Clark Sonya (34 results)

Unknown. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. Jessica Clark (illustrator). The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condition: Very Good. No Jacket. Jessica Clark (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: good. Jessica Clark (illustrator). This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition.Please note:-May include library or rental stickers, stamps, or markings.-Supplemental materials e.g., CDs, access codes, inserts are not guaranteed.-Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. -Sourced from donation centers; authenticity not verified with publisher. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading!

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: new. Hardcover. In the spring of 1865, a seemingly unremarkable dishcloth played a crucial role in ending the Civil War as the South's flag of surrender at Appomattox. A Confederate horseman carried a humble white linen towel into the lines of General George Custer, near the courthouse at Appomattox. The horseman was sent on behalf of General Robert E. Lee, who was requesting a suspension of hostilities while General Ulysses S. Grant proposed terms of surrender.Focusing on this Confederate Flag of Truce, Afro-Caribbean American artist (and professor at Amherst College) Sonya Clark (born 1967) explores the legacy of symbols and challenges the power of propaganda, erasures and omissions through her works. By making the Truce Flag a cloth that brokered peace and represented the promise of reconciliation into a monumental alternative to the infamous Confederate Battle Flag and its pervasive divisiveness, Clark instigates a role reversal and aims to correct a historical imbalance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. In.

Condition: New.

Paperback. Condition: New.

Paperback. Condition: Very Good. american craft inquiry Volume 1 Issue No. 1 April 2016 edited by Michael Radyk. Text by Chris Amundsen, Sarah Archer, Sonya Clark, Otto von Busch and others. 128 pages. Color and black and white reproductions. Very good condition.

Soft cover. Condition: Very Good. spiral bound.

Softcover. Condition: Near Fine. First edition. Perfectbound wrappers. 160pp. A collection of poetry, stories, and reviews by Paul Valery, Dorothy Roberts, Guy Davenport, Dave Smith, James Baker Hall, Robert Martin Adams, Kathleen Spivack, Anne S. Perlman, Peter H. Lee, James P. Degnan, John Simon, Robert S. Clark, Stephen Farber, Sonya Rudikoff, Richmond Lattimore, Grace Schulman, Marvin Mudrick, and William H. Pritchard.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condition: Brand New. 95 pages. 9.50x6.75x0.75 inches. In Stock.

Hardcover. Condition: Brand New. 95 pages. 9.50x6.75x0.75 inches. In Stock.

Condition: New.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Near Fine. 1st Edition. Signed by the artist with gift inscription on front flyleaf, addressed to Rowland Abiodun, Professor of African Art from Amherst College, dated 2012. This catalogue includes works from two of Clark's exhibitions: The Snyderman Gallery (Philadelphia, PA) from October 1, 2011 - November 19, 2011, and the Southwest School of Art (San Antonio, Texas) from December 8, 2011 - February 12, 2012. The book is a softcover in Near Fine condition. The top corner of the textblock is bumped, causing the tips of the corners of some pages to be curved/curled. The pen from the inscription has partially rubbed onto the interior of the front cover. Otherwise, the contents of the book are clean and unmarked, with a tight binding. The cover is notably bumped at all of its corners, with the tips of corners curled; most notably the top corner of the front cover is creased at its tip and moderately bumped. The corners also have some rubbing. The spine ends of the cover are lightly bumped. There's a ding on the fore edge of the front cover. Otherwise, there's some very minor edgewear in some spots on the cover. Inscribed by Author(s).

Soft cover. Condition: Near Fine. The Beaded Prayers Project by Sonya Clark (ISBN: 9781934253205) is offered here in softcover, graded Near Fine. This copy shows a scrape down the center of the front cover at the top two inches, with corners and spine ends lightly bumped. Minor edgewear can be seen on the cover in spots, and a light scrape is present on the bottom edge of the textblock. The binding is tight, and the contents are notably clean, unmarked, and attractive throughout. Launched in 1998, The Beaded Prayers Project is a groundbreaking collaborative art initiative inspired by African amulet traditions and projects like the Names AIDS Memorial Quilt. Orchestrated by acclaimed fiber artist Sonya Clark, it invites participants of all backgrounds to craft beaded prayer packets?a blend of reflection, hope, and artistry intended to foster community. Over 5,000 people have participated, with exhibits shown at more than 35 venues worldwide. Clark's work connects material culture, communal ritual, and the profundity of handmade art, earning her recognition for advancing contemporary discussions on creativity and identity.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Condition: New. An insightful retrospective of the genre-defying contemporary artist and MacArthur Fellow Joyce J. Scott, showcasing contributions from an extraordinary group of artists and scholars   This essential new volume serves as a critical resource and details the richness and complexity of the work of Joyce J. Scott (b. 1948), beginning with an overview of the artist's 50-year career-an interconnected, community-generating practice that embraces performance art, beaded necklaces and sculptures, wall hangings, and prints. Interviews with the artist by Leslie King Hammond and Valerie Cassel Oliver focus on Scott's matrilineage and womanist ethos and on the genre-defying choreography of her career across disciplines. Six thematic essays by established and emerging scholars discuss the ancient and global reach of beads, including Yorùbá traditions; consider the utility of satire and performance in connection with the work of emerging Black artists; and explore the significance of geography, history, and place. Excerpts from foundational out-of-print texts and an illustrated chronology annotated by Scott appear alongside contributions by artists Sonya Clark, Oletha DeVane, Jeffrey Gibson, Kay Lawal-Muhammad, Malcolm Peacock, and William C. Rhodes III. Scott makes difficult subjects intimately felt, confronting histories of trauma through wearable art and exquisite sculpture. With humor and pathos, she twists menacing stereotypes into grotesque and tender retorts that spur conversation, making art a vehicle for learning, reflection, and healing. Distributed for the Seattle Art Museum and Baltimore Museum of ArtExhibition Schedule:  Baltimore Museum of Art (March 24-July 14, 2024)   Seattle Art Museum (October 17, 2024-January 20, 2025).

Condition: Good. 8vo. 28 pp. Soft, printed wraps with spiral binding. Very good with marginal chipping along bottom of spine. Includes 12 color photographs. Catalog created for exhibition at the University of Iowa Museum of Art in 2001.

Paperback. Condition: Brand New. 458 pages. 6.00x0.93x9.00 inches. In Stock.

Hardback. Condition: New. An insightful retrospective of the genre-defying contemporary artist and MacArthur Fellow Joyce J. Scott, showcasing contributions from an extraordinary group of artists and scholars   This essential new volume serves as a critical resource and details the richness and complexity of the work of Joyce J. Scott (b. 1948), beginning with an overview of the artist's 50-year career-an interconnected, community-generating practice that embraces performance art, beaded necklaces and sculptures, wall hangings, and prints. Interviews with the artist by Leslie King Hammond and Valerie Cassel Oliver focus on Scott's matrilineage and womanist ethos and on the genre-defying choreography of her career across disciplines. Six thematic essays by established and emerging scholars discuss the ancient and global reach of beads, including Yorùbá traditions; consider the utility of satire and performance in connection with the work of emerging Black artists; and explore the significance of geography, history, and place. Excerpts from foundational out-of-print texts and an illustrated chronology annotated by Scott appear alongside contributions by artists Sonya Clark, Oletha DeVane, Jeffrey Gibson, Kay Lawal-Muhammad, Malcolm Peacock, and William C. Rhodes III. Scott makes difficult subjects intimately felt, confronting histories of trauma through wearable art and exquisite sculpture. With humor and pathos, she twists menacing stereotypes into grotesque and tender retorts that spur conversation, making art a vehicle for learning, reflection, and healing. Distributed for the Seattle Art Museum and Baltimore Museum of ArtExhibition Schedule:  Baltimore Museum of Art (March 24-July 14, 2024)   Seattle Art Museum (October 17, 2024-January 20, 2025).

Hardcover. Condition: new. Hardcover. In the spring of 1865, a seemingly unremarkable dishcloth played a crucial role in ending the Civil War as the South's flag of surrender at Appomattox. A Confederate horseman carried a humble white linen towel into the lines of General George Custer, near the courthouse at Appomattox. The horseman was sent on behalf of General Robert E. Lee, who was requesting a suspension of hostilities while General Ulysses S. Grant proposed terms of surrender.Focusing on this Confederate Flag of Truce, Afro-Caribbean American artist (and professor at Amherst College) Sonya Clark (born 1967) explores the legacy of symbols and challenges the power of propaganda, erasures and omissions through her works. By making the Truce Flag a cloth that brokered peace and represented the promise of reconciliation into a monumental alternative to the infamous Confederate Battle Flag and its pervasive divisiveness, Clark instigates a role reversal and aims to correct a historical imbalance. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardback. Condition: New. An insightful retrospective of the genre-defying contemporary artist and MacArthur Fellow Joyce J. Scott, showcasing contributions from an extraordinary group of artists and scholars   This essential new volume serves as a critical resource and details the richness and complexity of the work of Joyce J. Scott (b. 1948), beginning with an overview of the artist's 50-year career-an interconnected, community-generating practice that embraces performance art, beaded necklaces and sculptures, wall hangings, and prints. Interviews with the artist by Leslie King Hammond and Valerie Cassel Oliver focus on Scott's matrilineage and womanist ethos and on the genre-defying choreography of her career across disciplines. Six thematic essays by established and emerging scholars discuss the ancient and global reach of beads, including Yorùbá traditions; consider the utility of satire and performance in connection with the work of emerging Black artists; and explore the significance of geography, history, and place. Excerpts from foundational out-of-print texts and an illustrated chronology annotated by Scott appear alongside contributions by artists Sonya Clark, Oletha DeVane, Jeffrey Gibson, Kay Lawal-Muhammad, Malcolm Peacock, and William C. Rhodes III. Scott makes difficult subjects intimately felt, confronting histories of trauma through wearable art and exquisite sculpture. With humor and pathos, she twists menacing stereotypes into grotesque and tender retorts that spur conversation, making art a vehicle for learning, reflection, and healing. Distributed for the Seattle Art Museum and Baltimore Museum of ArtExhibition Schedule:  Baltimore Museum of Art (March 24-July 14, 2024)   Seattle Art Museum (October 17, 2024-January 20, 2025).

Paperback. Condition: New.