Brad Feuerhelm (27 results)

hardcover. Condition: fine. no jacket. Signed by the author. Like new.

Hardback. Condition: New. Immersed in collector Brad Feuerhelm's vernacular photo collection, artist Anouk Kruithof moved into a bungalow where she developed a niche relationship with the photos and transformed the image archive. She visualizes scenarios in which images, through the imaginary space of our conception, and parallel to digitization, leap across the tooth of time. The personal image relations, all but magically approached and released, offer new perspectives, to relate us, one-to-one with the image, to the present post-digital image economy in which our image memory moves. Furthermore, the technical angles give insight into the way we can process our image memory. The five differently-processed image stories make this book a layered 'Gesamt-sculpture' that has a lot to say about the actual status of our image memory. The Bungalow is an 'image wonderland' in which a closed meeting represents the 'bite' of the leap. Chapters1a Screen-reality2 Eye candy 3 Bunkerocks4 Ghostbondage5 Command Shift 3; New Photography1b Screen-realityBio'sAnouk Kruithof is educated as a photographer, but she considers photography more as a starting point of various possibilities. She makes photo, video, and spatial installations as well as social, in-situation works or "take away art. " She is a frenetic artist-bookmaker. Her work has been exhibited worldwide and she won numerous prizes. Brad Feuerhelm is a London based, American collector and dealer in vernacular photography. He is also a writer on photography for such publications as 1000 Words Photography, The British Journal of Photography and Eyemazing. Through exhibitions and publications he collaborates with artists using his collection as a source for new artist-books (as in the case of The Bungalow) or as a starting point for organizing exhibitions, such as Unnatural Selection, which he curated at UNSEEN Amsterdam in 2013.

Condition: New.

Condition: As New. Unread book in perfect condition.

Brossura. Condition: new. Torino, 2021; br., pp. 144. Libro.

Paperback. Condition: New.

Paperback. Condition: New.

Condition: New. 2025. paperback. . . . . .

Condition: New.

Condition: new.

Paperback. Condition: Brand New. 120 pages. 11.81x8.93x0.98 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Condition: D'occasion - Très bon état.

Hardback. Condition: New. Immersed in collector Brad Feuerhelm's vernacular photo collection, artist Anouk Kruithof moved into a bungalow where she developed a niche relationship with the photos and transformed the image archive. She visualizes scenarios in which images, through the imaginary space of our conception, and parallel to digitization, leap across the tooth of time. The personal image relations, all but magically approached and released, offer new perspectives, to relate us, one-to-one with the image, to the present post-digital image economy in which our image memory moves. Furthermore, the technical angles give insight into the way we can process our image memory. The five differently-processed image stories make this book a layered 'Gesamt-sculpture' that has a lot to say about the actual status of our image memory. The Bungalow is an 'image wonderland' in which a closed meeting represents the 'bite' of the leap. Chapters1a Screen-reality2 Eye candy 3 Bunkerocks4 Ghostbondage5 Command Shift 3; New Photography1b Screen-realityBio'sAnouk Kruithof is educated as a photographer, but she considers photography more as a starting point of various possibilities. She makes photo, video, and spatial installations as well as social, in-situation works or "take away art. " She is a frenetic artist-bookmaker. Her work has been exhibited worldwide and she won numerous prizes. Brad Feuerhelm is a London based, American collector and dealer in vernacular photography. He is also a writer on photography for such publications as 1000 Words Photography, The British Journal of Photography and Eyemazing. Through exhibitions and publications he collaborates with artists using his collection as a source for new artist-books (as in the case of The Bungalow) or as a starting point for organizing exhibitions, such as Unnatural Selection, which he curated at UNSEEN Amsterdam in 2013.

Hardcover. Condition: Fine. 1st Edition. First edition, first printing. Signed in blue ink on the title page by Kruithof. Includes a laid-in, typed, signed letter from the artist. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Artist's book by Anouk Kruithof. Text by Kruithof and Brad Feuerhelm. 272 pp., with 254 black-and-white and four-color plates. 9-1/4 x 7 inches. This first edition was limited to 1200 copies. Fine. From the publisher: "This fascinating artist's book by New York-based Dutch artist Anouk Kruithof transforms selections from collector Brad Feuerhelm's vernacular photo collection into five dramatic, mysterious and erotic visual narratives that Kruithof calls 'image-stories.' To accomplish this the artist isolated herself in a bungalow for an extended period of time with digitized versions of the photographs and played with their organization and layering on the computer screen. The resulting alterations and collages saved as screen-shots comprise her experiments with making sense of this voluminous archive. Interspersed between the stories are excerpts from the email correspondence between artist and collector. Kruithof's work has most recently been shown at the Stedelijk, Amersterdam, and is the recipient of the 2014 Charlotte Kohler Prize and ICP Infinity Award, New York. Feuerhelm is a London-based American collector and dealer in vernacular photography. Brief essays on the project by Kruithof and Feuerhelm bookend the image-stories." Signed by Author.

Paperback. Condition: New.

[London], [MACK], [2019]. [96] pp. B./w. photography by Brad Feuerhelm. Orig. hardcover (boards). 4to. With 5 pages text in English by Ulrich Baer. - - From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of historical narrative and contemporary political and ideological doubt are played out in visual motifs throughout the landscape. Fragments of the past and symbols of capitalist modernity underpin the work-banks, insurance companies and people as effigies of citizens appear as a cloaking miasma, the spectre of past, present and no future. The schema of the glitch and the appropriation methods in Feuerhelm's work are subtle enquiries into the contemporary conditions of fear and confusion. Loose associations about changing futures under technology, religion, immigration and the future of the photographic image also loom large. Dein Kampf is Feuerhelm's proposition about how we activate image and ideology in the book form.

Condition: New. Idioma/Language: Español. Edición Limitada /Limited Edition Deluxe Box Set American A contiene una selección de 80 fotografías de un lote 3000 negativos. Las fotografías fueron adquiridas en una subasta y pertenecían a diferentes diarios locales y regionales de los Estados Unido *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Paperback. Condition: New.

Hardcover. Condition: Fine. 1st Edition. Bound in pictorial boards (hardcover), 120p, illustrations (some in color), 29 cm. Very good/fine, clean, crisp, no internal marks. First edition of 750 of which 200 with a signed and numbered C-print (#57/100). Signed by Author(s).

Hard Cover. Condition: Fine. This is a fine hardcover copy in illustrated boards, with virtually no wear. SIGNED by the artist, Anouk Kruithof, twice in ink. Once on the title page and again on the colophon. Not inscribed to anyone just signed. Limited edition of 1200 copies. 9" high X 7" wide, unpaginated. This book will be securely packed and shipped with tracking. Signed by Artist.

hardcover. Condition: Ottimo (Fine). Fotografie a colori selezionate da Brad Feuerhelm. Testo di B. Feuerhelm e Michael Salu. Le pagine del libro sono tutte bucate da un foro di proiettile. Una delle 40 copie speciali con incollato alla custodia un vero proiettile Design by Paralaxe. Stampato a Paper Chase e SYL. Es. 13/40. Cm 21,5x14,5. pp. 56. Dedica e firma autografe di Brad Feuerhelm (Inscribed and signed by Brad Feuerhelm). Ottimo (Fine). . Edizione originale di 200 + 40 esemplari numerati (Original edition of 200 + 40 numbered copies). . Nel libro di Walker Evans e James Agee del 1936 "Let us now Praise Famous Men", Evans e Agee collaborarono per illustrare la vita del mezzadro americano durante il New Deal di Franklin Roosevelt, evidenziando le lotte degli americani che vivevano durante gli anni terribili di povertà estrema del dust bowl. Qui, Brad Feuerhelm ha ripreso l'iconico esempio foto-letterario di Evans e Agee per invertire l'uso dell'immagine fotografica, in un dialogo politico che si esplicita in un atto di distruzione violenta. Le pagine di tutte le 200 copie del libro sono state attraversate dal foro di un proiettile di una Glock 45. Il proiettile che trapassa ciascuna delle pagine trascende il fotolibro in una reliquia anti-iconografica. Il libro diventa un oggetto in cui ha avuto luogo la violenza e ciascuno dei ritratti diventa una trasgressiva manifestazione di intolleranza della società per la macchina da guerra economica. I capi di diverse multinazionali di armi, sia nazionali che internazionali, trovano la propria immagine lacerata dal foro di proiettile. Edizione originale di 200 + 40 esemplari numerati (Original edition of 200 + 40 numbered copies). Book.

Condition: New.

Taschenbuch. Condition: Neu. Neuware - Edición Limitada /Limited Edition Deluxe Box Set American A contiene una selección de 80 fotografías de un lote 3000 negativos. Las fotografías fueron adquiridas en una subasta y pertenecían a diferentes diarios locales y regionales de los Estados Unido.

Brossura. Condition: ottimo. prima edizione. Brossura, 176 pagine ampiamente illustrate a colori, misura 21x32 cm circa. Ottimo esemplare, tiratura di 300 copie.

paperback. Condition: Ottimo (Fine). Fotografie a tutta pagina recuperate da Brad Feuerhelm. Testi in italiano e inglese di Anthony Faramelli ("Dire addio non vuol dire andarsene") e Ryan Mahan. Realizzato in collaborazione con Colli Indipendet Art Gallery Direzione artistica di Giandomenico Carpentieri e Achille Filipponi. Cm 32x21. pp. 176. Firma autografa dell'Autore (Signed by the Author). Ottimo (Fine). . Prima edizione di 300 esemplari (First edition of 300 copies). . "Quindi che dire della nostra amata civiltà? Di questo spaventoso ordine delle cose che ci fa mantenere in vita la mediocrità di una politica delle piccole differenze? Meglio lasciarla a loro. È solo una questione di tempo prima che l'incessante chiacchiericcio degli eroi dello sport e delle personalità televisive si attorcigli attorno al suo sudario tricolore in maniera così soffocante da togliere anche l'ultimo alito di senso alla classe politica.?Feuerhelm ci accompagna lungo una sequela di immagini da lui collezionate, sulle quali attiva un processo distruttivo, un tiro al bersaglio su tutte le declinazioni del sogno americano. Nato nel Wisconsin nel 1977, Brad Feuerhelm è un collezionista di fotografie, commerciante, curatore, scrittore e artista. È caporedattore di American Suburb X. Il suo interesse specialistico è per la fotografia vernacolare e ha pubblicato il suo primo libro di questo lavoro nel 2012 con Self Publish, Be Happy. Il suo libro, Goodbye America, raccoglie varie diapositive che mostrano la bella vita negli Stati Uniti che Feuerhelm ha deliberatamente danneggiato. Prima edizione di 300 esemplari (First edition of 300 copies). Book.