Brockliss William (70 results)

Paperback. Condition: New. Responding to George Lakoff's and Mark Johnson's analysis of metaphor, William Brockliss explores the Homeric poets' use of concrete concepts drawn from the Greek natural environment to aid their audiences' understanding of abstract concepts. In particular, he considers Homeric images that associate flowers with the concepts of deception, disorder, and death, and examines the ways in which the poets engage with natural phenomena such as the brief, diverse blooms of the Greek spring.Taken together, such Homeric images present a more pessimistic depiction of the human condition than we find in the vegetal imagery of other archaic Greek genres. While lyric poets drew on floral imagery to emphasize the beauty of the beloved, the Homeric poets used images of flowers to explore the potentially deceptive qualities of bodies adorned for seduction. Where the Hesiodic poets employed vegetal images to depict the stable structure of the cosmos, the Homeric poets set arboreal imagery of good order against floral images suggestive of challenges or changes to orderliness. And while the elegiac poets celebrated the brief "flower of youth," the Homeric poets created floral images reminiscent of Hesiodic monsters, and thereby helped audiences to imagine the monstrous otherness of death.…

Paperback. Condition: new. Paperback. Responding to George Lakoff's and Mark Johnson's analysis of metaphor, William Brockliss explores the Homeric poets' use of concrete concepts drawn from the Greek natural environment to aid their audiences' understanding of abstract concepts. In particular, he considers Homeric images that associate flowers with the concepts of deception, disorder, and death, and examines the ways in which the poets engage with natural phenomena such as the brief, diverse blooms of the Greek spring.Taken together, such Homeric images present a more pessimistic depiction of the human condition than we find in the vegetal imagery of other archaic Greek genres. While lyric poets drew on floral imagery to emphasize the beauty of the beloved, the Homeric poets used images of flowers to explore the potentially deceptive qualities of bodies adorned for seduction. Where the Hesiodic poets employed vegetal images to depict the stable structure of the cosmos, the Homeric poets set arboreal imagery of good order against floral images suggestive of challenges or changes to orderliness. And while the elegiac poets celebrated the brief "flower of youth," the Homeric poets created floral images reminiscent of Hesiodic monsters, and thereby helped audiences to imagine the monstrous otherness of death. William Brockliss, responding to George Lakoffs and Mark Johnsons analysis of metaphor, explores the Homeric poets use of concrete concepts drawn from the Greek natural environment to aid their audiences understanding of abstract concepts. In particular, he considers Homeric images associating flowers with deception, disorder, and death. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: new.

Condition: New. 2019. Paperback. . . . . .

Condition: New. pp. 294.

Condition: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Condition: New.

Paperback. Condition: New.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Like New. First Edition. In nearly new condition: firm and square with strong joints, no creases, just a few hardly noticeable rubs Hence a non-text page shows a small 'damaged' stamp. Despite such this book looks and feels unread. Thus the contents are crisp, fresh and tight. And so a very nice book in great condition, now offered for sale at a reasonable price. …

Paperback. Condition: New. This collection brings together leading experts in a number of fields of the humanities to offer a new perspective on the classical tradition. Drawing on reception studies, philology and early modern studies, the essays explore the interaction between literary criticism and the multiple cultural contexts in which texts were produced, discovered, appropriated and translated. The intersection of Realpolitik and textual criticism, poetic and musical aesthetics, and authority and self-fashioning all come under scrutiny. The canonical Latin writers and their subsequent reception form the backbone of the volume, with a focus on the European Renaissance. It thus marks a reconnection between classical and early modern studies and the concomitant rapprochement of philological and cultural historical approaches to texts and other works of art. This book will be of interest to scholars in classics, Renaissance studies, comparative literature, English, Italian and art history.…

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 283 pages. 9.00x6.00x1.00 inches. In Stock.

Condition: New. In English.

Condition: New. pp. 294.

Condition: New. In English.

Condition: New.

Condition: New. pp. 200.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 1st edition. 200 pages. 8.75x5.75x0.50 inches. In Stock.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. No faults to book or jacket.

Paperback. Condition: new. Paperback. Responding to George Lakoff's and Mark Johnson's analysis of metaphor, William Brockliss explores the Homeric poets' use of concrete concepts drawn from the Greek natural environment to aid their audiences' understanding of abstract concepts. In particular, he considers Homeric images that associate flowers with the concepts of deception, disorder, and death, and examines the ways in which the poets engage with natural phenomena such as the brief, diverse blooms of the Greek spring.Taken together, such Homeric images present a more pessimistic depiction of the human condition than we find in the vegetal imagery of other archaic Greek genres. While lyric poets drew on floral imagery to emphasize the beauty of the beloved, the Homeric poets used images of flowers to explore the potentially deceptive qualities of bodies adorned for seduction. Where the Hesiodic poets employed vegetal images to depict the stable structure of the cosmos, the Homeric poets set arboreal imagery of good order against floral images suggestive of challenges or changes to orderliness. And while the elegiac poets celebrated the brief "flower of youth," the Homeric poets created floral images reminiscent of Hesiodic monsters, and thereby helped audiences to imagine the monstrous otherness of death. William Brockliss, responding to George Lakoffs and Mark Johnsons analysis of metaphor, explores the Homeric poets use of concrete concepts drawn from the Greek natural environment to aid their audiences understanding of abstract concepts. In particular, he considers Homeric images associating flowers with deception, disorder, and death. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condition: New. Scholars from several disciplines recast reception studies and the classical tradition through the lens of philology and early modern studies. Editor(s): Brockliss, William; Chaudhuri, Pramit; Lushkov, Ayelet Haimson; Wasdin, Katherine. Series: Yale Classical Studies. Num Pages: 200 pages, black & white illustrations. BIC Classification: 2ADL; 2AHA; DSBB; HBLA. Category: (P) Professional & Vocational. Dimension: 230 x 152 x 15. Weight in Grams: 300. . 2016. Reprint. Paperback. . . . . Books ship from the US and Ireland.…

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This collection brings together leading experts in a number of fields of the humanities to offer a new perspective on the classical tradition. Drawing on reception studies, philology and early modern studies, the essays explore the interaction between literary criticism and the multiple cultural contexts in which texts were produced, discovered, appropriated and translated. The intersection of Realpolitik and textual criticism, poetic and musical aesthetics, and authority and self-fashioning all come under scrutiny. The canonical Latin writers and their subsequent reception form the backbone of the volume, with a focus on the European Renaissance. It thus marks a reconnection between classical and early modern studies and the concomitant rapprochement of philological and cultural historical approaches to texts and other works of art. This book will be of interest to scholars in classics, Renaissance studies, comparative literature, English, Italian and art history.…

Paperback. Condition: New. Responding to George Lakoff's and Mark Johnson's analysis of metaphor, William Brockliss explores the Homeric poets' use of concrete concepts drawn from the Greek natural environment to aid their audiences' understanding of abstract concepts. In particular, he considers Homeric images that associate flowers with the concepts of deception, disorder, and death, and examines the ways in which the poets engage with natural phenomena such as the brief, diverse blooms of the Greek spring.Taken together, such Homeric images present a more pessimistic depiction of the human condition than we find in the vegetal imagery of other archaic Greek genres. While lyric poets drew on floral imagery to emphasize the beauty of the beloved, the Homeric poets used images of flowers to explore the potentially deceptive qualities of bodies adorned for seduction. Where the Hesiodic poets employed vegetal images to depict the stable structure of the cosmos, the Homeric poets set arboreal imagery of good order against floral images suggestive of challenges or changes to orderliness. And while the elegiac poets celebrated the brief "flower of youth," the Homeric poets created floral images reminiscent of Hesiodic monsters, and thereby helped audiences to imagine the monstrous otherness of death.…