Basilio Miriam M (51 results)

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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Hardcover. Condition: Good. 1st Edition. Ex-library. Some shelf wear and smudging on covers.

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Condition: New. pp. 340.

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Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 340.

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Condition: New. pp. 340.

Encuadernación de tapa dura. Condition: Muy bien. Dust Jacket Condition: Muy bien. 304 pp.

Paperback. Condition: New. Visual Propaganda, Exhibitions, and the Spanish Civil War is a history of art during wartime that analyzes images in various media that circulated widely and were encountered daily by Spaniards on city walls, in print, and in exhibitions. Tangible elements of the nation's past"monuments, cultural property, and art-historical icons"were displayed in temporary exhibitions and museums, as well as reproduced on posters and in print media, to rally the population, define national identity, and reinvent distant and recent history. Artists, political-party propagandists, and government administrators believed that images on the street, in print, and in exhibitions would create a community of viewers, brought together during the staging of public exhibitions to understand their own roles as Spaniards. This book draws on extensive archival research, brings to light unpublished documents, and examines visual propaganda, exhibitions, and texts unavailable in English. It engages with questions of national self-definition and historical memory at their intersections with the fine arts, visual culture, exhibition history, tourism, and propaganda during the Spanish Civil War and immediate post-war period, as well as contemporary responses to the contested legacy of the Spanish Civil War. It will be of interest to scholars in art history, visual and cultural history, history, and museum studies.…

Paperback. Condition: Brand New. reprint edition. 304 pages. 9.50x6.75x0.50 inches. In Stock.

Condition: New.

Condition: New. Miriam M. Basilio Gaztambide is Associate Professor of Art History and Museum Studies at New York University (NYU). She was co-curator of Tempo (MoMA QNS, 2002), MoMA at El Museo: Latin American and Caribbean Art from the Colle.

Taschenbuch. Condition: Neu. Neuware - This book sheds light on an as-yet unstudied aspect of The Museum of Modern Art's (MoMA) preeminent role in establishing the definition of the problematic term 'Latin American art' in the United States from the 1930s to the present through its collection displays. In examining the shifting categorization of Latin American works according to stylistic and geographic taxonomies, we gain a greater understanding of the organization of the Museum's collections as a whole during the 1940s and 1950s. This book is the first to document these institutional precedents, crucial for the understanding of the articulation of a Modernist canon and its contested legacy today.The MoMA is widely recognized as the preeminent institution that defined 20th-century art through its collection - shaping our understandings of the history of art, with its hierarchies and exclusions, as they sediment over time. MoMA's holdings of art from Latin America shed light on a key period when the stylistic categories that have since come to be accepted by many today as the Modernist canon developed. MoMA's collection displays suggest ways in which artists from areas of the world formerly excluded can be incorporated within today's increasingly global museums. MoMA's approach may be compared to initiatives adopted by several museums since the 2000s, creating geographically defined curatorial positions as a way to redress gaps in collecting art from Latin America and other areas of the world. In this book, author Miriam M. Basilio Gaztambide offers a closer study of the history of collection displays as a means to understand canon formation in modern art museums.This work will be of interest to those researching Latin American, American, modern, and contemporary art, and curatorial and museum studies.…

Taschenbuch. Condition: Neu. Visual Propaganda, Exhibitions, and the Spanish Civil War | Miriam M. Basilio | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2017 | Routledge | EAN 9781138295605 | Verantwortliche Person für die EU: Taylor and Francis, Taylor & Francis Verlag Gmbh, Kaufingerstr 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu.…

Condition: New. 2026. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Condition: New. 2026. 1st Edition. paperback. . . . . .

Paperback. Condition: New. Visual Propaganda, Exhibitions, and the Spanish Civil War is a history of art during wartime that analyzes images in various media that circulated widely and were encountered daily by Spaniards on city walls, in print, and in exhibitions. Tangible elements of the nation's past"monuments, cultural property, and art-historical icons"were displayed in temporary exhibitions and museums, as well as reproduced on posters and in print media, to rally the population, define national identity, and reinvent distant and recent history. Artists, political-party propagandists, and government administrators believed that images on the street, in print, and in exhibitions would create a community of viewers, brought together during the staging of public exhibitions to understand their own roles as Spaniards. This book draws on extensive archival research, brings to light unpublished documents, and examines visual propaganda, exhibitions, and texts unavailable in English. It engages with questions of national self-definition and historical memory at their intersections with the fine arts, visual culture, exhibition history, tourism, and propaganda during the Spanish Civil War and immediate post-war period, as well as contemporary responses to the contested legacy of the Spanish Civil War. It will be of interest to scholars in art history, visual and cultural history, history, and museum studies.…

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Condition: New.

Condition: New.

Gebunden. Condition: New. Miriam M. Basilio is Associate Professor of Art History and Museum Studies, New York University.Visual Propaganda, Exhibitions, and the Spanish Civil War is a history of art during wartime that analyzes images in various media that circu.

Condition: New.

Hardback. Condition: New. This book sheds light on an as-yet unstudied aspect of The Museum of Modern Art's (MoMA) preeminent role in establishing the definition of the problematic term "Latin American art" in the United States from the 1930s to the present through its collection displays. In examining the shifting categorization of Latin American works according to stylistic and geographic taxonomies, we gain a greater understanding of the organization of the Museum's collections as a whole during the 1940s and 1950s. This book is the first to document these institutional precedents, crucial for the understanding of the articulation of a Modernist canon and its contested legacy today.The MoMA is widely recognized as the preeminent institution that defined 20th-century art through its collection - shaping our understandings of the history of art, with its hierarchies and exclusions, as they sediment over time. MoMA's holdings of art from Latin America shed light on a key period when the stylistic categories that have since come to be accepted by many today as the Modernist canon developed. MoMA's collection displays suggest ways in which artists from areas of the world formerly excluded can be incorporated within today's increasingly global museums. MoMA's approach may be compared to initiatives adopted by several museums since the 2000s, creating geographically defined curatorial positions as a way to redress gaps in collecting art from Latin America and other areas of the world. In this book, author Miriam M. Basilio Gaztambide offers a closer study of the history of collection displays as a means to understand canon formation in modern art museums.This work will be of interest to those researching Latin American, American, modern, and contemporary art, and curatorial and museum studies.…