Bohan Ruth L (32 results)

Hardcover. Condition: New. 1. New copy.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: New. New copy.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. First printing. 4to. 229 pp. Gray cloth. Fine in Fine dust jacket.

Hardcover. Condition: As New. 2006 first edition. Dust jacket and book are clean, has a very good binding and crisp pages, no marks or notations. HB OS HS *LO.

hardcover. Condition: Good. Ex-library hardcover. No dust jacket. Library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Hardcover. Size: 7.25"x10.25", 261pp., illus. As new, clean, tight & bright condition, with bright and crisp dust jacket.

Hard cover. Condition: Very good. No jacket. In great condition. Binding is tight and inside is clean and unmarked.

Condition: Very Good. Hardcover with dust jacket. Like new in publisher's shrink-wrap. This beautifully illustrated book highlights the unique history of The Société Anonyme, Inc., an organization founded in 1920 by the artists Katherine S. Dreier (1877?1952), Marcel Duchamp (1887?1968), and Man Ray (1890?1976). As America?s first ?experimental museum? for modern art, the Société Anonyme provided a means for artists, rather than historians, to chronicle the rise of modernism. Led by Dreier and Duchamp, the group eventually assembled a collection of more than one thousand artworks, which it presented to the public in a variety of innovative programs, publications, and exhibitions. The incredible collection of the Société Anonyme now belongs to the Yale University Art Gallery, a gift from the Société and Dreier. It features the work of more than one hundred artists, many of whom are among the century?s most renowned?including Jean Arp, Duchamp, Max Ernst, Wassily Kandinsky, Paul Klee, El Lissitzky, Piet Mondrian, Man Ray, Kurt Schwitters, and Joseph Stella?as well as works by lesser-known artists whose contributions to modernism are substantial. With new archival information, including personal correspondence between Dreier and the artists whose work she assembled, a host of previously unpublished images, essays by leading scholars, and an interview with artists Robert and Sylvia Mangold about the contemporary significance of this collection, this fascinating book is essential to our understanding of the reception and interpretation of modernism in America. Record # 350918.…

Soft cover. Condition: Very Good. With black & white illustrations, a bibliography and index. xix, 262 pages. 8vo. Trade paperback. Former owner's name on the half-title page. Very Good.

Paperback. Condition: Near Fine. 1st. xv, 229 pages, illustrations (some colour); 32 cm. Published in conjunction with an exhibition held at the Hammer Museum, Los Angeles, April 23 to August 20, 2006, and four other venues until 2010. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "This beautifully illustrated book highlights the unique history of the Societe Anonyme, Inc., an organization founded in 1920 by the artists Katherine S. Dreier (1877-1952), Marcel Duchamp (1887-1968), and Man Ray (1890-1976). As America's first 'experimental museum' for modern art, the Societe Anonyme provided a means for artists, rather than historians, to chronicle the rise of modernism. Led by Dreier and Duchamp, the group presented to the public a variety of innovative programs, publications, and exhibitions and eventually assembled a collection of more than one thousand artworks.The incredible collection of the Societe Anonyme now belongs to the Yale University Art Gallery, a gift from the Societe and Dreier. It features the work of more than 100 artists, many of whom are among the century's most renowned--including Jean Arp, Duchamp, Max Ernst, Wassily Kandinsky, Paul Klee, El Lissitzky, Piet Mondrian, Man Ray, Kurt Schwitters, and Joseph Stella--as well as works by lesser-known artists whose contributions to modernism are substantial. With new archival information, including personal correspondence between Dreier and the artists whose work she assembled, a host of previously unpublished images, and essays by leading scholars, this book is essential to our understanding of the reception and interpretation of modernism in America." - Publisher. *** CONTENTS: Director's foreword, by Jock Reynolds; Acknowledgments, by Jennifer R. Gross; An artists' museum, by Jennifer R. Gross; Joseph Stella and the "conjunction of WORLDS", by Ruth L. Bohan; The artist readymade: Marcel Duchamp and the Societe Anonyme, by David Joselit; "A big cosmic force": Katherine S. Dreier and the Russian/Soviet avant-garde, by Dickran Tashjian; "One big painting": a new view of modern art at the Brooklyn Museum, by Kristina Wilson; Art as experience: Katherine S. Dreier and the Educational Mission of the Societe Anonyme, by Susan Greenberg; Believe me, faithfully yours, by Jennifer R. Gross; The Societe Anonyme collection come to Yale, by Elise K. Kenney; The artists' view: Sylvia and Robert Mangold on the Societe Anonyme Collection, by Jennifer R. Gross with Susan Greenberg; Artist Biographies, by Susan Greenberg, Kristin P. Henry, Bryony W. Roberts. Size: 4to. Collectible. …

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. First Edition. First edition, hardcover, signed by Bohan on the title page, book has a mild skew to the binding, very slight rubbing to the cloth, and a bookplate from the University of Missouri affixed to the front fly leaf. Overall, a solid, tight, Very Good+ copy in a like dust jacket, which has bumps with very short tears to the spine ends and corners, faint sunning to the spine, and mild rubbing to the covers. The jacket is wrapped in Mylar. Signed by Author. …

Condition: As New. Unread book in perfect condition.

Cloth. Condition: New. Fine Condition. 252 pages 364 illustrations 302 in color. Still in shrink-wrap. Published on the occasion of the exhibition from the Hammer Museum, Los Angeles CA April 23-August 20, 2006, The Phillips Collection, Washington, DC October 14, 2006-January 21, 2007, Dallas Museum of Art, Dallas, TX June 10-September 16, 2007, Frist Center for the Visual Arts, Nashville, TN October 26, 2007-February 3, 2008. Book.…

Condition: New.

Condition: New. Brand New.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Condition: New.

Hardcover. Condition: Brand New. illustrated edition. 261 pages. 10.25x7.25x1.00 inches. In Stock.

4° Broschiert. Condition: Sehr gut. 63 pp., ill. Buchrücken und Einband an den Ecken und Kanten leicht berieben / bestoßen. Sonst sehr ordentlich - sauber, fest und vollständig. 20701K 20701 Sprache: Englisch Gewicht in Gramm: 400.

Hardcover. Condition: new. Hardcover. Why is Walt Whitman's face as familiar as his poetry? In answering this question, Ruth Bohan tells a story of self-invention and portraiture. Whitman approached successive editions of "Leaves of Grass" as opportunities to establish close, dynamic links between his poetry and visual representation. Bohan shows as well that Whitman, who sought out friendships with numerous artists, left a legacy absorbed after his death into the fabric of American modernism. "Looking into Walt Whitman" provides ample evidence that the poet's engagement with the visual arts extended beyond photography into painting, printmaking, and sculpture. Through discussion of Whitman's gradual emergence as an American, democratic, and radical figure, the book opens new ways to assess his impact upon such artists as Thomas Eakins, Joseph Stella, and Marsden Hartley. Biography, art history, and the history of literature come together in Bohan's rich, suggestive book.Based on years of research, it presents valuable information about Whitman portraiture; the publishing of his masterpiece, "Leaves of Grass"; artists' responses to his transgressive persona; and Robert Coady's work on "The Soil", among other pivotal topics. The many images, reproduced in color or as duotones, will be of significance both to Whitman specialists and to readers seeking an introduction to Whitman's role as a poet who vitally shaped both the visual and literary arts of America. Provides evidence that Walt Whitman's engagement with the visual arts extended beyond photography into painting, printmaking, and sculpture. Discussing Whitman's gradual emergence as an American, democratic, and radical figure, this book is of interest both to Whitman specialists and to readers seeking an introduction to Whitman's role as a poet. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Condition: New. Provides evidence that Walt Whitman s engagement with the visual arts extended beyond photography into painting, printmaking, and sculpture. Discussing Whitman s gradual emergence as an American, democratic, and radical figure, this book is of interest both.

Hardcover. Condition: Brand New. illustrated edition. 261 pages. 10.25x7.25x1.00 inches. In Stock.

Condition: New. pp. xiv + 261 104 Illus. (22 Col.).