Anthony Colantuono (49 results)

Softcover. Condition: Very Good with no dust jacket. Sound binding. Minor soiling on title page and contents page; all other pages clean and bright. Wrappers have light handling wear. Contents: Bal and Bryson, Semiotics and art history. Hamburger, A Liber Precum in Sélestat and the development of the illustrated prayer book in Germany. Colantuono, Dies Alconiae: the invention of Bellini's Feast of the Gods. Siry, Frank Lloyd Wright's Unity Temple and architecture for liberal religion in Chicago, 1885-1909. Collins, Life magazine and the abstract expressionists, 1948-51: a historiographic study of a late Bohemian enterprise. de Caso, A phillogical imposture: Henri Jouin, interpreter of David d'Angers. Brown, Two new Degas letters in New Orleans. Reviews. 11.5" tall; 174 pages.…

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: new. Paperback. During the early modern period sculptors experimented with forms, typologies, and materials of their art in unprecedented ways. Sculpture was at the center of theoretical debates concerning the relative merits of the different arts, the differences between ancient and modern art, and the relationship between art and nature. Rome was a major center for these theoretical debates, as well as a locus for patronage and collecting. Sculptors from all over Europe came to Rome to study the remains of the antique past and to practice their art. Critical Perspectives on Roman Baroque Sculpture stakes out a new frontier of research on seventeenth-century sculpture in Romea frontier that looks well beyond attributional and technical questions, instead focusing on questions of historical context and criticism including the interaction of sculptural theory and practice; the creative roles of sculptors and their patrons; the relationship of sculpture to its antique models and to contemporary painting; and problems of contextual meaning and reception.Aside from the editors, the contributors are Michael Cole, Julia K. Dabbs, Maarten Delbeke, Damian Dombrowski, Maria Cristina Fortunati, Estelle Lingo, Peter M. Lukehart, Aline Magnien, and Christina Strunck. Examines seventeenth-century sculpture in Rome. Focuses on questions of historical context and criticism, including the interaction of theory and practice, the creative roles of sculptors and patrons, the relationship of sculpture to antique models and to contemporary painting, and contextual meaning and reception. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Size: 8.25x10.25 inches, 304pp., illus. Gift presentation signed by the author on the half title page. As new, clean, tight and bright condition, with bright and crisp dust jacketwhich is now in a clear protective mylar sleeve.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Condition: New.

Paperback. Condition: Brand New. reprint edition. 288 pages. 10.00x9.00x0.80 inches. In Stock.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1250grams, ISBN:0521563976. …

Hardcover. Condition: Very Good. Near Fine. 1st Edition. xiii + 304 pp.list of 8 colour plates, 60 b&w figures. Introduction, IV Pats, Conclusion. Appendix: Epistolary Encomia and Poems in Praise of the Abduction of Helen. Notes, bibliiography, index. faint fox specks to top edge, binding tight, pages clean, unmarked, paper well-preserved. cloth unworn. 8.25" x 10.25" deep brown cloth boards, gilt spine titles, in red illustrated DJ, unclipped in acetate protector. Size: Square Quarto. Book. …

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Folio - over 12 - 15" tall.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: As New. Unread book in perfect condition.

Condition: New. 2018. Paperback. . . . . .

Cloth. Condition: Very Good Plus. Dust Jacket Condition: Very Good. Book measures 26x21.cm. xiv,304pp, illustrated. Bound in original publishers maroon cloth, with gilt lettering. Binding in very good clean near fine condition. Dust jacket faded on spine. Jacket in very good clean condition. Internally, pages clean. A very nice clean copy. Size: Quarto. …

Condition: New.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. 1st edition NO-PA16APR2015-KAP.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: Brand New. reprint edition. 288 pages. 10.00x9.00x0.80 inches. In Stock.

Kartoniert / Broschiert. Condition: New. Examines seventeenth-century sculpture in Rome. Focuses on questions of historical context and criticism, including the interaction of theory and practice, the creative roles of sculptors and patrons, the relationship of sculpture to antique models and to c.

Hardcover. 334pp., illus. Near new condition, covers bright, text clean and binding tight in a like dust jacket which is now in a clear protective mylar sleeve.

Paperback. Condition: Brand New. 316 pages. 9.25x6.75x0.75 inches. In Stock.

Kartoniert / Broschiert. Condition: New. Anthony Colantuono is Associate Professor of Art History at the University of Maryland - College Park, USATitian, Colonna and the Renaissance Science of Procreation demonstrates that two major monuments of Italian Renaissance culture - Bellini s and.

Paperback. Condition: new. Paperback. During the early modern period sculptors experimented with forms, typologies, and materials of their art in unprecedented ways. Sculpture was at the center of theoretical debates concerning the relative merits of the different arts, the differences between ancient and modern art, and the relationship between art and nature. Rome was a major center for these theoretical debates, as well as a locus for patronage and collecting. Sculptors from all over Europe came to Rome to study the remains of the antique past and to practice their art. Critical Perspectives on Roman Baroque Sculpture stakes out a new frontier of research on seventeenth-century sculpture in Romea frontier that looks well beyond attributional and technical questions, instead focusing on questions of historical context and criticism including the interaction of sculptural theory and practice; the creative roles of sculptors and their patrons; the relationship of sculpture to its antique models and to contemporary painting; and problems of contextual meaning and reception.Aside from the editors, the contributors are Michael Cole, Julia K. Dabbs, Maarten Delbeke, Damian Dombrowski, Maria Cristina Fortunati, Estelle Lingo, Peter M. Lukehart, Aline Magnien, and Christina Strunck. Examines seventeenth-century sculpture in Rome. Focuses on questions of historical context and criticism, including the interaction of theory and practice, the creative roles of sculptors and patrons, the relationship of sculpture to antique models and to contemporary painting, and contextual meaning and reception. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…