Brian Winkenweder (81 results)

Paperback. Condition: Good. This volume takes the reader on a tour of 160 homes in and around New York City, from affluent townhouses on Manhattan's Upper East Side and rowhouses in blue-collar Brooklyn to the middle- and upper-class suburbs of Long Island.

Paperback. Condition: Good. This volume takes the reader on a tour of 160 homes in and around New York City, from affluent townhouses on Manhattan's Upper East Side and rowhouses in blue-collar Brooklyn to the middle- and upper-class suburbs of Long Island.

Paperback. Condition: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: new.

Soft cover. Condition: Good. A touch of corner wear. Tiny bump to top right front corner. Otherwise, clean and sound. 567 pgs. Haymarket Books. Chicago, Il. 2017.

Paperback. Condition: VG+. Color illustrated wraps with black spine with grey and white lettering; xvi, 567 pages. Art History as Social Praxis brings together more than thirty essays that chart the development of David Craven's voice as an unorthodox Marxist who applied historical materialism to the study of modern art. This book demonstrates the range and versatility of Craven's praxis as a 'democratic socialist' art historian who assessed the essential role the visual arts play in imagining more just and equitable societies. The essays collected here reveal Craven's lifelong commitment to exposing interstices between western and non-western cultures by researching the reciprocating influences between First- and Third-World artists, critics and historians - rear cover.…

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Art History as Social Praxis: The Collected Writings of David Craven brings together more than thirty essays that chart the development of Craven s voice as an unorthodox Marxist who applied historical materialism to the study of modern art. This book demonstrates the range and versatility of David Craven's praxis as a 'democratic socialist' art historian who assessed the essential role the visual arts play in imagining more just and equitable societies.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. Art History as Social Praxis: The Collected Writings of David Craven brings together more than thirty essays that chart the development of Cravens voice as an unorthodox Marxist who applied historical materialism to the study of modern art. This book demonstrates the range and versatility of David Cravens praxis as a democratic socialist art historian who assessed the essential role the visual arts play in imagining more just and equitable societies. The essays collected here reveal Cravens lifelong commitment to exposing interstices between western and non-western cultures by researching the reciprocating influences between First- and Third-World artists, critics and historians. The key writings of one of the most important and unorthodox Marxists to study modern art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Paperback. Condition: New. Art History as Social Praxis: The Collected Writings of David Craven brings together more than thirty essays that chart the development of Craven s voice as an unorthodox Marxist who applied historical materialism to the study of modern art. This book demonstrates the range and versatility of David Craven's praxis as a 'democratic socialist' art historian who assessed the essential role the visual arts play in imagining more just and equitable societies.…

Condition: Fine. 8vo. pp 276. Contributors include David Craven, Donald B. Kuspit, Rudolf Baranik and others. Fine. First Edition. Hardback. Dust Jacket.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Condition: VG. Announcement card laid in. Quarto. Softcover. Illustated wraps. 74 pages : illustrations ; 28 cm.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First Edition. Gift inscribed by Donal Kuspit to Susan Shatter ( first names only) on title page. Few art critics in Western history have had the lasting international impact of philosopher and psychoanalyst Donald Kuspit. A student of Theodor Adorno, Kuspit introduced in the 1970s a new type of philosophical art criticism drawing on critical theory, phenomenology, and psychoanalysis. This multifaceted art criticism has gained world renown for reasons that critics, art historians, and philosophers from around the world explain here. The first book about one of the most distinguished art critics in history, Dialectical Conversions surveys Kuspit's role in triggering several historic shifts within art criticism. About the Author David Craven is Distinguished Professor of Art History at the University of New Mexico. Brian Winkenweder is associate professor of art history at Linfield College in Oregon. Signed by Author(s).…

Paperback. Condition: new. Paperback. This companion is an essential contribution to the study of historical materialism in general and the social history of art in particular.Each chapter in the collection focuses on a key figure, concept or historical epoch. Increasingly, scholars adopt an array of Marxist methods intertwined with a host of other theoretical practices, particularly the historiography of key issues regarding hegemony, ideology and identity. Ideological issues of connoisseurship, patronage and analyses of the artwork as a form of labor and leisure are essential to the practice of Marxisms in art history. This collection spotlights a plurality of Marxian theories in which the ideas of such figures as Walter Benjamin, Guy Debord and T.J. Clark are debated and developed through analyses of the socio-historical conditions that impact how art is produced, circulated and received. This ultimately underscores that the historical contextualization of artworks and their "markets" within a class-based society is crucial for writing socially engaged art history.This book will be of interest to scholars working in art history, visual studies, visual sociology, communication studies and the sociology of art. This companion is an essential contribution to the study of historical materialism in general and the social history of art in particular. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New. This companion is an essential contribution to the study of historical materialism in general and the social history of art in particular.Each chapter in the collection focuses on a key figure, concept or historical epoch. Increasingly, scholars adopt an array of Marxist methods intertwined with a host of other theoretical practices, particularly the historiography of key issues regarding hegemony, ideology and identity. Ideological issues of connoisseurship, patronage and analyses of the artwork as a form of labor and leisure are essential to the practice of Marxisms in art history. This collection spotlights a plurality of Marxian theories in which the ideas of such figures as Walter Benjamin, Guy Debord and T.J. Clark are debated and developed through analyses of the socio-historical conditions that impact how art is produced, circulated and received. This ultimately underscores that the historical contextualization of artworks and their "markets" within a class-based society is crucial for writing socially engaged art history.This book will be of interest to scholars working in art history, visual studies, visual sociology, communication studies and the sociology of art.…

Condition: New. 2026. 1st Edition. paperback. . . . . .

Condition: New.

Paperback. Condition: Brand New. 478 pages. 9.00x6.00x1.25 inches. In Stock.

Paperback. Condition: Brand New. In Stock.

Paperback. Condition: New. This companion is an essential contribution to the study of historical materialism in general and the social history of art in particular.Each chapter in the collection focuses on a key figure, concept or historical epoch. Increasingly, scholars adopt an array of Marxist methods intertwined with a host of other theoretical practices, particularly the historiography of key issues regarding hegemony, ideology and identity. Ideological issues of connoisseurship, patronage and analyses of the artwork as a form of labor and leisure are essential to the practice of Marxisms in art history. This collection spotlights a plurality of Marxian theories in which the ideas of such figures as Walter Benjamin, Guy Debord and T.J. Clark are debated and developed through analyses of the socio-historical conditions that impact how art is produced, circulated and received. This ultimately underscores that the historical contextualization of artworks and their "markets" within a class-based society is crucial for writing socially engaged art history.This book will be of interest to scholars working in art history, visual studies, visual sociology, communication studies and the sociology of art.…