Burris Jennifer (40 results)

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condition: Good. First Edition. 2006. First Edition. Softcover. Magazine. White printed wrappers [about 6" x 9"], 120 pages. Otherwise Near Fine copy with the last two pages of ads removed. clph.

Softcover, 152 pages; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. This book is an extension of conversations began at Marfa Sounding, a three-year exploration into the acoustic processes of a specific place, which began as a 2015 curatorial residency with Fieldwork Marfa, an international program run by Beaux-Arts Nantes Saint-Nazaire, France; the University of Houston School of Art; and HEAD, Geneva. Focusing on "phase shifting" in music, particularly as it relates to early experiments in Minimalism and artists whose practices run from the 1960s into the present, Marfa Sounding hosted writers from many different backgrounds-composers, sound theorists, art critics, dance historians, filmmakers, educators, students, curators, and archivists-who treat performance as a point of departure for thinking through the intersection of music, minimalism, and the political. Marfa Sounding treated sound as a frame for understanding how art integrates with, invades, and is effectively produced by its context. The spaces of Marfa also became frames for sound as individual and collective experience, where people come together at a specific place and time, in a site that enfolds them. Edited by Jennifer Burris and Ida SoulardArtists: Alvin Lucier and Éliane Radigue with Charles Curtis; Anna Halprin with Phillip Greenlief, Rashaun Mitchell, Silas Riener, Nina Martin, and Stephen Petronio; Tarek Atoui with Amma Ateria, Jad Atoui, and Robert Aiki Aubrey LoweTexts by James Fei; Jennifer Burris; Erik DeLuca; Ida Soulard; Maria Chávez; Janice Ross; Andrew Abrahams in conversation with Cate Cole Schrim; Wendy Vogel; Claudia La Rocco; Ian Lewis; Amma Ateria in conversation with Caitlin Murray; Jad Atoui in conversation with Claire Amiot; Robert Aiki Aubrey Lowe in conversation with Anthony Elms; Sabrina Tarasoff. …

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. This book is an extension of conversations began at Marfa Sounding, a three-year exploration into the acoustic processes of a specific place, which began as a 2015 curatorial residency with Fieldwork Marfa, an international program run by Beaux-Arts Nantes Saint-Nazaire, France; the University of Houston School of Art; and HEAD, Geneva. Focusing on "phase shifting" in music, particularly as it relates to early experiments in Minimalism and artists whose practices run from the 1960s into the present, Marfa Sounding hosted writers from many different backgrounds-composers, sound theorists, art critics, dance historians, filmmakers, educators, students, curators, and archivists-who treat performance as a point of departure for thinking through the intersection of music, minimalism, and the political. Marfa Sounding treated sound as a frame for understanding how art integrates with, invades, and is effectively produced by its context. The spaces of Marfa also became frames for sound as individual and collective experience, where people come together at a specific place and time, in a site that enfolds them. Edited by Jennifer Burris and Ida SoulardArtists: Alvin Lucier and Éliane Radigue with Charles Curtis; Anna Halprin with Phillip Greenlief, Rashaun Mitchell, Silas Riener, Nina Martin, and Stephen Petronio; Tarek Atoui with Amma Ateria, Jad Atoui, and Robert Aiki Aubrey LoweTexts by James Fei; Jennifer Burris; Erik DeLuca; Ida Soulard; Maria Chávez; Janice Ross; Andrew Abrahams in conversation with Cate Cole Schrim; Wendy Vogel; Claudia La Rocco; Ian Lewis; Amma Ateria in conversation with Caitlin Murray; Jad Atoui in conversation with Claire Amiot; Robert Aiki Aubrey Lowe in conversation with Anthony Elms; Sabrina Tarasoff. …

Condition: New. 2021. Paperback. . . . . .

Condition: NEW.

Condition: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Condition: New.

Hardcover. Condition: Gut. Broschiert mit Schutzumschlag 150 S. . Sprache: Englisch, Zustand: Sehr Gut, eher ungelesen; Schutzumschlag hat oben einen kleinen Riß; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

Brossura. Condition: new. Milano, 2021; br., pp. 200, ill. Libro.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 199 pages. 8.50x5.50x0.75 inches. In Stock.

Condition: new.

Condition: New. Print on Demand.

Condition: New. Print on Demand. Burris, Beverly (illustrator).

Condition: New. Print on Demand. Burris, Beverly (illustrator).

Paperback. Condition: New. This book is an extension of conversations began at Marfa Sounding, a three-year exploration into the acoustic processes of a specific place, which began as a 2015 curatorial residency with Fieldwork Marfa, an international program run by Beaux-Arts Nantes Saint-Nazaire, France; the University of Houston School of Art; and HEAD, Geneva. Focusing on "phase shifting" in music, particularly as it relates to early experiments in Minimalism and artists whose practices run from the 1960s into the present, Marfa Sounding hosted writers from many different backgrounds-composers, sound theorists, art critics, dance historians, filmmakers, educators, students, curators, and archivists-who treat performance as a point of departure for thinking through the intersection of music, minimalism, and the political. Marfa Sounding treated sound as a frame for understanding how art integrates with, invades, and is effectively produced by its context. The spaces of Marfa also became frames for sound as individual and collective experience, where people come together at a specific place and time, in a site that enfolds them. Edited by Jennifer Burris and Ida SoulardArtists: Alvin Lucier and Éliane Radigue with Charles Curtis; Anna Halprin with Phillip Greenlief, Rashaun Mitchell, Silas Riener, Nina Martin, and Stephen Petronio; Tarek Atoui with Amma Ateria, Jad Atoui, and Robert Aiki Aubrey LoweTexts by James Fei; Jennifer Burris; Erik DeLuca; Ida Soulard; Maria Chávez; Janice Ross; Andrew Abrahams in conversation with Cate Cole Schrim; Wendy Vogel; Claudia La Rocco; Ian Lewis; Amma Ateria in conversation with Caitlin Murray; Jad Atoui in conversation with Claire Amiot; Robert Aiki Aubrey Lowe in conversation with Anthony Elms; Sabrina Tarasoff. …

Condition: New. KlappentextComposers, artists and writers from Alvin Lucier and Charles Curtis to Claudia La Rocco and James Fei discuss the lineages and politics of Minimalist musicFocusing on phase shifting in music (i.e. .

Paperback. Condition: New. New Book, Direct from Publisher.

Condition: New. Print on Demand. Burris, Beverly (illustrator).

Paperback. Condition: New. This book is an extension of conversations began at Marfa Sounding, a three-year exploration into the acoustic processes of a specific place, which began as a 2015 curatorial residency with Fieldwork Marfa, an international program run by Beaux-Arts Nantes Saint-Nazaire, France; the University of Houston School of Art; and HEAD, Geneva. Focusing on "phase shifting" in music, particularly as it relates to early experiments in Minimalism and artists whose practices run from the 1960s into the present, Marfa Sounding hosted writers from many different backgrounds-composers, sound theorists, art critics, dance historians, filmmakers, educators, students, curators, and archivists-who treat performance as a point of departure for thinking through the intersection of music, minimalism, and the political. Marfa Sounding treated sound as a frame for understanding how art integrates with, invades, and is effectively produced by its context. The spaces of Marfa also became frames for sound as individual and collective experience, where people come together at a specific place and time, in a site that enfolds them. Edited by Jennifer Burris and Ida SoulardArtists: Alvin Lucier and Éliane Radigue with Charles Curtis; Anna Halprin with Phillip Greenlief, Rashaun Mitchell, Silas Riener, Nina Martin, and Stephen Petronio; Tarek Atoui with Amma Ateria, Jad Atoui, and Robert Aiki Aubrey LoweTexts by James Fei; Jennifer Burris; Erik DeLuca; Ida Soulard; Maria Chávez; Janice Ross; Andrew Abrahams in conversation with Cate Cole Schrim; Wendy Vogel; Claudia La Rocco; Ian Lewis; Amma Ateria in conversation with Caitlin Murray; Jad Atoui in conversation with Claire Amiot; Robert Aiki Aubrey Lowe in conversation with Anthony Elms; Sabrina Tarasoff. …

Condition: New.

Condition: New.