Brianne Cohen (62 results)

Condition: As New. Unread book in perfect condition.

paperback. Condition: As New. 2023. Illustrated matte paper covers; light shelf wear; 8vo - over 7 3/4" to 9 3/4" tall; Interior is clean and unmarked; 242 pages.

paperback. Condition: Very Good. A used book with minor shelf wear and imperfections. Photos and additional details upon request. Thank you for supporting Last Word Books and independent bookstores.

Softcover. Condition: Very Good. First Edition. [LITERATURE]. Eds. Samuel Cohen, Rachel Greenwald Smoth, Jason Arthur, Brianne Jaquette, Judi Nitsch, Lara Narcisi, and Molly Slavin, Kristina Quynn, Matt Wanat, Gustavo Fares, Robert Martinez, and David Todd Lawrence. "The Journal of the Midwest Modern Language Association, Volume 48, Number 1, Spring 2015, 'Elsewheres.'" Chicago: Loyola University Chicago, 2015. First edition. English language. Softcover with glossy green card wrappers. Nonfiction academic journal with ten articles, book reviews, and notes on contributors. 8vo. 9 x 6 1/4 inches. 16 oz. 266 pp. Shelf-wear. Light discoloration to spine. Staining to fore-edge. Text clean. Very Good. No ISBN. No ASIN. "Pieces by Jason Arthur, Brianne Jaquette, Judi Nitsch, Lara Narcisi, and Molly Slavin, Kristina Quynn, Matt Wanat, Gustavo Fares, Robert Martinez, and David Todd Lawrence.".…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: New. In Don't Look Away Brianne Cohen considers the role of contemporary art in developing a public commitment to end structural violence in Europe. Cohen focuses on art activism of the early twenty-first century that confronts the slow violence perpetuated against precarious peoples. Exploring the work of German filmmaker Harun Farocki, Swiss artist Thomas Hirschhorn, and the art collective Henry VIII's Wives, Cohen argues that their recursive art practices offer a more sustained counter to the violence undergirding the public sphere than do artworks premised on immediate rupture. Their art reflects on a variety of flashpoints of violence and vulnerability in Europe, from the legacy of the Holocaust to Islamophobia and rising anti-immigrant sentiment. Because this violence has often cultivated fear-based publics, Cohen contends that art must foster ethical and civil relations between strangers across physical and virtual borders. In contrast to art-critical practices that privilege direct action in contemporary art activism, Cohen advocates for the imaginative, messier, often more elusive potential of art to change mindsets and foster a nonviolent social imaginary.…

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: new.

Paperback. Condition: new. Paperback. In Don't Look Away Brianne Cohen considers the role of contemporary art in developing a public commitment to end structural violence in Europe. Cohen focuses on art activism of the early twenty-first century that confronts the slow violence perpetuated against precarious peoples. Exploring the work of German filmmaker Harun Farocki, Swiss artist Thomas Hirschhorn, and the art collective Henry VIII's Wives, Cohen argues that their recursive art practices offer a more sustained counter to the violence undergirding the public sphere than do artworks premised on immediate rupture. Their art reflects on a variety of flashpoints of violence and vulnerability in Europe, from the legacy of the Holocaust to Islamophobia and rising anti-immigrant sentiment. Because this violence has often cultivated fear-based publics, Cohen contends that art must foster ethical and civil relations between strangers across physical and virtual borders. In contrast to art-critical practices that privilege direct action in contemporary art activism, Cohen advocates for the imaginative, messier, often more elusive potential of art to change mindsets and foster a nonviolent social imaginary. Cohen focuses on art activism after the turn of the twenty-first century that confronts the slow violence perpetuated against precarious peoples. In contrast to art-critical practices that privilege direct action in contemporary art activism, Cohen advocates for the imaginative, messier, often more elusive potential of art in changing mindsets and fostering a nonviolent social imaginary. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. 242 pages. 8.75x5.75x0.75 inches. In Stock.

Condition: New.

Condition: New. 2023. Paperback. . . . . .

Paperback. Condition: New. In Don't Look Away Brianne Cohen considers the role of contemporary art in developing a public commitment to end structural violence in Europe. Cohen focuses on art activism of the early twenty-first century that confronts the slow violence perpetuated against precarious peoples. Exploring the work of German filmmaker Harun Farocki, Swiss artist Thomas Hirschhorn, and the art collective Henry VIII's Wives, Cohen argues that their recursive art practices offer a more sustained counter to the violence undergirding the public sphere than do artworks premised on immediate rupture. Their art reflects on a variety of flashpoints of violence and vulnerability in Europe, from the legacy of the Holocaust to Islamophobia and rising anti-immigrant sentiment. Because this violence has often cultivated fear-based publics, Cohen contends that art must foster ethical and civil relations between strangers across physical and virtual borders. In contrast to art-critical practices that privilege direct action in contemporary art activism, Cohen advocates for the imaginative, messier, often more elusive potential of art to change mindsets and foster a nonviolent social imaginary.…

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Condition: New.

Paperback. Condition: Brand New. 150 pages. 10.00x7.00x0.36 inches. In Stock.

Condition: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Condition: New. Brand New.

Taschenbuch. Condition: Neu. Neuware - In Don't Look Away Brianne Cohen considers the role of contemporary art in developing a public commitment to end structural violence in Europe. Cohen focuses on art activism of the early twenty-first century that confronts the slow violence perpetuated against precarious peoples. Exploring the work of German filmmaker Harun Farocki, Swiss artist Thomas Hirschhorn, and the art collective Henry VIII's Wives, Cohen argues that their recursive art practices offer a more sustained counter to the violence undergirding the public sphere than do artworks premised on immediate rupture. Their art reflects on a variety of flashpoints of violence and vulnerability in Europe, from the legacy of the Holocaust to Islamophobia and rising anti-immigrant sentiment. Because this violence has often cultivated fear-based publics, Cohen contends that art must foster ethical and civil relations between strangers across physical and virtual borders. In contrast to art-critical practices that privilege direct action in contemporary art activism, Cohen advocates for the imaginative, messier, often more elusive potential of art to change mindsets and foster a nonviolent social imaginary.…

Paperback. Condition: Brand New. 240 pages. 7.00x0.87x10.00 inches. In Stock.

Paperback. Condition: Brand New. 146 pages. In Stock.

Condition: New.

Paperback. Condition: new. Paperback. This book explores the different ways in which art, cinema, and other forms of visual culture respond to a digitized and networked world. Traditional discourses on medium specificity, developed in distinct disciplines, often fail to provide an adequate description of the transformations that photography and film have undergone. The essays, written by internationally renowned scholars, encompass a broad range of different media such as video, documentary film, cinema, photography, and the Internet, as well as different disciplines such as art history, film studies, photography theory, visual culture studies, and media theory. In this way they deal with various practices or techniques ranging from panoramas, drone surveillance, tableau vivant, press coverage, computer-based editing, digitized financial markets, and various concepts such as temporality and contemporaneity, eco-aesthetics and forensic practice, countervisuality, human rights and political imagination, social transparency and control, thus mapping the possibilities of the continuous border-crossing movement between photographic and filmic images within contemporary art and visual culture.This volume also contains, as an artist's contribution, a substantial and richly illustrated interview with Eric Baudelaire.Contributors: Eric Baudelaire (Paris), Brianne Cohen (Amherst College), Stefanie Diekmann (University of Hildesheim), Evgenia Giannouri (Paris 3 Sorbonne Nouvelle), Lilian Haberer (University of Cologne), Jana J. Haeckel (UCL), Agnes Petho (Sapientia University of Transylvania, Romania), Eivind Rossaak (National Library of Norway), Linda Schadler (ETH Zurich), Terry Smith (University of Pittsburgh), Alexander Streitberger (UCL), Hilde Van Gelder (KU Leuven) Mapping the possibilities of the continuous border-crossing movement between photographic and filmic images within contemporary art and visual culture. Includes a substantial and richly illustrated interview with Eric Baudelaire. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: NEW.

Condition: As New. Unread book in perfect condition.