Cass Tom (66 results)

Paperback. Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. Grand Illusions: Contemporary Interior Murals This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Cloth Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Tom Leighton (illustrator). First Edition. A bright, clean, tight copy sans tears, stains, markings, and discoloration. MYLAR COVER PROTECTED. "Caroline Cass' informed, delightfully readable text provides background on the tradition of mural painting from Roman times through the 1930s and discusses the careers, styles, and techniques of the most sought-after contemporary mural artists working on both sides of the Atlantic. Stunning photographs document and celebrate these grand illusions in private, corporate, and public interior spaces." PROFUSELY ILLUSTRATED in 134 full color photographic reproductions of these murals (many full or double-page) with accompanying descriptive captions. 160 pages. NOTE: Due to the large size and weight of the book significant additional shipping cost will be requested/required for OUT-OF-U.S. shipment in accordance with country of destination. GO4.

paperback. Condition: near fine. Tom Leighton (photography) (illustrator). second impression. 160 pages; 9 1/2 x 11" Light wear to cover corners. Shipping will be slightly extra for this heavy book, please inquire.

Soft cover. Condition: Good. No Jacket. 8vo, 271 pages, Good in trade paperback, some spine creasing and a spine slant, sewn binding, LOC1.

gebundene Ausgabe. Condition: Gut. 229 Seiten Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 465.

Hardcover w/DJ. Condition: Very Good/Very Good. Color Photos & Illus. (illustrator). First Edition. New York, NY: Whitney Library of Design. Very Good/Very Good. (1988). First Edition. Hardcover w/DJ. 4to., 160 pp., shelfwear .

Paperback. Condition: Very Good. Series: Cassell Management Studies viii 229p large paperback, figures, exercises, index, excellent copy Language: English.

Trade Paperback. Condition: Used - Very Good. This stimulating book looks at one of the most attractive and exciting forms of interior decoration: mural and trompe l'oeil painting. The work of more than forty of the best contemporary artists on both sides of the Atlantic is shown to the full in the magnificent, specially commissioned photography of Tom Leighton. Most of these murals decorate private houses or buildings, and thus in Grand Illusions they are presented for the first time to all those involved in the art of the painted interior. Very nice clean, tight copy free of any marks.

Hardcover. Condition: Very Good. Dust Jacket Condition: Fair. 1st Edition. Large square quarto. Color photographs. Condition: portion of lower corner of front panel of DJ torn away; corners & lower edge of binding bumped; else very good in fair DJ. 160 pages.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. Excellent large format largely photographic survey of the remarkable sculpture collection at Goodwood. All in VG order throughout. Light wear to card covers and minor creasing to spine. Visitors' Guide laid in. Book weighs over 2kg so enquire re postage. 4to. 408pp.

Hardcover. Condition: Très bon. Jaquette abîmée. Edition 1969. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Damaged dust jacket. Edition 1969. Ammareal gives back up to 15% of this item's net price to charity organizations.

dvd. Condition: Used - Good.

No Binding. Condition: VG+. Dust Jacket Condition: None. This is an original vintage print trade ad that measures approximately 10 x 13 and is in VG or better condition. Ideal for framing, this ad comes protected in a plastic sleeve and backer and is shipped first class mail in a cardboard mailer. Size: 10 x 13. Paper.

Condition: Good. 1970. Second Impression. 229 pages. No dust jacket. Black cloth. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning.

Trade Paperback. Condition: Used - Very Good. Disputes over free expression in the arts have always loomed as struggles between creativity and repression, transgression and outrage, candor and hypocrisy. But while high-profile shootouts at art museums and less visible skirmishes at schools, libraries, and theaters persist, overt censorship is no longer the only, or the most dire, threat to free expression. On the one hand, society has become more accepting of provocative imagery, with media conglomerates often leading the way in the depreciation of taboos. On the other hand, artists, while enjoying some unprecedented liberties, are hemmed in by new constraints that often fall beyond the range of First Amendment protection. The current terrain bears little resemblance to the culture wars of a decade ago, much less to what the First Amendment's Framers could have imagined. And since Sept. 11, 2001, the frontlines of the free-expression debate have been shifting once again. Based on a Columbia University conference organized by the National Arts Journalism Program, 'The New Gatekeepers' explores the reconfigured ranks of those who decide what the public gets to see, hear and read, from struggles over intellectual property and copyright, to continuing debates about acceptable and offensive content in the cultural marketplace, to the less visible biases of the arts funding system. This heavily illustrated book also includes a historical overview of censorship and contributions by 40 scholars, artists, experts and journalists from around the United States. Discussed and participating artists include Edouard Manet, Jake and Dinos Chapman, Robert Mapplethorpe, Richard Serra, Damien Hirst, Jeff Koons, Andres Serrano, Carolee Schneemann, Dread Scott, Gran Fury, Joel-Peter Witkin, Kara Walker, Jock Sturges, Chris Ofili, and Tom Sachs. Edited by Christopher W. Hawthorne, Mark Schapiro and Andras Szanto. Essays by Amy Adler, Carol Becker, Louis Menand, Roger Newman, Rochelle Gurstein, Charles Mann, Cass R. Sunstein, et al. Very nice clean, tight copy free of any marks.

Softcover. Condition: Good. Original mono 12" 33 1/3 rpm vinyl record. Two scratches on Side One and a single scratch on Side Two that may affect playback, good or better in a very good cardboard gatefold sleeve with a fold out sheet of black-and-white illustrations bound in, exterior rubbed and corners bumped. The illustrations include "The Last Flower: A Parable in Pictures." The back cover states, "*A Thurber Carnival* opened at the ANTA Theatre in New York on February 26, 1960. The present recording includes a sequence, 'Memorial to a Dog,' that was cut from the production before the opening because of time considerations, but is included here as representing Mr. Thurber's abiding affection for dogs of all walks of life." Columbia Masterworks KOL 5500.

No Binding. Condition: Very Good. A VG or better original release 11 x 14 lobby card. Poster.

No Binding. Condition: Very Good. A VG or better original release 11 x 14 lobby card. Poster.

Condition: new.

Paperback. Condition: New. The culmination of an innovative practice research project, Michael Chekhov in the Twenty-First Century: New Pathways draws on historical writings and archival materials to investigate how Chekhov's technique can be used across the disciplines of contemporary performance and applied practice.In contrast to the narrow, actor training-only analysis that dominated 20th-century explorations of the technique, authors Cass Fleming and Tom Cornford, along with contributors Caoimhe McAvinchey, Roanna Mitchell, Daron Oram and Sinéad Rushe, focus on devising, directing and collective creation, dramaturgy and collaborative playwriting, scenography, voice, movement and dance, as well as socially engaged and therapeutic practices, all of which are at the forefront of international theatre-making.The book collectively offers a thorough and fascinating investigation into new uses of Michael Chekhov's technique, providing practical strategies and principles alongside theoretical discussion.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Front cover has photo of Tom Ewell; directed by Burgess Meredith; a little browning to front cover, otherwise in GOOD CON.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: Acceptable. NOT an ex-library book. Clean copy in good condition. Quick dispatch from UK seller.

Condition: New.

Paperback or Softback. Condition: New. Michael Chekhov Technique in the Twenty-First Century: New Pathways. Book.

Condition: New.

Condition: Very Good. Very good condition, no observable damage to pages, cover, or binding/spine. very light wear on bottom right corner of front cover from use. Cover and art inside still clear and bright. Paperback book, no page markings. EG.