Arnold James Charles (55 results)

Condition: New.

Single Issue Magazine. Condition: Good. cover paintings by Arnold Kohn / James B. Settles (illustrator). First Edition. Chicago / New York: Ziff-Davis Publishing Company. Good. 1948. First Edition Pulp magazine. Pictorial wrappers [about 7" x 9.75"], 162 pages illustrated. Includes "The Man From Agharti" by John and Dorothy de Courcy, "Mystery of the Midgets" by A. K. Jarvis, "The Death of Asteroid 13" by William P. McGivern, "That We May Rise Again" and "Amoeba 'Roid" by Charles Recour, "The Triumph of the Pig" by Berkeley Livingston, "The Supernal Note" by Rog Phillips, etc. Good to Very Good copy [spine cocked with a tear to the heel rear corner, creasing and the usual edgewear to the cover, text paper tanned]. . mag 27//E.

dvd. Condition: Used - Good.

Mass Market Paperback. Condition: Very Good+. Cliff Young (front cover). Additional Writers: Charles M. Russell, Bennett Foster, Bret Harte, James Warner Bellah (illustrator). First Edition. ----------vintage paperback. A 246-page first edition paperback original anthology of western stories. Very small split to spine bottom, corner crease, laminate intact, a VG+ copy.

Soft cover. Condition: Very Good. Vincent Di Fate; George Barr; Stevan Arnold; Alicia Austin; Monte Rogers; Nuttall; Albar Genesta; Tim Kirk; Albert Neutzell; (illustrator). First Edition. 100 pp. Volume 1, number 1. Light wear. Cover art by Vincent Di Fate; interiors by: George Barr; Stevan Arnold; Alicia Austin; Monte Rogers; Nuttall; Albar Genesta; Tim Kirk; and Albert Neutzell. This issue contains: The Discovery of the Future by Robert A. Heinlein; Bleeding Stones - a short story by Harlan Ellison; Interview with Ray Bradbury by Dorothy Simon and Paul Turner; Patron of the Arts - a novelette by William Rotsler; The Dance of the Changer and the Three by Terry Carr; Paths by Ed Bryant; Caught in the Organ Draft by Robert Silverberg; The Deadly Invasiion by Larry Holden; We Ate the Whole Thing by Harry Harrison; Kessler by Herman Wrede; The Theory and Practice of Time Travel - an essay by Larry Nivel; You Are in My Power, You Will Do What I Tell You - an essay by Ed Bryant; The Truck That Flies - an essay by James Sutherland; 2001 Hypothesis - an essay by Gregory Benford; Dreamer of Tomorrow: and Albert A. Neutzel - an essay by Charles Neutzel. Book.

dvd. Condition: Used - Good.

Condition: New. In.

Hardcover. Condition: Very good condition. Dust Jacket Condition: Good. xix, 414 pp. LCC: 7412140.

Paperback or Softback. Condition: New. Alcohol and the Chosen Few: Organizational Reproduction in an Addictive System. Book.

Condition: New.

HC. Condition: Gut. Obr., 56s., in gutem Zustand, [SAP119]., Deu 400g.

[unpaginated]; 25.5 x 20.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held jointly at Kent Fine Art and Curt Marcus Gallery, New York, November 17 - December 31, 1987. Curated and with an essay by Douglas Blau. Artists include Troy Brauntuch, Ralph Albert Blakelock, Thomas Moran, Charles Wilson Peale, Johannes Vermeer, William Merritt Chase, Randy Dudley, Chesley Bonestell, Norman Rockwell, John Bowman, Thornton Oakley, Caspar David Friedrich, James Abbott McNeill Whistler, Cindy Sherman, Hans W. Hannau, Stanford Gifford, William Cameron Menzies, Ricahrd Bergh, Winslow Homer, Joseph M. Newman, Stanley Kubrick, Hugh Ferriss, Arnold Genthe, Mark Innerst, Eugene Medard, Eugene Chaperon, Joseph Wright of Derby, David Deutsch, Thomas Eakins, Charles West Cope, Charles Lewis Fusell, C.E. Swaye, Thomas Anshutz, George Pal, Virgil Mirano, Howard Hawkes, Jack Conway, Charles H. Stephens, Johann Zoffany, John Ferguson Weir, Walter Dorwin Teague, Thomas Cole, Jan Christiaensz, Virgil Mirano, Jack Goldstein, Komar & Melamid, William L. Sonntag, Hubert Robert, Bonfils, Elihu Vedder, Edwin Dickinson, William Bradford, Jospeh Mallord, William Turner, Frederic Edwin Church, Michael Zwack, Arnold Böcklin, Alain Resnais, Karl Friedrich Schinkel, George Caleb Bingham, Thomas Wilmer Dewing, Joseph Hirsch, Fernand Khnopff, James Rosenquist, Giuseppe Pellizza Da Volpedo, Chuck Rogers, Angelo Morbelli, Gustave Caillebotte, Michele Zalopany, Edward Hopper, John Singer Sargent, and Rembrandt van Rijn. Includes an image index. Fair. Water damage to top right corner of second half of the catalogue with light staining and rippling; final four pages are stuck together and previous page was also stuck but has been separated resulting in surface tearing of page. Rubbing of cover edges. 7 mm. tear and bumping to spine and 2 mm. tear to bottom edge of spine. Sold "as-is." Due to the size of this item, additional shipping charges will be required for international orders.

Paperback. Condition: New.

Soft cover. Condition: Near Fine. PHOTO Front & Back Covers! (illustrator). TRUE FIRST EDITION THUS. 144 pages. Vol. 1, No.#5. June/1966; >>> NEW FULL Length Novel: "The Vanishing Act Affair" (Misshapen, monster-like, they crouched deep under London and listened to their demoniac leader: 'You will take over the Earth after tonight - after the whole men die. For nothing - not even the creatures from U.N.C.L.E. - can stop me from decreeing end of the world!") by Robert Hart Davis. LONG STORIES - "Bier on the Rocks" by Charles Ventura, "A Collector of Keys" by Tom H. Moriarty. SHORT STORIES - "The Dirk" by Dennis Lynds, "The Assassin" by Harry Whittington, "Easy Dough" by Ed Lacy, "Fly Away Home" by James Holding, "Tipoff" by Arnold English. >>>[ We have over 10,000 Un-Listed Vintage TV Paperbacks, Mags & Comics in stock! *** We have a Great Selection of MAN & GIRL FROM UNCLE Digest/ Magazines, Mass Market Paperbacks & Comics]; **** Thin Fragile Covers, make this item SCARCE in HIGH GRADE condition, Wear to top paper spine; soiling to backcover.minor creasing to front cover. Size: 12mo - over 6¾" - 7¾" tall. Book.

Paperback. Condition: New.

Condition: New. In.

Hardcover. Condition: Very Good. No Jacket. 615pp. BLUE CLOTH HARDBOUND, GILT GOLD EMBOSSED/STAMPED TITLE/DESIGN ON SPINE COVER AND FRONT BOARD. DIMENSIONS: 6 3/4" x 4 1/2" x 1 1/4". CONDITION: VERY GOOD; OWNERSHIP INSCRIPTION/DATE ON INSIDE BOARD PAGE, LIGHT SPOTTING ON UPPER RIGHT CORNER OF FRONT BOARD, LIGHT-MODERATELY BUMPED SPINE CROWN/HEEL, SPINE COVER DARKENED A BIT, SPINE COVER TITLE GENTLY RUBBED, CORNERS GENTLY RUBBED/BUMPED, TEXT CLEAN, BOARD PAGES YELLOWED, INTERIOR PAGES BRIGHT. VERY NICE BOOK.

Soft cover. Condition: Very Good. 128 pages. Stephen Spender "A. Modern Writer In Search Of A Moral Subject" / C E M Joad "A Philosopher Looks At America" / E V Lucas "Recollections Of Charles Lamb" / W B Yeats "Supernatural Songs" (poetry) / W G Constable "Art In Industry - At Burlington House" / Julian Ward "Courage" / Arnold Palmer "The Two O'Clock At Manchester" / G R Malloch "The Hero".

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 530 Illustrations, 130 In Color (illustrator). First American Edition. 368 Pp. Orange Silk Cloth, Gilt, Illustrated Endpapers. Fine In Near Fine Price-Clipped Dust Jacket.

Condition: New.

Paperback. Condition: Good. Satisfaction 100% guaranteed.

Condition: Gut - gebraucht. Broschiert Guter Zustand Stempel Zustand: 7, Gut - gebraucht, Broschiert Volk und Wissen , 1975 , Time of Decision - From English, Irish and Scottish Literature of Today, James Plunkett, Alan Sillitoe, Charles Percy Snow, Arnold Wesker.

Vintage black-and-white still photograph of Robbie Vincent (as "Enoch") from the 1943 UK film. A wealthy father becomes a Broadway producer in hopes of fulfilling his daughter's aspirations to become a dramatic thespian. Unfortunately the dramatic play he chooses to produce is so bad that it becomes a hit with the audience who perceives it to be a hilarious comedy. A spinoff of a radio show of the same name that aired from 1941-1947. 8 x 10 inches. Ink notation on the verso, else Near Fine.

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.

Condition: acceptable. The item is very worn but is perfectly usable. Signs of wear can include aesthetic issues such as scratches, dents, worn and creased covers, folded page corners and minor liquid stains. All pages and the cover are intact, but the dust cover may be missing. Pages may include moderate to heavy amount of notes and highlighting, but the text is not obscured or unreadable. Page edges may have foxing age related spots and browning . May NOT include discs, access code or other supplemental materials.

In-4, 28 cm, 150pp., illustr., planches photos hors-texte, Nb-0113,

Paperback. Condition: New.

Taschenbuch. Condition: Neu. Neuware - This dissertation is an interpretive case study that examines alcohol use by a specific subculture of undergraduates, a college fraternity. Based on nearly three years of investigation using interviews, observation, and document analysis, this study takes a detailed look at the organization's indoctrination process and the ways that their practices are explained by its most astute observers, specifically high-status insiders. Various elements of the author's biography are integrated into the text and used to enhance understanding of the phenomenon under investigation. The multiple purposes of this research were to offer a thick description of college student drinking practices, to describe and understand the organization's socialization processes, and, ultimately, to present an analysis of the group using contemporary organizational theory. This work focused on the way that a social fraternity communicates to its newest members the ways of the world with respect to alcohol consumption and its concomitant attitudes, beliefs and behaviors-and what this means in terms of the way the organization functions. A theoretical model of organizations as addictive systems is refined in this study and used as a basis for understanding the organizational dynamics. Implications of this study for institutional and extra-institutional agents who must work with college fraternities are also discussed.

Hardback. Condition: Very Good. A collection of nine volumes in the Canterbury Poets series (Beaumony & Fletcher volume contains plays). Green cloth bindings with decorative gilt spines. Light foxing to endpapers and page edges. Clean text and good solid bindings. An attractive set of Victorian pocket editions. Overall condition is Very Good. Size: 4.25 x 5.5 inches (10.5 x 14 cm).

Condition: Hervorragend. Zustand: Hervorragend | Seiten: 268 | Sprache: Englisch | Produktart: Bücher | This dissertation is an interpretive case study that examines alcohol use by a specific subculture of undergraduates, a college fraternity. Based on nearly three years of investigation using interviews, observation, and document analysis, this study takes a detailed look at the organization's indoctrination process and the ways that their practices are explained by its most astute observers, specifically high-status insiders. Various elements of the author's biography are integrated into the text and used to enhance understanding of the phenomenon under investigation. The multiple purposes of this research were to offer a thick description of college student drinking practices, to describe and understand the organization's socialization processes, and, ultimately, to present an analysis of the group using contemporary organizational theory. This work focused on the way that a social fraternity communicates to its newest members the ways of the world with respect to alcohol consumption and its concomitant attitudes, beliefs and behaviors-and what this means in terms of the way the organization functions. A theoretical model of organizations as addictive systems is refined in this study and used as a basis for understanding the organizational dynamics. Implications of this study for institutional and extra-institutional agents who must work with college fraternities are also discussed.