Brinker Felix (50 results)

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condition: new. Paperback. This is the first book-length study to examine the enduring popularity of block-buster films based on DC or Marvel superhero comics properties. It argues that the success of superhero movies is rooted in aesthetic practices unavailable to other types of film, and suggests that the multi-dimensional seriality of these movies, combining practices of serialisation, adaptation, and transmedia storytelling, endows them with an unmatched potential to engage audiences over time and to actively intervene in the discourses of online fandom. The book develops a critical theory of digital-era popular seriality, examining the narrative strategies of superhero movies and their evolution, from 1978s Superman to 2018s Avengers: Infinity War and beyond. It discusses textual and extra-textual practices of fan mobilisation, and considers the genres shared political imaginary and its purchase on contemporary political debates. Explores the huge commercial success of contemporary superhero blockbusters and develops a critical theory of digital-era popular seriality Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condition: New. This is the first book-length study to examine the enduring popularity of block-buster films based on DC or Marvel superhero comics properties. It argues that the success of superhero movies is rooted in aesthetic practices unavailable to other types of film, and suggests that the multi-dimensional seriality of these movies, combining practices of serialisation, adaptation, and transmedia storytelling, endows them with an unmatched potential to engage audiences over time and to actively intervene in the discourses of online fandom. The book develops a critical theory of digital-era popular seriality, examining the narrative strategies of superhero movies and their evolution, from 1978's Superman to 2018's Avengers: Infinity War and beyond. It discusses textual and extra-textual practices of fan mobilisation, and considers the genre's shared political imaginary and its purchase on contemporary political debates.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New.

Condition: New. 92nd edition NO-PA16APR2015-KAP.

Condition: new.

Paperback or Softback. Condition: New. Superhero Blockbusters: Seriality and Politics. Book.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. 2024. 92,942. paperback. . . . . .

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. 2024. 92,942. paperback. . . . . . Books ship from the US and Ireland.

Condition: New.

Paperback. Condition: Brand New. bilingual edition. 240 pages. 9.21x6.14x0.50 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Taschenbuch. Condition: Neu. Neuware - This is the first book-length study to examine the enduring popularity of block-buster films based on DC or Marvel superhero comics properties. It argues that the success of superhero movies is rooted in aesthetic practices unavailable to other types of film, and suggests that the multi-dimensional seriality of these movies, combining practices of serialisation, adaptation, and transmedia storytelling, endows them with an unmatched potential to engage audiences over time and to actively intervene in the discourses of online fandom. The book develops a critical theory of digital-era popular seriality, examining the narrative strategies of superhero movies and their evolution, from 1978's Superman to 2018's Avengers: Infinity War and beyond. It discusses textual and extra-textual practices of fan mobilisation, and considers the genre's shared political imaginary and its purchase on contemporary political debates. …

Paperback. Condition: new. Paperback. This is the first book-length study to examine the enduring popularity of block-buster films based on DC or Marvel superhero comics properties. It argues that the success of superhero movies is rooted in aesthetic practices unavailable to other types of film, and suggests that the multi-dimensional seriality of these movies, combining practices of serialisation, adaptation, and transmedia storytelling, endows them with an unmatched potential to engage audiences over time and to actively intervene in the discourses of online fandom. The book develops a critical theory of digital-era popular seriality, examining the narrative strategies of superhero movies and their evolution, from 1978s Superman to 2018s Avengers: Infinity War and beyond. It discusses textual and extra-textual practices of fan mobilisation, and considers the genres shared political imaginary and its purchase on contemporary political debates. Explores the huge commercial success of contemporary superhero blockbusters and develops a critical theory of digital-era popular seriality Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Paperback. Condition: New. This is the first book-length study to examine the enduring popularity of block-buster films based on DC or Marvel superhero comics properties. It argues that the success of superhero movies is rooted in aesthetic practices unavailable to other types of film, and suggests that the multi-dimensional seriality of these movies, combining practices of serialisation, adaptation, and transmedia storytelling, endows them with an unmatched potential to engage audiences over time and to actively intervene in the discourses of online fandom. The book develops a critical theory of digital-era popular seriality, examining the narrative strategies of superhero movies and their evolution, from 1978's Superman to 2018's Avengers: Infinity War and beyond. It discusses textual and extra-textual practices of fan mobilisation, and considers the genre's shared political imaginary and its purchase on contemporary political debates.…

Condition: Very Good. 13. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: new.

Hardcover. Condition: new. Hardcover. This is the first book-length study to examine the enduring popularity of block-buster films based on DC or Marvel superhero comics properties. It argues that the success of superhero movies is rooted in aesthetic practices unavailable to other types of film, and suggests that the multi-dimensional seriality of these movies, combining practices of serialisation, adaptation, and transmedia storytelling, endows them with an unmatched potential to engage audiences over time and to actively intervene in the discourses of online fandom. The book develops a critical theory of digital-era popular seriality, examining the narrative strategies of superhero movies and their evolution, from 1978s Superman to 2018s Avengers: Infinity War and beyond. It discusses textual and extra-textual practices of fan mobilisation, and considers the genres shared political imaginary and its purchase on contemporary political debates. Explores the huge commercial success of contemporary superhero blockbusters and develops a critical theory of digital-era popular seriality Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New. 2022. 92,942 ed. Hardcover. . . . . .

Hardback. Condition: New. This is the first book-length study to examine the enduring popularity of block-buster films based on DC or Marvel superhero comics properties. It argues that the success of superhero movies is rooted in aesthetic practices unavailable to other types of film, and suggests that the multi-dimensional seriality of these movies, combining practices of serialisation, adaptation, and transmedia storytelling, endows them with an unmatched potential to engage audiences over time and to actively intervene in the discourses of online fandom. The book develops a critical theory of digital-era popular seriality, examining the narrative strategies of superhero movies and their evolution, from 1978's Superman to 2018's Avengers: Infinity War and beyond. It discusses textual and extra-textual practices of fan mobilisation, and considers the genre's shared political imaginary and its purchase on contemporary political debates.…