Carter Huntley (36 results)

Paper Back. Condition: Very Good. Very good condition signed paperback. Huber, Linda Jo (illustrator). Signed.

Condition: As New. Unread book in perfect condition. Huber, Linda Jo (illustrator).

Condition: New. Huber, Linda Jo (illustrator).

Condition: New.

Hardcover. 332p., frontis-portrait, preface, introduction, appendices, index, illustrations, very good reissue of the 1914 edition bound in brown cloth boards with a bright price-clipped dj.

Hardcover. Condition: Good. First Edition. Short pieces by leading statesmen and authors. Light wear, very mildly ex-library with checkout slip on rear endpaper. 292 pp.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: As New. Unread book in perfect condition. Huber, Linda Jo (illustrator).

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0405016077.…

Condition: New. Huber, Linda Jo (illustrator).

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0405016077.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Harcover. First edition. Illustrated with drawings and photographs.

Condition: New.

Stapled wrappers, 8vo, 60pp. Good condition. General light wear and marks. Ruth Carter's inscription on inside front wrapper. ISBN: 0646148850.

Condition: New.

Taschenbuch. Condition: Neu. Neuware - 'New Spirit in the Russian Theatre 1917-1928' is an essential historical account of the radical transformation of dramatic art during the first decade of the Soviet Union. Written by Huntley Carter, an eyewitness to the evolving cultural landscape of the era, this work provides a detailed analysis of how the 1917 Revolution dismantled traditional theatrical forms to make way for a bold, revolutionary aesthetic. Carter explores the emergence of the 'new spirit'-a movement characterized by social purpose, technological innovation, and a rejection of bourgeois art.The book chronicles the rise of experimental movements such as Constructivism and Proletcult, examining the profound influence of visionary directors like Vsevolod Meyerhold and Alexander Tairov. It documents the transition from the private playhouses of the Tsarist era to the mass spectacles and workers' theaters that sought to educate and mobilize the populace. By capturing the unique interplay between political ideology and creative expression, 'New Spirit in the Russian Theatre 1917-1928' serves as a vital record of one of the most innovative periods in the history of the world stage. It remains an invaluable resource for students of Russian history, theater practitioners, and those interested in the sociopolitical power of the performing arts.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. …

Soft cover. Condition: Very Good. 1st Edition. FIRST EDITION. Octavo (20 x 15cm), pp.x; 44; xi-xiv. Publisher's card wraps printed in red and black, price of one shilling net to upper. Some spotting to edges and covers, staples rusted, lightly handled. Very good.

Condition: New. Print on Demand. Huber, Linda Jo (illustrator).

Hardcover. Condition: Good. First American Edition. B&W Illustrations; 8vo 8" - 9" tall; 277 pages; [Bookplate] 1925 International Publishers, New York. HC 1st American edition, published using sheets from the British edition. Mounted to the front pastedown is the attractive pictorial bookplate of the pioneering figure in American theater, Eva Le Gallienne. Bookplate designed by set and costume designer, Waslav Richard Rychtarik. The book itself is somewaht tired with the title lettering at spine dimmed and almost wholly effaced. Cloth boards bumped and slightly frayed at corners. Fisrst and last several pages moderately to heavily foxed with most of text block showing scattered light foxing. Illustrated with b&w figures and photographs. Good only but with noteworthy provenanace and a handsome theatrical bookplate.…

Condition: Fair. From the Library of John Russell Taylor Hardcover, , cover protected by tape.

Buch. Condition: Neu. Neuware - 'New Spirit in the Russian Theatre 1917-1928' is an essential historical account of the radical transformation of dramatic art during the first decade of the Soviet Union. Written by Huntley Carter, an eyewitness to the evolving cultural landscape of the era, this work provides a detailed analysis of how the 1917 Revolution dismantled traditional theatrical forms to make way for a bold, revolutionary aesthetic. Carter explores the emergence of the 'new spirit'-a movement characterized by social purpose, technological innovation, and a rejection of bourgeois art.The book chronicles the rise of experimental movements such as Constructivism and Proletcult, examining the profound influence of visionary directors like Vsevolod Meyerhold and Alexander Tairov. It documents the transition from the private playhouses of the Tsarist era to the mass spectacles and workers' theaters that sought to educate and mobilize the populace. By capturing the unique interplay between political ideology and creative expression, 'New Spirit in the Russian Theatre 1917-1928' serves as a vital record of one of the most innovative periods in the history of the world stage. It remains an invaluable resource for students of Russian history, theater practitioners, and those interested in the sociopolitical power of the performing arts.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Hardcover. Condition: Fair. No Jacket. 2nd Edition. Condition : Fair/ usable study copy in unevenly sunned covers. Ex university library with associated markings. Hard cover, no jacket. 292pp. B/w plates. Rough cut pages. No annotations or highlighting to text. Photo on request.

First Edition. Condition: vg. vg or better 1st edition 1912 Frank Palmer hardcover many illustrations. Original blue illustrated cloth boards no fading many illos In stock shipped from our UK warehouse.

Ca. 25,3 x 16,5 cm. XXII Seiten, 370 Seiten, mit Abbildungen auf 34 Tafeln. Schwarzer Original-Leinenband mit Kopffarbschnitt. Erste Ausgabe. Einband stärker berieben, Ecken bestoßen, erste und letzte Seiten etwas stockfleckig bzw. gebräunt.

Hardcover. Condition: new. Hardcover. "New Spirit in the Russian Theatre 1917-1928" is an essential historical account of the radical transformation of dramatic art during the first decade of the Soviet Union. Written by Huntley Carter, an eyewitness to the evolving cultural landscape of the era, this work provides a detailed analysis of how the 1917 Revolution dismantled traditional theatrical forms to make way for a bold, revolutionary aesthetic. Carter explores the emergence of the "new spirit"-a movement characterized by social purpose, technological innovation, and a rejection of bourgeois art.The book chronicles the rise of experimental movements such as Constructivism and Proletcult, examining the profound influence of visionary directors like Vsevolod Meyerhold and Alexander Tairov. It documents the transition from the private playhouses of the Tsarist era to the mass spectacles and workers' theaters that sought to educate and mobilize the populace. By capturing the unique interplay between political ideology and creative expression, "New Spirit in the Russian Theatre 1917-1928" serves as a vital record of one of the most innovative periods in the history of the world stage. It remains an invaluable resource for students of Russian history, theater practitioners, and those interested in the sociopolitical power of the performing arts.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condition: New. Print on Demand.