Choe Youngmin (140 results)

Condition: Acceptable. Item in Acceptable condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: Fair. This collection provides a timely and essential foundation for studying Korean popular culture ("K-pop") by looking at its global popularity, relation to the contemporary cultural landscape, and historical roots.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Acceptable. stains; light creasing on some pages; underlining; smudges; some wear Satisfaction 100% guaranteed.

Soft cover. Condition: Near Fine. The Korean Popular Culture Reader. Kyung Hyun Kim and Yungmin Choe (eds.) Duke University Press, 2014. 450p. trade paperback, covers lightly bumped/scuffed, binding tight, text clean/unmarked, near fine condition—ISBN 10: 0822355019 / ISBN 13: 9780822355014—5.00.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

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Condition: Very Good. Dust Jacket Condition: 47373706. 1762932308. 11/12/2025 7:25:08 AM.

Condition: New.

Paperback. Condition: New. The upwardly mobile Kim family employs a young woman to help manage their new house. Mr. Kim begins an affair with the nameless 'housemaid', who soon drags the entire family into a terrible tragedy. The director Kim Ko-young played a formative part in South Korean cinema's "Golden Age" of the 1960s and 1970s; his 1960 masterpiece, Hanyo (The Housemaid), rescued and restored after almost being lost, is today widely regarded as one of the greatest South Korean films of all time. Directors such as Park Chan-wook, Im Sang-soo, Kim Ki-duk, Ryu Seung-wan and Kim Jee-woon have all praised the film, and Bong Joon-ho has referred to Hanyo as "the Citizen Kane of Korean cinema," citing it as an inspiration for his film, Parasite (2019). In this book, Youngmin Choe argues that Hanyo encapsulates the mood of social change in postwar South Korea during the period of tremendous upheaval and rapid transformation that followed the devastating war, which divided families across the newly formed Cold War boundaries. The housemaid - a figure that Kim Ki-young would explore repeatedly throughout his career - was a young woman driven by greed and envy, a femme-fatale set loose on the middle-class home. A monstrous embodiment of the destructive desires of capitalism, which recklessly eroded the foundations of tradition, this housemaid served as the conscience of a period that otherwise leaned heavily into economic transformation, pointing to the anxiety that undergirded what might be otherwise regarded as a time of 'progress'. Going beyond the traditionalist approaches that resist feminist readings of Hanyo, Youngmin Choe insists that the enduring legacy of Hanyo is both due to its uncanny aesthetics and - though it certainly was not intended to be an explicitly feminist film - in the questions it raises about class mobility, gender oppression and women's work.…

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. The upwardly mobile Kim family employs a young woman to help manage their new house. Mr. Kim begins an affair with the nameless 'housemaid', who soon drags the entire family into a terrible tragedy. The director Kim Ko-young played a formative part in South Korean cinema's "Golden Age" of the 1960s and 1970s; his 1960 masterpiece, Hanyo (The Housemaid), rescued and restored after almost being lost, is today widely regarded as one of the greatest South Korean films of all time. Directors such as Park Chan-wook, Im Sang-soo, Kim Ki-duk, Ryu Seung-wan and Kim Jee-woon have all praised the film, and Bong Joon-ho has referred to Hanyo as "the Citizen Kane of Korean cinema," citing it as an inspiration for his film, Parasite (2019). In this book, Youngmin Choe argues that Hanyo encapsulates the mood of social change in postwar South Korea during the period of tremendous upheaval and rapid transformation that followed the devastating war, which divided families across the newly formed Cold War boundaries. The housemaid - a figure that Kim Ki-young would explore repeatedly throughout his career - was a young woman driven by greed and envy, a femme-fatale set loose on the middle-class home. A monstrous embodiment of the destructive desires of capitalism, which recklessly eroded the foundations of tradition, this housemaid served as the conscience of a period that otherwise leaned heavily into economic transformation, pointing to the anxiety that undergirded what might be otherwise regarded as a time of 'progress'. Going beyond the traditionalist approaches that resist feminist readings of Hanyo, Youngmin Choe insists that the enduring legacy of Hanyo is both due to its uncanny aesthetics and - though it certainly was not intended to be an explicitly feminist film - in the questions it raises about class mobility, gender oppression and women's work.…

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. The upwardly mobile Kim family employs a young woman to help manage their new house. Mr. Kim begins an affair with the nameless housemaid, who soon drags the entire family into a terrible tragedy The director Kim Ko-young played a formative part in South Korean cinemas Golden Age of the 1960s and 1970s; his 1960 masterpiece, Hanyo (The Housemaid), rescued and restored after almost being lost, is today widely regarded as one of the greatest South Korean films of all time. Directors such as Park Chan-wook, Im Sang-soo, Kim Ki-duk, Ryu Seung-wan and Kim Jee-woon have all praised the film, and Bong Joon-ho has referred to Hanyo as the Citizen Kane of Korean cinema, citing it as an inspiration for his film, Parasite (2019). In this book, Youngmin Choe argues that Hanyo encapsulates the mood of social change in postwar South Korea during the period of tremendous upheaval and rapid transformation that followed the devastating war, which divided families across the newly formed Cold War boundaries. The housemaid a figure that Kim Ki-young would explore repeatedly throughout his career was a young woman driven by greed and envy, a femme-fatale set loose on the middle-class home. A monstrous embodiment of the destructive desires of capitalism, which recklessly eroded the foundations of tradition, this housemaid served as the conscience of a period that otherwise leaned heavily into economic transformation, pointing to the anxiety that undergirded what might be otherwise regarded as a time of progress. Going beyond the traditionalist approaches that resist feminist readings of Hanyo, Youngmin Choe insists that the enduring legacy of Hanyo is both due to its uncanny aesthetics and - though it certainly was not intended to be an explicitly feminist film - in the questions it raises about class mobility, gender oppression and womens work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: New. Brand New.

Paperback. Condition: New.

Condition: new.

Condition: New.

Condition: New. 2025. paperback. . . . . .

Paperback. Condition: Brand New. 104 pages. 7.48x5.32x1.00 inches. In Stock.

Condition: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: Brand New. 104 pages. 7.48x5.32x1.00 inches. In Stock.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.