Language: English
Published by University of Virginia Press, 2013
ISBN 10: 0813934842 ISBN 13: 9780813934846
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Paperback. Condition: As New. Text clean and tight; Cultural Frames, Framing Culture; 8.90 X 5.90 X 0.70 inches; 240 pages.
Language: English
Published by University of Virginia Press, 2013
ISBN 10: 0813934842 ISBN 13: 9780813934846
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Language: English
Published by University of Virginia Press 10/18/2013, 2013
ISBN 10: 0813934842 ISBN 13: 9780813934846
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Paperback or Softback. Condition: New. Composing Cultures: Modernism, American Literary Studies, and the Problem of Culture. Book.
Language: English
Published by University of Virginia Press, 2013
ISBN 10: 0813934842 ISBN 13: 9780813934846
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Language: English
Published by University of Virginia Press, 2013
ISBN 10: 0813934842 ISBN 13: 9780813934846
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Language: English
Published by University of Virginia Press, 2013
ISBN 10: 0813934842 ISBN 13: 9780813934846
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Language: English
Published by University of Virginia Press, Charlottesville, 2013
ISBN 10: 0813934842 ISBN 13: 9780813934846
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Paperback. Condition: new. Paperback. The term ""culture"" has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable. The modernist concept of culture, he argues, arose out of an interdisciplinary dialogue about value, meaning, and form among social critics, artists, anthropologists, and literary critics, including figures as diverse as Van Wyck Brooks, Edward Sapir, Willa Cather, Lewis Mumford, John Crowe Ransom, Raymond Weaver, and Allen Tate. These figures proposed new ways to conceive of culture that intertwined theories of aesthetic and literary value with theories of national, racial, and regional identity. Through close readings, Aronoff shows that disciplines and approaches that are often thought of as opposedcultural anthropology and aesthetics, American literary history and literary criticism, and multiculturalism and regionalismare in fact engaged in common debate and proceed from shared arguments about culture and form. The term culture has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Language: English
Published by University of Virginia Press, Charlottesville, 2013
ISBN 10: 0813934834 ISBN 13: 9780813934839
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Hardcover. Condition: new. Hardcover. The term ""culture"" has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable. The modernist concept of culture, he argues, arose out of an interdisciplinary dialogue about value, meaning, and form among social critics, artists, anthropologists, and literary critics, including figures as diverse as Van Wyck Brooks, Edward Sapir, Willa Cather, Lewis Mumford, John Crowe Ransom, Raymond Weaver, and Allen Tate. These figures proposed new ways to conceive of culture that intertwined theories of aesthetic and literary value with theories of national, racial, and regional identity. Through close readings, Aronoff shows that disciplines and approaches that are often thought of as opposedcultural anthropology and aesthetics, American literary history and literary criticism, and multiculturalism and regionalismare in fact engaged in common debate and proceed from shared arguments about culture and form. The term culture has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by University of Virginia Press, 2013
ISBN 10: 0813934842 ISBN 13: 9780813934846
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Language: English
Published by University of Virginia Press, 2013
ISBN 10: 0813934834 ISBN 13: 9780813934839
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Series: Cultural Frames, Framing Culture. Num Pages: 248 pages. BIC Classification: 1KBB; 2AB; DSA; JFC. Category: (G) General (US: Trade). Dimension: 229 x 152 x 23. Weight in Grams: 458. . 2013. Hardcover. . . . .
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Language: English
Published by University of Virginia Press, 2013
ISBN 10: 0813934834 ISBN 13: 9780813934839
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. Series: Cultural Frames, Framing Culture. Num Pages: 248 pages. BIC Classification: 1KBB; 2AB; DSA; JFC. Category: (G) General (US: Trade). Dimension: 229 x 152 x 23. Weight in Grams: 458. . 2013. Hardcover. . . . . Books ship from the US and Ireland.
Gebunden. Condition: New. The term culture has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in .
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Language: English
Published by University Of Virginia Press Okt 2013, 2013
ISBN 10: 0813934834 ISBN 13: 9780813934839
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. Neuware - The term 'culture" has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable.
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Seller: preigu, Osnabrück, Germany
Taschenbuch. Condition: Neu. Culture's Futures | Science Fiction, Form and the Problem of Culture | Eric Aronoff | Taschenbuch | xiv | Englisch | 2026 | Springer | EAN 9783031804328 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.
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Language: English
Published by Springer Nature Switzerland, 2026
ISBN 10: 3031804325 ISBN 13: 9783031804328
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Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book argues that science fiction has been a key participant, along with anthropology and literary theory, in the interdisciplinary debates over 'culture' and narrative form from the modernist period to the present. Both science fiction and the anthropological ethnography, in their modernist forms and post-modern/postcolonial reinventions, are intertwined technologies for constructing 'culture' and difference through narrative worldbuilding. This book traces the ways SF authors -- including Ray Bradbury, Ursula K. Le Guin, and Octavia E. Butler, as well as Indigenous futurists Craig Strete, Celu Amberstone, Rebecca Roanhorse and Cherie Dimaline -- have deployed, interrogated and revised these models of 'culture,' representation and power to imagine new futures.
Language: English
Published by Springer Nature Switzerland, Springer Nature Switzerland, 2025
ISBN 10: 3031804295 ISBN 13: 9783031804298
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book argues that science fiction has been a key participant, along with anthropology and literary theory, in the interdisciplinary debates over 'culture' and narrative form from the modernist period to the present. Both science fiction and the anthropological ethnography, in their modernist forms and post-modern/postcolonial reinventions, are intertwined technologies for constructing 'culture' and difference through narrative worldbuilding. This book traces the ways SF authors -- including Ray Bradbury, Ursula K. Le Guin, and Octavia E. Butler, as well as Indigenous futurists Craig Strete, Celu Amberstone, Rebecca Roanhorse and Cherie Dimaline -- have deployed, interrogated and revised these models of 'culture,' representation and power to imagine new futures.
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Hardcover. Condition: Brand New. 304 pages. 8.26x5.82x8.27 inches. In Stock.