Dal Sasso Davide (41 results)

hardcover. Condition: Fair. Never read, no marks or highlighting in the book. Our copy is hardback with printed covers, showing water damage and stains. Wavy pages which turn freely. Light bumps at corners, small dents on edges, 1cm crack in front cover at lower fron spine corner.

Condition: NEW.

Condition: new.

Paperback. Condition: New. This book proposes to investigate the arts from the inside, namely to consider, first and foremost, what artists do to create their works in order to proceed fruitfully in the direction of their evaluation and explanation. To this end, it develops a philosophical inquiry that examines the ground zero of the arts, their common foundations, namely the rules for artistic creation, the processes that involve artists in their activities, the forms that they can or cannot achieve. This proposal and its outline for a rule-based ontology of the arts addresses four themes: the relationship between human nature and artistic practices, the features of art-making, the conception of artworks as structures, and the social nature of the arts.…

Paperback. Condition: Brand New. 192 pages. 9.21x6.14x1.00 inches. In Stock.

Condition: New.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Copertina, dorso e interno in ottimo stato. All books are in stock in fine condition or described meticulously. Very safe packaging ***Books dated over 70 years old: ONLY SHIPPING WITHIN ITALY - please do not order if locaded abroad***.

Paperback. Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. This book proposes to investigate the arts from the inside, namely to consider, first and foremost, what artists do to create their works in order to proceed fruitfully in the direction of their evaluation and explanation. To this end, it develops a philosophical inquiry that examines the ground zero of the arts, their common foundations, namely the rules for artistic creation, the processes that involve artists in their activities, the forms that they can or cannot achieve. This proposal and its outline for a rule-based ontology of the arts addresses four themes: the relationship between human nature and artistic practices, the features of art-making, the conception of artworks as structures, and the social nature of the arts.…

Paperback. Condition: New. What is the future of conceptualism? What expressions can it take in the 21st century? Is there a new role for aesthetic experience in art and, if so, what is that role exactly? Aesthetics, Philosophy and Martin Creed uses one of this generation's most important and influential artists to address themes crucial to contemporary aesthetics. Working in an impressive variety of artistic media, Creed represents a strikingly innovative take on conceptualism. Through his ingenious and thought-provoking work, a team of international philosophers, jurists and art historians illustrate how Creed epitomizes several questions central to philosophical aesthetics today and provides a glimpse of the future both of art and aesthetic discourse. They discuss key concepts for Creed's work, including immediacy (in his photographs of smiling people), compositional order (in his geometric paintings), simplicity (in Work No. 218, a sheet paper crumpled into a ball) and shamelessness (in his videos of vomiting people). By bringing a working artist into the heart of academic discussions, Aesthetics, Philosophy and Martin Creed highlights the relevance of philosophical discussions of art to understanding art today.…

Condition: New. In English.

Paperback. Condition: New.

Condition: New.

Hardback. Condition: New. What is the future of conceptualism? What expressions can it take in the 21st century? Is there a new role for aesthetic experience in art and, if so, what is that role exactly? Aesthetics, Philosophy and Martin Creed uses one of this generation's most important and influential artists to address themes crucial to contemporary aesthetics. Working in an impressive variety of artistic media, Creed represents a strikingly innovative take on conceptualism. Through his ingenious and thought-provoking work, a team of international philosophers, jurists and art historians illustrate how Creed epitomizes several questions central to philosophical aesthetics today and provides a glimpse of the future both of art and aesthetic discourse. They discuss key concepts for Creed's work, including immediacy (in his photographs of smiling people), compositional order (in his geometric paintings), simplicity (in Work No. 218, a sheet paper crumpled into a ball) and shamelessness (in his videos of vomiting people). By bringing a working artist into the heart of academic discussions, Aesthetics, Philosophy and Martin Creed highlights the relevance of philosophical discussions of art to understanding art today.…

Condition: New.

Gebunden. Condition: New.

Taschenbuch. Condition: Neu. Neuware - This book proposes to investigate the arts from the inside, namely to consider, first and foremost, what artists do to create their works in order to proceed fruitfully in the direction of their evaluation and explanation. To this end, it develops a philosophical inquiry that examines the ground zero of the arts, their common foundations, namely the rules for artistic creation, the processes that involve artists in their activities, the forms that they can or cannot achieve. This proposal and its outline for a rule-based ontology of the arts addresses four themes: the relationship between human nature and artistic practices, the features of art-making, the conception of artworks as structures, and the social nature of the arts.…

Buch. Condition: Neu. Neuware.

Hardcover. Condition: Brand New. 176 pages. 9.25x6.25x0.75 inches. In Stock.

Hardback. Condition: New. What is the future of conceptualism? What expressions can it take in the 21st century? Is there a new role for aesthetic experience in art and, if so, what is that role exactly? Aesthetics, Philosophy and Martin Creed uses one of this generation's most important and influential artists to address themes crucial to contemporary aesthetics. Working in an impressive variety of artistic media, Creed represents a strikingly innovative take on conceptualism. Through his ingenious and thought-provoking work, a team of international philosophers, jurists and art historians illustrate how Creed epitomizes several questions central to philosophical aesthetics today and provides a glimpse of the future both of art and aesthetic discourse. They discuss key concepts for Creed's work, including immediacy (in his photographs of smiling people), compositional order (in his geometric paintings), simplicity (in Work No. 218, a sheet paper crumpled into a ball) and shamelessness (in his videos of vomiting people). By bringing a working artist into the heart of academic discussions, Aesthetics, Philosophy and Martin Creed highlights the relevance of philosophical discussions of art to understanding art today.…

Condition: NEW.

Condition: new.

Condition: Usato molto ben conservato. Brossura editoriale, cm 24 x 16.5, pp 207 (1), 32 tavole patinate in nero e a colori. Numero monografico della Rivista di Estetica diretta da Maurizio Ferraris, dedicato all'opera artistica di Ugo Nespolo e alle sue sperimentazioni tra avanguardia e pop attraverso ogni mezzo espressivo. Contiene una introduzione di Davide Dal Sasso e contributi di Antonio Del Guercio (Ugo Nespolo, un richiamo mnemonico), Pierre Restany /Ugo Nespolo e la critica della ragion pratica), Gianni-Emilio Simonetti (Il FinnEggHuns Wake di U.N.), Tommaso Trini (Nespolo, l'acculturazione), Lea Vergine (Ugo Nespolo), Renato Barilli (L'«ars combinatoria» di Ugo Nespolo), Vittorio Fagone (La fugace vita dei fotogrammi), Edoardo Sanguineti (Nespoleide), Paolo Bertetto (La tradizione del nuovo nel cinema di Ugo Nespolo), Enrico Crispolti (Un'immaginazione ludicamente decostruttiva), Flavio Caroli (Una modesta proposta per i massimi sistemi della rappresentazione), Enrico Baj (Cinenespolo), Francesco Poli (Un glossario per Ugo Nespolo), Tiziana Andina (Tra Lichtenstein e Warhol: il Pop fiabesco di Ugo Nespolo), Carola Barbero (Un bel dì vedremo), Elisa Caldarola (Ugo Nespolo: a proposito di rappresentazioni), Davide Dal Sasso (Un concettualista romantico), Gillo Dorfles (I cartelloni di Nespolo), Maurizio Ferraris (Nespolo tra Warhol e Rilke), Andrea Mecacci (Il pop è amare le cose), Vincenzo Santarcangelo (Nespolo/Fluxus - Fluxus/Nespolo. Storia di una intersezione); Enrico Terrone (Antidogma. Cinema sperimentale e filosofia del film), Gianni Vattimo (L'opera: un modo di vivere l'esperienza della mortalità); inoltre due articoli di Richard Shusterman (Soggettività somatica e soggiogamento somatico. Simone de Beauvoir su genere e invecchiamento) e Francesco Valagussa (I mille occhi di Argo. Forma, evento e politica nelle avanguardie del Novecento).…

Condition: new.