Danielle Arbid (22 results)

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New.

Paperback. Condition: new. Paperback. For the 59th edition of the Venice Biennale, the Lebanese Pavilion exhibits two Lebanese contemporary artists, Danielle Arbid and Ayman Baalbaki, in the exhibition The World in the Image of Man.The dialogue between these two artists is characterized by different geographical and aesthetic points of view: the video Allo Cherie by Danielle Arbid, a filmmaker and video artist who emigrated to Paris, interacts with Janus Gate by Ayman Baalbaki, a painter who lives and works in Beirut. Within his monumental installation, Ayman Baalbaki creates a work embodying the process of fragmentation suffered by the city of Beirut due to the return of barriers and barricades in its streets. The movement of the door of Janus, which is alternately wide open, shuttered or closed, responds to the mother of the artist's frantic race car through Beirut. The video is organized in a split screen, enhancing the impression of a divided city. The soundtrack is composed of snatches of negotiations on the phone accounting for a fractured city in the midst of uncertainty.The catalogue gathers several articles facilitating the apprehension of these two artists and marks the return of the Lebanese Pavilion to the Venice Biennale after 5 years of absence. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Condition: new.

Condition: New.

Soft cover. Condition: Near Fine. Skira (2022). Softcover. Signs of having been very carefully read, but otherwise this book remains in excellent / near fine condition with clean, unmarked pages which are free from notes and underlining and no creasing to cover or spine. Language: English / French. Dispatched from UK within three days. Please note: due to heavy weight, additional postage may need to be negotiated for orders outside of UK. …

Condition: New. In English.

Condition: New. 2023. paperback. . . . . .

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: Brand New. bilingual edition. 191 pages. 10.50x8.00x0.75 inches. In Stock.

Condition: New. 2023. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: new. Paperback. For the 59th edition of the Venice Biennale, the Lebanese Pavilion exhibits two Lebanese contemporary artists, Danielle Arbid and Ayman Baalbaki, in the exhibition The World in the Image of Man.The dialogue between these two artists is characterized by different geographical and aesthetic points of view: the video Allo Cherie by Danielle Arbid, a filmmaker and video artist who emigrated to Paris, interacts with Janus Gate by Ayman Baalbaki, a painter who lives and works in Beirut. Within his monumental installation, Ayman Baalbaki creates a work embodying the process of fragmentation suffered by the city of Beirut due to the return of barriers and barricades in its streets. The movement of the door of Janus, which is alternately wide open, shuttered or closed, responds to the mother of the artist's frantic race car through Beirut. The video is organized in a split screen, enhancing the impression of a divided city. The soundtrack is composed of snatches of negotiations on the phone accounting for a fractured city in the midst of uncertainty.The catalogue gathers several articles facilitating the apprehension of these two artists and marks the return of the Lebanese Pavilion to the Venice Biennale after 5 years of absence. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condition: New. KlappentextrnrnFor the 59th edition of the Venice Biennale, the Lebanese Pavilion exhibits two Lebanese contemporary artists, Danielle Arbid and Ayman Baalbaki, in the exhibition The World in the Image of Man. The dialogue between these.

Paperback. Condition: New.

Hardcover. Condition: Near fine. Dust Jacket Condition: near fine. First American Edition, First Printing. Octavo, [10], 64pp, [6]. Gray hardcover, title in silver on spine. The first printing, with the "First printing September 1993" statement on the copyright page. Appears unread. Remainder mark dot along bottom edge of text block. In the publisher's near fine dust jacket, $15.00 on the front flap, faint shelf wear to front cover. This autobiographical novel was first published by Editions Gallimard in Paris in 1992, with the title "Passion Simple." In 2022, Annie Ernaux became the first French woman to win the Nobel Prize in Literature, for the "courage and clinical acuity" with which she uncovers the roots and structures of personal memory. Her notable works include The Years, A Woman's Story, and Happening. The first American edition, first printing of Simple Passion by Annie Ernaux, the basis for the movie Simple Passion, directed by Danielle Arbid. (illustrator).…