Barbier Benoît (28 results)

Soft cover. Condition: Fine. Benoit Barbier (illustrator).

Condition: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

Couverture souple. Condition: Bon. Lyon Mag', 2003. 1 volume broché(s) format In-8 bon.

Condition: very good. Photo non contractuelle. Envoi rapide et soigné.

Couverture souple. Condition: Tres Bon Etat. 103 pp. Format: 28x34 - Souvenirs de tournage.

Broschiert. Condition: Gut. 34x28cm; 103; Broschiert; Sprache: Französisch, Zustand: Gut min. gebräunt (Innen); Innenband nur ganz am Ende geringfügig angerissen; Einband (Außen) hat leichte Gebrauchsspuren; Die rechte Ecke oben undauch die Seiten dort sind etwas nach oben gewellt; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

Couverture souple. Condition: Très bon. Pas de jaquette. Format in-4, couverture rempliée, nombreuses illustrations in et hors texte. très bon exemplaire Musicologie.

Couverture rigide. Condition: Satisfaisant. Dust Jacket Condition: Jaquette en état satisfaisant. PREFACE DE LOUIS GARDEL. JAQUETTE FROTTEE .EN ETAT D'USAGE.

Couverture rigide. Condition: Neuf. Les photos du film Jean-Paul Rappeneau par Benoît Barbier.

Condition: New.

Condition: fine. l'article peut presenter de tres legers signes d'usure. vendeur professionnel; envoi soigne en 24/48h.

Condition: Assez bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Condition: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Brossura. Condition: Molto buono (Very Good). Souvenirs de tournage. Completamente illustrato con fotografie in bianco e nero. Testo in francese di Benoit Barbier . 4to. pp. 104. . Molto buono (Very Good). . Prima edizione (First Edition). . Book.

Aix Typographie de Martin 1841. In-8 broché 1 feuillet non chiffré 4-103pp. Couverture défraîchie, intérieur en bon état et bien complet (quelques passages soulignés en marge, à l'époque, au crayon bleu ou rouge). Un procès pour la jouissance de l'eau, tel qu'il s'en intentait souvent en Provence. Procès suite à un litige entre la Commune de Lançon-de-Provence et M de Galliffet, portant sur le droit d'utiliser gratuitement, pour l'arrosage, des eaux du Canal du Moulin, du samedi matin au lundi matin. M de Galliffet prétendait quant à lui être payé par les habitants du village pour l'utilisation de cette eau. (4151). …

Hardback. Condition: New. Technologies of Discontinuation examines how governments and other decision-makers can manage the phase-out of unsustainable technologies and systems. Providing helpful strategies and pathways, expert authors shed light on how the discontinuation of an incumbent regime can be governed in practice.Employing comparative case studies, the authors identify recurring patterns, strategies and challenges in discontinuation processes. While innovation policy often focuses on supporting new solutions, they argue that effective transformation also requires deliberately ending harmful or obsolete socio-technical regimes. Chapters demonstrate how political leadership, regulatory frameworks and stakeholder mobilisation shape outcomes, and highlight how resistance and setbacks can be managed. The book concludes by emphasizing that discontinuation is not accidental or market-driven, but a governable process.Scholars and students of science and technology studies, and innovation will find the insights into sustainable transitions and transformative innovation policy invaluable. Policymakers and practitioners seeking to design credible transition strategies will also benefit from this comprehensive guide.…

Hardback. Condition: New. Technologies of Discontinuation examines how governments and other decision-makers can manage the phase-out of unsustainable technologies and systems. Providing helpful strategies and pathways, expert authors shed light on how the discontinuation of an incumbent regime can be governed in practice.Employing comparative case studies, the authors identify recurring patterns, strategies and challenges in discontinuation processes. While innovation policy often focuses on supporting new solutions, they argue that effective transformation also requires deliberately ending harmful or obsolete socio-technical regimes. Chapters demonstrate how political leadership, regulatory frameworks and stakeholder mobilisation shape outcomes, and highlight how resistance and setbacks can be managed. The book concludes by emphasizing that discontinuation is not accidental or market-driven, but a governable process.Scholars and students of science and technology studies, and innovation will find the insights into sustainable transitions and transformative innovation policy invaluable. Policymakers and practitioners seeking to design credible transition strategies will also benefit from this comprehensive guide.…

Couverture souple. Condition: bon. RO30328813: 1993. In-Folio. Broché. A relier, Coins frottés, Dos satisfaisant, Intérieur acceptable. 103 pages. Nombreuses photos en noir et blanc, dans et hors texte.Couverture désolidarisée. Coins frottés. . . . Classification Dewey : 791.43-Cinéma.

Couverture souple. Condition: bon. RO80056415: 1993. In-Folio. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 103 pages. Nombreuses photos en noir et blanc, dans le texte et hors-texte. . . . Classification Dewey : 791.43-Cinéma.

Condition: Used: Good. Occasion - Bon Etat - Jauni - Fort Saganne. L'album du tournage (1984) - Grand Format.

Broché, couverture illustrée. Condition: Très bon. Arts et cultures (Revue) Numéro 6 (2005). Association des amis du Musée Barbier-Mueller/Somogy éditions d'Art . Sommaire: Armes et casques japonais. L'enfance de l'art. La momie des tourbières. Le vase-oiseauu tarasque. Ernst Beyeler et les arts lointains + douze articles et entretiens. Description: Il s'agit du sixième numéro du magazine annuel "Art & Cultures. Antiquités, Afrique, Asie, Océanie, Amériques". Cette publication d¿une exceptionnelle qualité graphique comporte une quinzaine d¿articles écrits par différents spécialistes de renommée internationale (archéologues, ethnologues, historiens d¿art, etc. ) sur des sujets très variés. Ce magazine est publié en coédition avec le musée Barbier-Mueller qui, depuis sa création en 1977, na cessé de faire connaître les préoccupations esthétiques des « peuples et civilisations sans littérature », contemporains ou disparus, au moyen d¿expositions qui circulent dans le monde entier, accompagnées de publications rédigées par des spécialistes. Cette revue est toujours superbement illustrée de photos d¿objets, de photos de terrain et de cartes géographiques. Les oeuvres reproduites, en majorité inédite, sont choisie pour leur originalité et leur qualité. 300 x 235 mm. 352 pp. Poids: 1800 g. Collectif (illustrator).…

Couverture souple. Condition: bon. RO20193050: 1990. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Coffret de 2 ouvrages: 1 relié avec jaquette d'environs 60 pages de photos du films en couleurs accompagnées d'une legende et d'un broché de 159 pages avec les dialogues du film + 1 ex-dono - les deux ouvrages sont sous emboitage cartonné rigide. . Sous Emboitage. . Classification Dewey : 791.43-Cinéma.…

Couverture rigide. Condition: Bon. Pas de jaquette. Editions Sillages, 2000 - In-4° carré relié, cartonnage éditeur en simili noir, nombreuses reproductions photographiques en noir, 95 pp. + table, petit accroc de 3 mm en haut du dos sinon bon état. Edition originale, tirage limité à 550 exemplaires sur mat ivoire, un des 31 HC réservés aux collaborateurs comportant une photo originale d'Olivier Toppin (signée au crayon) et une illustration originale de Benoït-Léon Rebichet (signée au crayon) réalisée au pochoir par Christine Antoine-Jacomet (n°HC X). Signé par l'illustrateur.…

Condition: Used: Like New. Relié, jaquette illustrée, nombreuses illustrations, comme neuf.

Hardcover. Condition: New. 538 pages in French : illustrations (chiefly colour), maps ; 32 cm. Notes: Catalog of an exhibition held at the Musée d'art et d'histoire de Genève, May 15-Aug. 31, 2008 Accompanied by 16 p. booklet: 1977-2007 Musée Barbier-Mueller, Genève.

Condition: Très bon. Fort volume in-4, cartonnage couleurs. En belle condition. "La bande dessinée fut longtemps une affaire de presse. Un quotidien comme France-Soir, des publications comme Tintin, Spirou et Vaillant, ou Le Journal de Mickey, ont été pendant des décennies ses premiers vecteurs de diffusion en France et en Belgique. Dans les années soixante, Pilote a progressivement ouvert le lectorat à un public d'adultes et permis aux auteurs de se lancer dans des projets de plus en plus audacieux. Au milieu des années soixante-dix, deux revues ont particulièrement contribué à renouveler les codes graphiques de la bande dessinée, en publiant aussi des scénarios plus subversifs ou plus en phase avec l'actualité sociale, politique et culturelle. Il s'agit de Métal Hurlant - 1975-1987 et (A suivre) - 1978-1997. Sur une idée de Michel-Edouard Leclerc et de Jean-Baptiste Barbier, commissaire artistique, le Fonds Hélène & Edouard Leclerc a donné la parole aux principaux acteurs de cette aventure éditoriale dans laquelle se sont pleinement révélés Moebius, Tardi, Comès, Muñoz, Druillet, Bilal, Pratt, Schuiten, Le livre et l'exposition présentée d'abord aux Capucins de Landerneau, puis au Centre International de la Bande dessinée à Angoulême, ont bénéficié d'importantes contributions des artistes eux-mêmes, ainsi que de Jean-Pierre Dionnet, co-fondateur de Métal Hurlant, et de personnalités bien au fait de cette révolution, Benoît Peeters, Etienne Robial et Philippe Manoeuvre.".…

Condition: Good. This is a movie poster for the French film L'amant. It measures approximately 45 inches by 61 inches. Few copies of this size, presumably used for in theater advertisement and promotion, appear to have survived--based on research on the Internet. It has been folded four times, resulting in 16 panels, printed on one side only. Poster has Black and Red printing. Text is in French. The film was a French-British co-production involving Renn Productions (Paris) and Burrell Productions (London). Distributed by AMLF (Pathe). The Lover (French: L'Amant) is a 1992 erotic romantic drama film produced by Claude Berri and directed by Jean-Jacques Annaud. Based on the semi-autobiographical 1984 novel of the same name by Marguerite Duras, the film details the illicit affair between a teenage French girl and a wealthy Chinese man in 1929 French Indochina. The protagonist is portrayed by Jane March and her lover is portrayed by Tony Leung Ka-fai. The film also features Jeanne Moreau as a narrator. Development began in 1989, with principal photography commencing in 1991. The film made its theatrical debut on 22 January 1992 in France, on 19 June in the United Kingdom, and in the United States on 30 October of the same year. The film was nominated for the 1992 Academy Award for Best Cinematography and won the Motion Picture Sound Editors' 1993 Golden Reel Award for "Best Sound Editing Foreign Feature". It was nominated for seven César Awards in France, winning the Award for Best Original Music. The film was a box office success in France and received generally positive reviews in Europe. Synopsis: The primary characters are known only as The Young Girl and The Chinese Man. The events take place in Vietnam. The daughter of a bitter, fearful, poverty-stricken French family, living in a rural area, she wears an old linen dress and a fedora, and paints her lips bright red when out of her mother's sight. Her weak-willed, widowed mother is a schoolteacher to local children. There is a violent, opium-smoking older brother, and a timid younger brother. The girl is a loner but an excellent student, who dreams of being a writer. The girl meets the Chinese Man when crossing the river on the ferry to return to the city after a school holiday. He is the son of a businessman whose fortune was made in real estate, and has recently returned from Paris after finishing his business studies. He has the look but lacks the self-assurance of the playboy he fancies himself to be, and he is mesmerized the first time he sees her standing by the rail on a crowded ferry crossing the Mekong River. After some awkward conversation, she accepts a lift to Saigon in his chauffeur-driven limousine. In voice-over at the beginning of the film she says she is 15, but she tells him she is 17; he is 32. During the drive he tremulously takes her hand; at the end, his hand is in her lap. The following day, he waits for her outside her boarding school and takes her to the room in the Chinese quarter that he uses for entertaining mistresses. They realize that "a future together is unthinkable" because she is scheduled to return to Paris soon, and he is to make an arranged marriage with a Chinese heiress. Aware of the limited time they have together, they fall into a relationship in which they shed all responsibilities that come with commitment. Every day after school, the girl goes to his room, where they have passionate sex. The girl's family discovers the affair, and though at first furious, they condone it because the man is wealthy and can pay off some of their debts. Despite his wealth and their poverty, the family treats him with contempt as he is not European. The affair continues passionately and the man even goes so far as to beg his father for permission to marry her instead of entering into his arranged marriage, but his father would rather see him dead than with a white girl. Though devastated, the man marries his arranged bride, and the girl boards a ship days later to re. Benoit Barbier (Photographer) (illustrator). …

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1797 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 568 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 568 Language: French.…