Dackerman Susan (82 results)

Hardcover. Condition: Near Fine. Very minor shelf wear to bottom edge of front board. Else Fine. No dust jacket as issued. there may be an additional charge for shipping outside the uSA. Please request a quote. Seller Inventory # CC . HB . 726.

Condition: acceptable. Book is in acceptable condition. May have shelf wear, edge wear, and spine wear, but a very readable copy. May not come with supplemental materials if applicable. Does not include original dustcover jacket. Possibly Ex Library Copy.

Hardcover. Condition: New. New - unused and unread.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condition: Very Good. Publisher's original stapled illustrated wrappers, quarto, pp. 12. Black and white illustrations. Print exhibition that ran at the Fogg Art Museum, August 7-October 24, 1993. Ensconced in a clear protective display sleeve with white cardstock backing board.

Paperback. Condition: Very Good. No Jacket. Cover is in excellent condition, save for minimal rubbing. Text is otherwise tight in binding. Text is clean and free of blemishes throughout. No other markings or indications of note. Due to the size of this book, additional shipping charges may apply. Size: Folio - over 12" - 15" tall. Various (illustrator). …

Soft cover. Condition: Fine. xii, [iv], 297 pp., profusely illustrated, small folio, card wrapper. Published in conjunction with the exhibition held at the Baltimore Museum of Art and Saint Louis Museum of Art. Fine copy.

Stapled wraps. Condition: Near Fine. First Edition. Near Fine stapled wraps. Exhibition catalog of protest art with essay by Dackerman. Unpaginated, unmarked. About 10 pages. Harvard University Art Museums Gallery Series No. 54; UO15 OV21; 10 X 8.50 X 0.20 inches.

Paperback. Condition: Like New. Inscribed by Susan Dackerman on half title page. Softcover. Good binding and cover. Light wear. Clean, unmarked pages. *Autographed by author.* This is an oversized or heavy book, which requires additional postage for international delivery outside the US. Signed.

Softcover. Condition: VG+. No Dust Jacket. Oversize softbound copy w/scant wear; covers bright, glossy; pgs unmarked. .

Softcover. Condition: Fine. Softcover in illustrated glossy wrap. First edition. Fine, unread condition. Published to accompany an exhibition organized by the Baltimore Museum of Art that showed in Baltimore in 2002 and in St. Louis in 2003. Illustrated in color throughout. Folio. 297 pp. including index. Heavy--will likely require additional shipping charges for priority or sales outside the U.S.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Soft cover. Condition: Fine. Dust Jacket Condition: As New. 1st Edition. Book was a reference library copy in as new condition beautiful covered in plastic and re-shrink wrapped for protection! Excellent buy.

Condition: New. 2024. hardcover. . . . . .

Hardcover. Condition: Sehr gut. 1. Auflage. Z : 91 pages, halfcloth - This catalogue marks the second installment of works acquired by the Museum since 1988, when the Museum first exhibited printmaking, drawing, and photography from the collection. Featured in this volume are acquisitions that stretch the established boundaries of composition or imagery, either through the use of centuries-old techniques or new technologies of the camera and the computer. Discussions of each work, contributed by Museum curators, and color reproductions are supplemented by brief biographies of the thirty-five artists featured in this most recent look at a unique collection of contemporary art.…

Pub.pictorial Boards. Condition: New. 190pp. Colour and b&w illustrations.

Hardback. Condition: New. An important new examination of Islamic themes in the art of Albrecht DürerAlbrecht Dürer's depictions of Muslim figures and subjects are considered by many to be among his most perplexing images. This confusion arises from the assumption that the artist and his northern European contemporaries regarded the Muslim Levant as an exotic faraway land inhabited by hostile adversaries, not a region of neighboring empires affiliated through political and mercantile networks. Susan Dackerman casts Dürer's art in an entirely new light, focusing on prints that portray cooperation between the Muslim and Christian worlds rather than conflict and war, enabling us to better understand early modern Europe through its visual culture.In this beautifully illustrated book, Dackerman provides new readings of three of the artist's most enigmatic print projects-Sea Monster, Knots, and Landscape with Cannon-situating them within historical contexts that reflect productive collaborations between Christendom and Islam, from the artistic and commercial to the ideological and political. Dackerman notes how Gutenberg's development of printing shares an inextricable relationship to the 1453 Ottoman siege of Constantinople. While Gutenberg's workshop produced a call to crusade and other publications antagonistic to the Muslim East, Dürer's prints, she shows, instead emphasize instances of affiliation between Christendom and Islam.A breathtaking work of scholarship, Dürer's Knots shows how the artist's prints of Muslim subjects give expression to the interconnectedness of Christian Europe and the Islamic East.…

Condition: new.

Condition: New.

hardcover. Condition: As New. Book and slipcase in shrinkwrap. Both enclosed in original cardboard box packaging.

Hardback. Condition: New. An important new examination of Islamic themes in the art of Albrecht DürerAlbrecht Dürer's depictions of Muslim figures and subjects are considered by many to be among his most perplexing images. This confusion arises from the assumption that the artist and his northern European contemporaries regarded the Muslim Levant as an exotic faraway land inhabited by hostile adversaries, not a region of neighboring empires affiliated through political and mercantile networks. Susan Dackerman casts Dürer's art in an entirely new light, focusing on prints that portray cooperation between the Muslim and Christian worlds rather than conflict and war, enabling us to better understand early modern Europe through its visual culture.In this beautifully illustrated book, Dackerman provides new readings of three of the artist's most enigmatic print projects-Sea Monster, Knots, and Landscape with Cannon-situating them within historical contexts that reflect productive collaborations between Christendom and Islam, from the artistic and commercial to the ideological and political. Dackerman notes how Gutenberg's development of printing shares an inextricable relationship to the 1453 Ottoman siege of Constantinople. While Gutenberg's workshop produced a call to crusade and other publications antagonistic to the Muslim East, Dürer's prints, she shows, instead emphasize instances of affiliation between Christendom and Islam.A breathtaking work of scholarship, Dürer's Knots shows how the artist's prints of Muslim subjects give expression to the interconnectedness of Christian Europe and the Islamic East.…

Condition: New.

Hardcover. Condition: New.

Hardcover. Condition: new. Hardcover. An important new examination of Islamic themes in the art of Albrecht Drer.Albrecht Drer's depictions of Muslim figures and subjects are considered by many to be among his most perplexing images. This confusion arises from the assumption that the artist and his northern European contemporaries regarded the Muslim Levant as an exotic faraway land inhabited by hostile adversaries, not a region of neighboring empires affiliated through political and mercantile networks. Susan Dackerman casts Drer's art in an entirely new light, focusing on prints that portray cooperation between the Muslim and Christian worlds rather than conflict and war, enabling us to better understand early modern Europe through its visual culture.In this beautifully illustrated book, Dackerman provides new readings of three of the artist's most enigmatic print projects Sea Monster, Knots, and Landscape with Cannon situating them within historical contexts that reflect productive collaborations between Christendom and Islam, from the artistic and commercial to the ideological and political. Dackerman notes how Gutenberg's development of printing shares an inextricable relationship to the 1453 Ottoman siege of Constantinople. While Gutenberg's workshop produced a call to crusade and other publications antagonistic to the Muslim East, Drer's prints, she shows, instead emphasize instances of affiliation between Christendom and Islam.A breathtaking work of scholarship, Drer's Knots shows how the artist's prints of Muslim subjects give expression to the interconnectedness of Christian Europe and the Islamic East. "The first comprehensive study of Duerer's treatment of Islamic themes in his prints"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: As New. Unread book in perfect condition.

Condition: New. 2024. hardcover. . . . . . Books ship from the US and Ireland.

Paperback. Condition: Very Good. None. Illustrated. 4to. Pap. Slight creasing to spine (not threatening the sewn binding), else a bright, clean copy. A definitive exploration of Corita Kent's art, looking beyond her identity as a radical nun to establish her place amid the vibrant pop art movement of the 1960s Known widely as a Catholic nun with an avant-garde flair, Corita Kent (1918-1986) has a personal legacy that has tended to overshadow her extensive career as an artist. This handsomely illustrated catalogue places Kent in her rightful position among the foremost figures of pop art, such as Andy Warhol, Ed Ruscha, and Roy Lichtenstein. Although Kent has been largely excluded from the academic and critical discourses surrounding 1960s American art, this publication reevaluates her importance and highlights how her work questioned and expanded the boundaries of the pop art movement. Four essays and nearly 90 catalogue entries pull together a variety of topics--art history, religion, politics, linguistics, race, gender, mass media, and advertising--that influenced Kent's life and work during the 1960s. Eminent pop scholars delve into the relationship between her art and that of her contemporaries, and explore how her art both responded to and advanced the changes in modern-day Catholicism stemming from Vatican II. More than 200 vibrant images showcase Kent's ingenious screenprints, which often combine handwritten text and commercial imagery. Offering an unparalleled, rigorous study of an artist who has been largely overlooked, this book is an important contribution to scholarship as well as a fascinating presentation of Kent and her work to a wider audience. .…

Condition: New. In English.