Barbara Mazza (69 results)

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Marcus W. Mazza(Jacket Design) (illustrator). First Edition. Unpaid Dues by Barbara Seranella (First Edition) A tight, bright copy. A sharp, bright dust jacket. First printing with full number line 1-9. BOOK.

Condition: New.

N. PAG. 114 - BROSSURA, CUSTODIA IN CARTONCINO ILL. - LIBRO IN OTTIME CONDIZIONI, CUSTODIA CON MODESTE TRACCE DI USURA.

Condition: New.

Paperback. Condition: New. Effective communication is vital in event management. Event Communication: Theory and Methods for Event Management focuses attention on communication studies as applied to Event Management, through the whole event mamangment process. It pays particular attention to the latest technological innovations with the event industry including virtual events and digital technologies. With a wealth of case studies and examples of best practice, is explains the communication process covering issues such as:.Relationship and integrated communication for the event stakeholder management.Event mix strategies and multilevel communication.Different typologies of users and consumer behaviour.Communication planning and results.Events storytelling: dramaturgy and metacommunication.How to increase engagement and deliver immersive experiences.Innovative digital technologies and virtual events.Evaluating event communication The Event Management Theory and Methods Series examines the extent to which mainstream theory is employed to develop event-specific theory, and to influence the very core practices of event management and event tourism. Each compact volume contains overviews of mainstream management theories and methods, examples from the events literature, case studies, and guidance on all aspects of planned-event management. The series introduces the theory, shows how it is being used in the events sector through a literature review, incorporates examples and case studies written by researchers and/or practitioners, and contains methods that can be used effectively in the real world.Series editors: Donald Getz PhD., Professor Emeritus, University of Calgary, Canada and Vassilios Ziakas, PhD., is Consultant and Independent Scholar, UK.Barbara Mazza is Associate Professor (Roma, Italy) in the Department of Communication and Social Research of the Sapienza University of Rome, where teaches Communication for Business Management and Event Management and Communication. Department of Communication and Social Research, Sapienza, University of Rome.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Very Good.

Paperback. Condition: new. Paperback. Effective communication is vital in event management. Event Communication: Theory and Methods for Event Management focuses attention on communication studies as applied to Event Management, through the whole event mamangment process. It pays particular attention to the latest technological innovations with the event industry including virtual events and digital technologies.With a wealth of case studies and examples of best practice, is explains the communication process covering issues such as:Relationship and integrated communication for the event stakeholder managementEvent mix strategies and multilevel communicationDifferent typologies of users and consumer behaviourCommunication planning and resultsEvents storytelling: dramaturgy and metacommunicationHow to increase engagement and deliver immersive experiencesInnovative digital technologies and virtual eventsEvaluating event communicationThe Event Management Theory and Methods Series examines the extent to which mainstream theory is employed to develop event-specific theory, and to influence the very core practices of event management and event tourism. Each compact volume contains overviews of mainstream management theories and methods, examples from the events literature, case studies, and guidance on all aspects of planned-event management. The series introduces the theory, shows how it is being used in the events sector through a literature review, incorporates examples and case studies written by researchers and/or practitioners, and contains methods that can be used effectively in the real world.Series editors: Donald Getz PhD., Professor Emeritus, University of Calgary, Canada and Vassilios Ziakas, PhD., is Consultant & Independent Scholar, UK.Barbara Mazza is Associate Professor (Roma, Italy) in the Department of Communication and Social Research of the Sapienza University of Rome, where teaches Communication for Business Management and Event Management and Communication. Department of Communication and Social Research, Sapienza, University of Rome. Focuses attention on communication studies as applied to Event Management, through the whole event mamangment process. It pays particular attention to the latest technological innovations with the event industry including virtual events and digital technologies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: NEW.

Paperback. Condition: New. Effective communication is vital in event management. Event Communication: Theory and Methods for Event Management focuses attention on communication studies as applied to Event Management, through the whole event mamangment process. It pays particular attention to the latest technological innovations with the event industry including virtual events and digital technologies. With a wealth of case studies and examples of best practice, is explains the communication process covering issues such as:.Relationship and integrated communication for the event stakeholder management.Event mix strategies and multilevel communication.Different typologies of users and consumer behaviour.Communication planning and results.Events storytelling: dramaturgy and metacommunication.How to increase engagement and deliver immersive experiences.Innovative digital technologies and virtual events.Evaluating event communication The Event Management Theory and Methods Series examines the extent to which mainstream theory is employed to develop event-specific theory, and to influence the very core practices of event management and event tourism. Each compact volume contains overviews of mainstream management theories and methods, examples from the events literature, case studies, and guidance on all aspects of planned-event management. The series introduces the theory, shows how it is being used in the events sector through a literature review, incorporates examples and case studies written by researchers and/or practitioners, and contains methods that can be used effectively in the real world.Series editors: Donald Getz PhD., Professor Emeritus, University of Calgary, Canada and Vassilios Ziakas, PhD., is Consultant and Independent Scholar, UK.Barbara Mazza is Associate Professor (Roma, Italy) in the Department of Communication and Social Research of the Sapienza University of Rome, where teaches Communication for Business Management and Event Management and Communication. Department of Communication and Social Research, Sapienza, University of Rome.

Condition: New.

Hardback. Condition: New.

Condition: New. In.

leg. bross. Condition: Good. ill. in bianco e nero. in ottavo leg. bross. pp. 32 Buono (Good) Buon es. Book.

Rilegato. Condition: new. Firenze, 2018; ril., pp. 208, ill. b/n, tavv. b/n, cm 24x31.(Attraverso la Fotografia. 5). L'invenzione della fotografia ha offerto all'uomo un nuovo mirabile mezzo per alimentare l'immaginario del reale. Della vastissima produzione fotografica ottocentesca sul "Bel Paese" sono state scelte immagini emblematiche e di eccezionale qualità formale, in gran parte inedite. Sono state privilegiate quelle "animate", nonché le scene di genere o di tipi popolari, che mostrano l'antico modo di vivere delle genti italiane. Tanti sono i motivi del mito del Bel Paese, ma il più centrale è infatti la presenza ovunque di vitalità caratterizzate da una sorta di domesticità universale. È quanto esprime uno dei fondatori della moderna critica d'arte, Heinrich Wölfflin, in una lettera da Roma del giugno 1887: "dimenticherò presto musei e chiese di Roma ma il benessere di vivere in mezzo a un popolo che è imbevuto di bellezza come il popolo romano, questo mi mancherà amaramente nel Nord informe. [.] I motivi semplici dell'appoggiarsi, dello stare seduti, oppure immobili in piedi, ci sembrano così privi di senso e di significato solo perché li conosciamo unicamente come pose teatrali, e qui sono invece vita". Libro.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. In.

Condition: New.

Condition: Good. ill. in bianco e nero e a colori. in ottavo leg. bross. con cofanetto pp. 114 Buono (Good) Buon es. brossura leg. bross. con cofanetto. Book.

Paperback. Condition: Brand New. 198 pages. 9.00x6.00x2.70 inches. In Stock.

Condition: New.

Condition: New.

Softcover. Condition: Near Fine. First Edition. Near Fine paperback with french flaps about 8¼x10½ inches. Bilingual Italian / English. 80 pages, unmarked. ; OVRB8; 10.20 X 8.40 X 0.40 inches; 80 pages.

Brossura. Condition: new. Santarcangelo di Romagna, 2022; br., pp. 322. Il rapporto fra fotografia, architettura e veduta urbana è antico quanto l'invenzione stessa della fotografia. La prima immagine 'fotografica' della storia, databile al 1826 o 1827, rappresenta la veduta da una finestra della casa familiare di Niépce, i primi daguerrotipi di Daguerre e i primi calotipi di Talbot sono vedute urbane. Nel corso del periodo considerato tale rapporto è andato sviluppandosi e articolandosi grazie alle capacità di interpretazione dei fotografi - pionieri elitari, professionisti, amatori - e anche interagendo con i mutamenti del gusto e dell'immaginario collettivo. Perseguendo una stretta interazione fra testi e immagini, fra ricostruzione storica e lettura critica delle opere, gli autori indagano la storia di questi rapporti. Dunque un libro di riferimento ma anche una guida a saper vedere la fotografia. Le immagini di Niépce, di Daguerre, di Talbot, hanno un enorme valore iconico non soltanto e non tanto perché sono le 'prime fotografie', ma perché riassumono meglio dell'oceano di fotografie che seguirono la specificità rivoluzionaria dell'immagine fotografica. Sono infatti dimostrazione della fedeltà senza precedenti dell'immagine al reale e al tempo stesso della impossibilità di una totale fedeltà perché una parte della realtà è alterata. Le ambiguità - il moltiplicarsi delle ombre portate nell'immagine di Niépce - e le assenze - la folla dei boulevard in quelle di Daguerre e di Talbot - sottraggono all'immagine gradi di fedeltà al reale e al tempo stesso le conferiscono un'aura. Nel momento stesso in cui si riproduce fedelmente la realtà, il fatto che essa sia parziale e che ne sia un istante immobilizzato ne costituisce un tradimento o per meglio dire una trasfigurazione. Lo compresero - chi consapevolmente chi inconsapevolmente - i primi fotografi, che erano perlopiù pittori-fotografi. E giustamente la fotografia deve essere considerata un'arte perché l'essenza dell'arte è trasfigurazione, sublimazione, assolutizzazione della realtà. Ciò che del resto fa della fotografia uno straordinario alimento dell'immaginario collettivo è il fatto che essa non soltanto riproduca la realtà delle forme, ma che essa produca una forma di realtà altra. Libro.

Couverture rigide. Condition: Très bon état. In-8 relié 26,6 cm sur 23,6. 352 pages. Très bon état d'occasion. in-8°.

rilegato Copertina rigida. Condition: Very Good. Condizione: Ottimo. Libro che non sembra nuovo ed è stato letto, ma è in condizioni eccellenti, sovraccoperta con lievi segni d'uso ai margini presenta un piccolo strappo. Copertina rigida 172 Molto buono (Very Good) . Book.