Bee Andreas (148 results)

First Edition. First edition. Softcover. 36 pages. Exhibition catalog for a show that ran February 4 through September 3, 2000. Text by Andreas Bee in English and German. Includes numerous black and white illustrations. A very near fine copy in French style wrappers.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: New. softcover, new. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Softcover, 120 pages, in English and German; very good condition; light edgewear and a few scuffs to covers; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issued; unpaginated, in English and German, good condition, rubbing to covers with large streak to rear cover; no internal marks. Foreign shipping may be extra.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

First Edition. First edition and first printing. Tall hardcover. 167 pages. Text in English, French, and German by Andreas Bee. Includes numerous black and white images by Hamann in which he takes panoramic view in a vertical format as opposed to the more traditional horizontal format. A fine copy in photo-illustrated boards. No dust jacket as issued.

First Edition. First edition. Softcover. 79 pages. Text by Andreas Bee in English and German. Includes numerous color illustrations. A fine copy in French style wrappers.

First Edition. First edition. Hardcover. Text in English and German. Illustrated throughout with color images. An about fair copy with wear to the spine ends, some soiling and fading to the rear board. No dust jacket as issued.

paperback. Condition: As New. Publisher: Museum fur Moderne Kunst, Frankfurt, 1998. FINE softcover in pictorial French wraps, as issued. Text in German and English. First Softcover Edition, No statement of Printing. Previous owner's artistic embossed stamp at bottom of title page, otherwise as new.

104 pp.; 20.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 25, 2006 - January 28, 2007. Contributions by Dieter Dath, Christian Demand, Joachim Valentin, Udo Kittelmann. "he Berlin-based conceptual artist Thomas Demand, born in 1964 in Munich, makes hypnotically 'off' large-scale photographs of painstakingly rendered construction-paper models of architectural spaces and natural environments that he fabricates in his studio. In this small, tight board book printed on thick matte paper, Demand documents his most recent project: a series of five photographs that respond to the 'degenerate' mid-century painter Max Beckmann's recently discovered lithograph series, Apocalypse. In Demand's interpretation, the horrifying incident is not Biblical instead he recreates, with incredibly creepy precision, the environment of a provincial German pub where a recent child abuse and murder scandal took place. The 52 reproductions in Klause reveal cinematically suspenseful details of this project." -- publisher's statement. Very Good, 4 x 20.5 cm. band of discoloration to verso cover, otherwise fine.

Hardcover without dustjacket as issued, 120 pages, in English and German; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Broschiert. Condition: Gut. 46 Seiten; mit Abb. ; Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Sprache: Deutsch Gewicht in Gramm: 220.

Condition: as new. Wie neu/Like new.

Taschenbuch. Condition: Gut. 40 S. Buch ist in gutem Zustand, geringe Gebrauchs- Alters- oder Lagerungsspuren. ISBN: 3882704845 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 173.

Paperback. Condition: Near Fine. Plates unmarked & clean, in like olive wraps, with former art gallery's stamp inside front & rear. Essay in both English & German. Monographs & Catalogs; Quarto.

Hardcover without dustjacket as issued; unpaginated; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: Good. 8vo. 117 pp. Soft cover. Near Fine. Color plates. Features the works of Reiner Ruthenbeck and texts by Andreas Bee. Text in German and English.

Hardcover. Condition: As New.

Katalogtext: Helga Gutbrod. AK. Flottmannhallen Herne, 31. März - 17. Juni 2001. Viersen: Tiedmann Siebdruck, 2001. Schwarz-weiße OBrosch. 23 nn. Seiten mit S/w-Illustrationen. - 28 x 19,5. * Sehr gut erhalten !

117, (3)pp. Prof. illus. Sm. 4to. Wraps. Parallel texts in German and English. Edition limited to 1400 copies.

143 Seiten. Mit farbigen Abbildungen. Querokt. (20x27 cm). Orig.Pappband. ** Der helle Einband leicht fleckig. Gut erhalten.

Paperback. Condition: new. Paperback. In the sculptural works of Iris Musolf (b. 1980), the smooth surfaces of a commonplace product aesthetic meet the strange and the unspeakable that is often concealed beneath. Her artistic reconfiguration of materiality and form creates visual ambiguities that highlight the true fragility of our society. Musolf's first monograph 39th of May brings together objects and sculptures that seem like the symbolic props of a vacuous society obsessed with pleasure. In these works, sexuality and violence appear as infantilised consumer goods in the guise of dolphin-shaped vibrators and inflatable Kalashnikovs. Freedom and coercion are interwoven in a commercially driven context, and human emotions primarily emerge in the form of great confusion. Text in English and German. AUTHOR: Iris Musolf * 1980, lives with her family in Berlin. From 2002-2008 she studied art and German language and literature at the Braunschweig University of Art and the TU Braunschweig. In 2009 she became a master student of Candice Breitz. After teaching at the HBK Braunschweig 2009-2013 and the Kunsthochschule Burg Giebichenstein 2014, Musolf will be a guest lecturer at the Berlin University of the Arts in the winter semester 2024-2025. In addition to exhibitions in Moscow at the Biennale for Young Art, Musolf's work has been shown at the Kunstverein Hannover, the Mannheimer Kunstverein, the Allgemeiner Konsumverein Braunschweig and SAVVY Contemporary Berlin, among others. In 2016, she won first prize in the Kunst-am-Bauten competition organised by the Federal Office for Radiation Protection. The artwork was realised in 2018 in front of the headquarters of the Federal Office in Salzgitter. SELLING POINTS: . The first monograph on the artist Iris Musolf . Musolf's works show us a world obsessed with consumption, in which power, sexuality and violence appear as cheap consumer goods 120 colour illustrations Berlin-based artists Iris Musolfs first monograph brings together objects and sculptures that seem like the symbolic props of a vacuous society obsessed with pleasure. Sexuality and violence appear as infantilised consumer goods such as dolphin-shaped vibrators and inflatable Kalashnikovs. Text in English and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Trade Paperback. Condition: Near Fine. Withdrawn stamp inside, but no other library markings. Text in English and German. Black and white photos.

Taschenbuch. Condition: Sehr gut. 79 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Sprache: Englisch Gewicht in Gramm: 295.

broschiert. Condition: Gut. 40 Buch ist in gutem Zustand, geringe Gebrauchs- Alters- oder Lagerungsspuren. Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 196.

hardcover. Condition: Good.

Taschenbuch. Condition: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Was ist der Wilde Mann aus dem Karneval und unserer Fantasie, wenn nicht eine Figur am Rande der Moral, mit der Freiheit, Grenzen zu überschreiten und Vergebung zu gewahren Matthew Cowan stellt eine Reihe von Teufeln, Narren, Brauchtumsfiguren und Menschen in Grenzsituationen vor. Eine Serie von Performances mit komplexen Lamellen- und Blattermasken prasentiert eine Figur in Stadt- und Kulturszenerien, an der Schwelle zwischen Vertrautem und Unvertrautem. Die Verkleidung ist aus gefundenen, weiterverarbeiteten Materialien gemacht und erinnert an Gewander für Rituale und Zeremonien. Solche getarnten Absichten und die beabsichtigt unbeholfene Positionierung spiegeln die Grenzbereiche von Mythos und Folklore, einem imaginaren, aber universellen Reich.Matthew Cowan (\*1974) ist ein neuseelandischer Künstler, dessen Arbeit sich mit traditionellen europaischen Brauchen befasst. Seine Fotografien, Videos, Installationen und Performances spielen mit der inharenten Fremdartigkeit der Tatsache, dass alte Volksbrauche in der modernen Welt andauernde Beliebtheit genießen, und konnen selbst als fingierte Volksrituale gesehen werden, denn sie spielen mit jenen Elementen solcher Uberlieferungen, die den Menschen eine Verbindung zur Vergangenheit bieten. 96 pp. Deutsch, Englisch.