Banz Stefan (176 results)

Hardcover. Condition: Very Good. Text is in German, French, and English.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

First Edition. First edition. Small hardcover. 116 pages. Text in English, French, and German with contributions by Didier Semin and Stefan Banz. Includes several illustrations. A fine copy in cloth boards. No dust jacket as issued.

Condition: As New. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDNear Fine.

Paperback. Condition: Very Good. The first and highly-anticipated monograph on one of the most successful, collected, and exciting painters today.

Paperback. Condition: Good. The first and highly-anticipated monograph on one of the most successful, collected, and exciting painters today.

paperback. Condition: Good. Softcover. Good binding and cover. Library stamps and markings. This is an oversized or heavy book, which WILL require additional postage for Priority Mail or International delivery outside the US.

Hardcover without dustjacket as issued; 180 pages; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issued; 168 pages; very good condition, clean and crisp; no internal marks.

paperback. Condition: Acceptable.

Paperback. Condition: Very Good. The first and highly-anticipated monograph on one of the most successful, collected, and exciting painters today.

Paperback. Condition: Good. The first and highly-anticipated monograph on one of the most successful, collected, and exciting painters today.

Hardcover. Condition: Very Good. Book is in very good condition, sharp corners, bright paper boards, bump to heel of spiine with resultant creasing, slight cock to spine, clean and unmarked within. 8vo - over 7¾ - 9¾" tall.

Condition: New.

Condition: New.

Hardcover without dustjacket as issued; 144 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Good. Good; bumped/creased still NICE! - may have remainder mark or previous owner's name Standard-sized.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:9783905509281. …

Hardcover. Condition: NF. Color-illustrated boards; black lettering on orange spine. 108 pp. with color images throughout. Decorative end papers. Text in German. Catalogue from the exhibition held Museum Schloss Moyland.

Condition: New. Brand New Original US Edition. Customer service! Satisfaction Guaranteed.

Hardcover without dustjacket as issued; 142 pages; in English and German; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condition: New. Editor(s): Banz, Stefan. Num Pages: 408 pages, 50 colour, 290 b&w illustrations. BIC Classification: ACX; AGB. Category: (G) General (US: Trade). Dimension: 243 x 176 x 27. Weight in Grams: 1310. . 2011. Illustrated. hardcover. . . . .

Hardcover. Condition: new. Hardcover. In August 1946, Marcel Duchamp spent five weeks in Switzerland, and stayed at the Hotel Bellevue (today, Le Baron Tavernier) near Chexbres, on Lake Geneva. It was here that he discovered the Forestay waterfall, which was to become the starting point for (and ultimately the landscape of) his enigmatic and final masterpiece, Etant donnes: 1 Degrees la chute d'eau, 2 Degrees le gaz d'eclairage (Given: 1. The Waterfall, 2. The Illuminating Gas). Now, for the first time, the full significance of the choice of this waterfall is explored. Among the contributors to this volume are Caroline Bachmann, Stefan Banz, Etienne Barilier, Lars Blunck, Ecke Bonk, Paul B. Franklin, Antje von Graevenitz, Dalia Judovitz, Michael Luthy, Bernard Marcade, Herbert Molderings, Adeena Mey, Stanislaus von Moos, Francis M. Naumann, Mark Nelson, Molly Nesbit, Dominique Radrizzani, Roman Signer, Michael R. Taylor, Hans Maria de Wolf and Philip Ursprung. In August 1946, Marcel Duchamp spent five weeks in Switzerland, and stayed at the Hotel Bellevue (today, Le Baron Tavernier) near Chexbres, on Lake Geneva. It was here that he discovered the Forestay waterfall, which was to become the starting point for (and ultimately the landscape of) his enigmatic and final masterpiece, "Etant donnes: 1 la chute d'eau, 2 le gaz d'eclairage" ("Given: 1. The Waterfall, 2. The Illuminating Gas"). Now, for the first time, the full significance of the choice of this waterfall is explored. Among the contributors to this volume are Caroline Bachmann, Stefan Banz, Etienne Barilier, Lars Blunck, Ecke Bonk, Paul B. Franklin, Antje von Graevenitz, Dalia Judovitz, Michael Luthy, Bernard Marcade, Herbert Molderings, Adeena Mey, Stanislaus von Moos, Francis M. Naumann, Mark Nelson, Molly Nesbit, Dominique Radrizzani, Roman Signer, Michael R. Taylor, Hans Maria de Wolf and Philip Ursprung. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…