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Creative Writing For KS3: A Technique Guide
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Seller rating 5 out of 5 stars
Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.
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Creative Writing For KS3: A Technique Guide
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Seller rating 5 out of 5 stars
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Creative Writing For KS3
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
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Creative Writing For KS3: A Technique Guide
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Literatures of Alchemy in Medieval and Early Modern England
Language: English
Published by Boydell and Brewer Ltd, 2022
ISBN 10: 1843846446 ISBN 13: 9781843846444
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
Seller rating 5 out of 5 stars
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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Condition: As New. Unread book in perfect condition.
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Paperback. Condition: New.
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Literatures of Alchemy in Medieval and Early Modern England
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Literatures of Alchemy in Medieval and Early Modern England
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Literatures of Alchemy in Medieval and Early Modern England
Language: English
Published by Boydell and Brewer Ltd, 2022
ISBN 10: 1843846446 ISBN 13: 9781843846444
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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Literatures of Alchemy in Medieval and Early Modern England
Language: English
Published by Boydell and Brewer Ltd, GB, 2022
ISBN 10: 1843846446 ISBN 13: 9781843846444
Hardback. Condition: New. Explores the myriad ways in which alchemy was conceptualised by adepts and sceptics alike, from those with recourse to a fully functioning laboratory to those who did not know their pelican from their athanor!The language of alchemy (the art of transmuting metals and manufacturing pharmaceutical medicine) is defined by obscure imagery, authorial play and dense knottiness, tempting curious readers to unpick its impenetrable promises. From the fourteenth to the seventeenth century, alchemical literature was read, interpreted and reimagined both by those with recourse to a fully functioning laboratory and those who did not know their pelican from their athanor. Recent studies by historians of science have succeeded in decoding the difficult language of these texts, revealing the replicable chemical procedures behind their metaphors. However, as a literary investigation of alchemy, this book explores more fluid understandings of the art in the period. Through an analysis of medieval and early modern texts and manuscript cultures, the volume explores the myriad ways in which alchemy was conceptualised in this period, by adept and sceptic alike. From Geoffrey Chaucer's mockery of the impotence of alchemical 'pryvetee' in The Canterbury Tales, and John Gower's macrocosmic hope for societal amelioration in the Confessio Amantis, to Elias Ashmole's angelic alchemy in the Theatrum chemicum britannicum, it explores the natural philosophy that underpinned such diverse representations of this 'slidynge science', proffering a theory of 'alchemical hermeneutics' as a conspiratorial way of reading that sees alchemy in all.
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Literatures of Alchemy in Medieval and Early Modern England
Language: English
Published by Boydell & Brewer Ltd, 2022
ISBN 10: 1843846446 ISBN 13: 9781843846444
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Seller rating 5 out of 5 stars
£ 97.08
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Literatures of Alchemy in Medieval and Early Modern England
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Literatures of Alchemy in Medieval and Early Modern England
Language: English
Published by Boydell and Brewer Ltd, GB, 2022
ISBN 10: 1843846446 ISBN 13: 9781843846444
Hardback. Condition: New. Explores the myriad ways in which alchemy was conceptualised by adepts and sceptics alike, from those with recourse to a fully functioning laboratory to those who did not know their pelican from their athanor!The language of alchemy (the art of transmuting metals and manufacturing pharmaceutical medicine) is defined by obscure imagery, authorial play and dense knottiness, tempting curious readers to unpick its impenetrable promises. From the fourteenth to the seventeenth century, alchemical literature was read, interpreted and reimagined both by those with recourse to a fully functioning laboratory and those who did not know their pelican from their athanor. Recent studies by historians of science have succeeded in decoding the difficult language of these texts, revealing the replicable chemical procedures behind their metaphors. However, as a literary investigation of alchemy, this book explores more fluid understandings of the art in the period. Through an analysis of medieval and early modern texts and manuscript cultures, the volume explores the myriad ways in which alchemy was conceptualised in this period, by adept and sceptic alike. From Geoffrey Chaucer's mockery of the impotence of alchemical 'pryvetee' in The Canterbury Tales, and John Gower's macrocosmic hope for societal amelioration in the Confessio Amantis, to Elias Ashmole's angelic alchemy in the Theatrum chemicum britannicum, it explores the natural philosophy that underpinned such diverse representations of this 'slidynge science', proffering a theory of 'alchemical hermeneutics' as a conspiratorial way of reading that sees alchemy in all.
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Hardcover. Condition: Brand New. 228 pages. 8.50x5.50x0.56 inches. In Stock.
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PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Creative Writing For KS3
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
Seller rating 5 out of 5 stars
£ 25.26
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Add to basketPAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Condition: New. Print on Demand pp. 136.
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Condition: New. Print on Demand pp. 136.
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Condition: New. PRINT ON DEMAND pp. 136.
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnSo you know the nuts and bolts you need to include in your creative writing. But how do you bring it all together? nnnBy showcasing an exemplar for all eight type of creative writing task a student might come across, and pairing i.
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Condition: New. Print on Demand.
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Condition: New. Print on Demand.
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Condition: New. PRINT ON DEMAND.
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Hardcover. Condition: Brand New. 228 pages. 8.50x5.50x0.56 inches. In Stock. This item is printed on demand.
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Literatures of Alchemy in Medieval and Early Modern England
Language: English
Published by Boydell & Brewer Ltd, 2022
ISBN 10: 1843846446 ISBN 13: 9781843846444
Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. InhaltsverzeichnisList of IllustrationsAcknowledgementsEditorial PracticeList of AbbreviationsIntroductionChapter 1. Ignotum Per Ignocius: Literatures of Alchemical ImpotenceSinners, Tricksters and Fools: Conceptions of Alchemist.
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Buch. Condition: Neu. Literatures of Alchemy in Medieval and Early Modern England | Eoin Bentick | Buch | Einband - fest (Hardcover) | Englisch | 2022 | D.S.Brewer | EAN 9781843846444 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
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Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Explores the myriad ways in which alchemy was conceptualised by adepts and sceptics alike, from those with recourse to a fully functioning laboratory to those who did not know their pelican from their athanor!The language of alchemy (the art of transmuting metals and manufacturing pharmaceutical medicine) is defined by obscure imagery, authorial play and dense knottiness, tempting curious readers to unpick its impenetrable promises. From the fourteenth to the seventeenth century, alchemical literature was read, interpreted and reimagined both by those with recourse to a fully functioning laboratory and those who did not know their pelican from their athanor.Recent studies by historians of science have succeeded in decoding the difficult language of these texts, revealing the replicable chemical procedures behind their metaphors. However, as a literary investigation of alchemy, this book explores more fluid understandings of the art in the period. Through an analysis of medieval and early modern texts and manuscript cultures, the volume explores the myriad ways in which alchemy was conceptualised in this period, by adept and sceptic alike. From Geoffrey Chaucer's mockery of the impotence of alchemical 'pryvetee' in The Canterbury Tales, and John Gower's macrocosmic hope for societal amelioration in the Confessio Amantis, to Elias Ashmole's angelic alchemy in the Theatrum chemicum britannicum, it explores the natural philosophy that underpinned such diverse representations of this 'slidynge science', proffering a theory of 'alchemical hermeneutics' as a conspiratorial way of reading that sees alchemy in all.
