Carmen Winant (39 results)

Paperback. Condition: Near Fine. First Edition. A small volume measuring 4 x 5 7/8 in., with 120 pp., illustrated with b/w photos. A nice clean copy, about Near Fine. // An investigation of a genre of photographs Winant calls "instructional", it asks: can photographs teach, in and of themselves? If so, how might we look to them to demonstrate new possibilities, from social organizing to self-actualization? ~ Publisher.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: Near Fine. Softcover, 50 pgs. 7.5" x 8.5". Very light wear, near fine.

Condition: Fine. *Price HAS BEEN REDUCED by 10% until Monday, Nov. 2 (weekend sale item)* 50 pp., softcover, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. …

Magazine. Condition: Very Good. First Edition; First Printing. Very Good paperback magazine about 8¼x10 inches slightly bumped at the corners. 72 pages, unmarked. Contributors: John Leaver, Harry Gamboa Jr. , Nizan Shaked, Leslie Dick, Carmen Winant, Jack Halberstam, Cecilia Aldarondo, Christopher James. Feature: Like Smoke: Los Angeles and the Vaporous Origins of Contemporary Art by Jon Leaver. Artist's Project: Harry Gamboa Jr. : Civillians, a Fotonovela / Introduction by Chon A. Noriega. ; Ashlf A; 4to 11" - 13" tall; 72 pages.…

Paperback / softback. Condition: New. New copy - Usually dispatched within 2 working days.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 96 pages. 5.75x4.25x0.59 inches. In Stock.

Spiral Bound. Condition: Used; like new. Book is factory sealed in shrink wrap. Binding is tight and square. Contents are crisp, clean, complete and undamaged. Book was donated to Friends of Omaha Public Library.

Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardback. Condition: New. Focusing on the near-fifty-year period in which abortion was legal in the United States (1973-2022), The Last Safe Abortion recognises the care, advocacy, and community-building of abortion workers. Artist Carmen Winant draws from over a dozen personal, organisational, and institutional archives from across the Midwest, in Minnesota, Iowa, Nebraska, Illinois, Kentucky, North Dakota, and Ohio. The photographs themselves are surprisingly regular: women answer the phone, sterilize medical equipment, throw staff birthday parties, offer workshops, and schedule appointments. In centring the tender, quotidian, and routine acts that inform this healthcare work, Winant works to counter the ways anti-choice activists have weaponised photography by proposing a visuality that attends to abortion care. The Last Safe Abortion presents a selection of this vast collection of photographs, accompanied by a text by Winant.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New.

Hardback. Condition: New. New copy - Usually dispatched within 2 working days.

Hardback. Condition: New. New copy - Usually dispatched within 2 working days.

ring_bound. Condition: New. Prima edizione (First Edition). Fotografie a colori e in bianco e nero collazionate dall'Artista Carmen Winant . Cm 30,5x22. pp. 172. . Nuovo (New). . Prima edizione (First Edition). . Concentrandosi sul periodo di quasi cinquant'anni in cui l'aborto è stato legale negli Stati Uniti (1973-2022), The Last Safe Abortion riconosce la cura, la difesa e la costruzione della comunità degli operatori dell'aborto.L'artista Carmen Winant ha attinto da oltre una dozzina di archivi personali, organizzativi e istituzionali di tutto il Midwest, in Minnesota, Iowa, Nebraska, Illinois, Kentucky, North Dakota e Ohio. Le fotografie stesse sono sorprendentemente regolari: le donne rispondono al telefono, sterilizzano le attrezzature mediche, organizzano feste di compleanno per il personale, offrono workshop e fissano appuntamenti. Mettendo al centro gli atti teneri, quotidiani e di routine che informano questo lavoro sanitario, Winant lavora per contrastare il modo in cui gli attivisti anti-choice hanno armato la fotografia, proponendo una visualità che si occupa dell'assistenza all'aborto.The Last Safe Abortion presenta una selezione di questa vasta raccolta di fotografie, accompagnata da un testo di Winant. Questa pubblicazione coincide con l'uscita della nuova edizione di My Birth, precedente libro realizzato dall'Artista.…

Hardcover. Condition: VG+. Hardcover with exposed spine sown in signatures and a halftone reproduction on front. 333 pp, generously illustrated with color reproductions. Text is in English. Contents as follows: Foreword / Carmen Winant -- Picturing ruin / Matthew Schum -- Journeyman -- Auratic workers -- Worker -- Here -- Still life -- The builder -- Going somewhere -- No place to start -- Esperando -- The picture builder: an interview with Rodrigo Valenzuela / Christian Viveros-Fauné -- Diamond box -- Goalkeepers -- Maria TV -- Civic duties -- Masks -- General song -- Barricades -- Prole -- Prole flages -- The unwaged -- Trophy room -- Sin héroes -- Animitas -- Instituciones : Future ruins ; Hedonic reversal -- El Sisifo -- Tertiary -- Ghost towns / Sharon Mizota -- Marginalia -- Zabriskie Point ; Work in its place -- American type -- Stature -- Journeyman/Stature. Abstract as follows: In all his work, Rodrigo Valenzuela positions contemporary art as an uprooting of superficial politics. If picturing ruins is as old as photography, then its many incarnations across the political spectrum are a starting point for the artist. Much of Valenzuela's work calls attention to photography?s affinity with destruction. It is a documentary mode and an embodied experience. The picturing of ruins is drawn out and contextualized in this first comprehensive catalogue of Valenzuela's Los Angeles-based studio artwork and photography.…

Paperback. Condition: New.