Alfonso de la Torre, Peter Soriano, Celina Quintas, David Plaza, Yiyi Liang, Miguel Pena Mendez, and Angeles Villalba Salvador This is an oversized or heavy book, which requires additional postage for international delivery outside the US.…

hardcover. Condition: New. Special order direct from the distributor.

Encuadernación de tapa dura. Condition: Bien. Descripción:Galería Salvador Díaz, Murcia, 2001.Arte. 72 páginas. 26 x 23. Profusamente ilustrado. Tapa dura de editorial ilustrada. Sin subrayados ni anotaciones. Buen estado de conservación. Libro.

Condition: As New. Unread book in perfect condition.