Anson Martí (35 results)

Condition: As New. Unread book in perfect condition.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. The towering sign saying 'Meubelgalerie Vynckier' rises up in an ordinary street in the urbanised town of Waregem. The advertising message does not adorn the façade, but covers almost the entire blank side wall, which in Belgium is known as a 'waiting wall'. In anticipation of a neighbour who will build his terraced house or business premises against it, this side wall, in brick and lacking any windows, contributes to the phenomenon of typically Flemish or Belgian ribbon development. The architecture, with its glazed brick and large glass display windows tells us that Meubelgalerie Vynckier must have been built at some time in the 1950s. The period of Expo 58, when Flanders, and with it the rural district of Waregem, enthusiastically embraced modernism. The Vynckier furniture business now no longer exists. An artist has moved into the workshops and makes the showroom available as an exhibition space. However, Meubelgalerie Vynckier was part of another modernity, another vision of furnishings, than that in which the Catalan artist Martí Anson grew up. Joaquim, Martí's father, designed and manufactured furniture with the approach of the modernist avant-garde, which did not conceive of utility objects as an artistic craft or as reduced to the role of consumer goods, but as 'constructions' that contributed to building a better - and more social - society . La Botiga de l'Anson (Anson's Shop), the project at Meubelgalerie Vynckier, does not simply show a number of pieces of furniture inspired by Anson's father's work. It is actually an ambiguous installation. It is in fact a revival of a project that he had already developed for the Species of Spaces exhibition at the MACBA (Museu d'Art Contemporani de Barcelona). In collaboration with Be-PART, Waregem.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. The towering sign saying Meubelgalerie Vynckier rises up in an ordinary street in the urbanised town of Waregem. The advertising message does not adorn the facade, but covers almost the entire blank side wall, which in Belgium is known as a waiting wall. In anticipation of a neighbour who will build his terraced house or business premises against it, this side wall, in brick and lacking any windows, contributes to the phenomenon of typically Flemish or Belgian ribbon development. The architecture, with its glazed brick and large glass display windows tells us that Meubelgalerie Vynckier must have been built at some time in the 1950s. The period of Expo 58, when Flanders, and with it the rural district of Waregem, enthusiastically embraced modernism.The Vynckier furniture business now no longer exists. An artist has moved into the workshops and makes the showroom available as an exhibition space. However, Meubelgalerie Vynckier was part of another modernity, another vision of furnishings, than that in which the Catalan artist Marti Anson grew up. Joaquim, Martis father, designed and manufactured furniture with the approach of the modernist avant-garde, which did not conceive of utility objects as an artistic craft or as reduced to the role of consumer goods, but as constructions that contributed to building a better and more social society .La Botiga de lAnson (Ansons Shop), the project at Meubelgalerie Vynckier, does not simply show a number of pieces of furniture inspired by Ansons fathers work. It is actually an ambiguous installation. It is in fact a revival of a project that he had already developed for the Species of Spaces exhibition at the MACBA (Museu dArt Contemporani de Barcelona).In collaboration with Be-PART, Waregem. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Condition: Good. 1st Edition. Language: English/Spanish/Catalan. Pages: 64. Size: 15 x 21 cm. Weight: 178 g. Binding: Softcover. Includes original "business card." Small black spot on front cover, else fine. This publication is a guide for the fleet of luxury vehicles Mataró Chauffeur Service founded by Martí Anson. It tells the story of the company, the corporate identity of the only fleet vehicle and the journey of his first service. The first service made by the company took place in May 2010 with the transfer of the two members of the curatorial office Latitudes from Barcelona to London to participate in the festival No Soul for Sale: A Festival of Independents at Tate Modern, London. The trip took place via Mataró and Santander and included a ferry trip to the port of Portsmouth, and then onwards to the final destination: London.…

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New.

Condition: New.

Paperback. Condition: Brand New. 01 edition. 80 pages. 11.69x8.27x11.69 inches. In Stock.

Condition: New. In English.

Condition: New.

Condition: New.

Condition: New.

Paperback. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 01 edition. 80 pages. 11.69x8.27x11.69 inches. In Stock.

Paperback. Condition: new. Paperback. The towering sign saying Meubelgalerie Vynckier rises up in an ordinary street in the urbanised town of Waregem. The advertising message does not adorn the facade, but covers almost the entire blank side wall, which in Belgium is known as a waiting wall. In anticipation of a neighbour who will build his terraced house or business premises against it, this side wall, in brick and lacking any windows, contributes to the phenomenon of typically Flemish or Belgian ribbon development. The architecture, with its glazed brick and large glass display windows tells us that Meubelgalerie Vynckier must have been built at some time in the 1950s. The period of Expo 58, when Flanders, and with it the rural district of Waregem, enthusiastically embraced modernism.The Vynckier furniture business now no longer exists. An artist has moved into the workshops and makes the showroom available as an exhibition space. However, Meubelgalerie Vynckier was part of another modernity, another vision of furnishings, than that in which the Catalan artist Marti Anson grew up. Joaquim, Martis father, designed and manufactured furniture with the approach of the modernist avant-garde, which did not conceive of utility objects as an artistic craft or as reduced to the role of consumer goods, but as constructions that contributed to building a better and more social society .La Botiga de lAnson (Ansons Shop), the project at Meubelgalerie Vynckier, does not simply show a number of pieces of furniture inspired by Ansons fathers work. It is actually an ambiguous installation. It is in fact a revival of a project that he had already developed for the Species of Spaces exhibition at the MACBA (Museu dArt Contemporani de Barcelona).In collaboration with Be-PART, Waregem. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condition: NEW.

Taschenbuch. Condition: Neu. Neuware - The towering sign saying 'Meubelgalerie Vynckier' rises up in an ordinary street in the urbanised town of Waregem. The advertising message does not adorn the façade, but covers almost the entire blank side wall, which in Belgium is known as a 'waiting wall'. In anticipation of a neighbour who will build his terraced house or business premises against it, this side wall, in brick and lacking any windows, contributes to the phenomenon of typically Flemish or Belgian ribbon development. The architecture, with its glazed brick and large glass display windows tells us that Meubelgalerie Vynckier must have been built at some time in the 1950s. The period of Expo 58, when Flanders, and with it the rural district of Waregem, enthusiastically embraced modernism. The Vynckier furniture business now no longer exists. An artist has moved into the workshops and makes the showroom available as an exhibition space. However, Meubelgalerie Vynckier was part of another modernity, another vision of furnishings, than that in which the Catalan artist Martí Anson grew up. Joaquim, Martí's father, designed and manufactured furniture with the approach of the modernist avant-garde, which did not conceive of utility objects as an artistic craft or as reduced to the role of consumer goods, but as 'constructions' that contributed to building a better - and more social - society . La Botiga de l'Anson (Anson's Shop), the project at Meubelgalerie Vynckier, does not simply show a number of pieces of furniture inspired by Anson's father's work. It is actually an ambiguous installation. It is in fact a revival of a project that he had already developed for the Species of Spaces exhibition at the MACBA (Museu d'Art Contemporani de Barcelona). In collaboration with Be-PART, Waregem.…

Condition: New.

Paperback. Condition: New. New Book, Direct from Publisher.

Condition: New. Print on Demand.

Paperback. Condition: New. The towering sign saying 'Meubelgalerie Vynckier' rises up in an ordinary street in the urbanised town of Waregem. The advertising message does not adorn the façade, but covers almost the entire blank side wall, which in Belgium is known as a 'waiting wall'. In anticipation of a neighbour who will build his terraced house or business premises against it, this side wall, in brick and lacking any windows, contributes to the phenomenon of typically Flemish or Belgian ribbon development. The architecture, with its glazed brick and large glass display windows tells us that Meubelgalerie Vynckier must have been built at some time in the 1950s. The period of Expo 58, when Flanders, and with it the rural district of Waregem, enthusiastically embraced modernism. The Vynckier furniture business now no longer exists. An artist has moved into the workshops and makes the showroom available as an exhibition space. However, Meubelgalerie Vynckier was part of another modernity, another vision of furnishings, than that in which the Catalan artist Martí Anson grew up. Joaquim, Martí's father, designed and manufactured furniture with the approach of the modernist avant-garde, which did not conceive of utility objects as an artistic craft or as reduced to the role of consumer goods, but as 'constructions' that contributed to building a better - and more social - society . La Botiga de l'Anson (Anson's Shop), the project at Meubelgalerie Vynckier, does not simply show a number of pieces of furniture inspired by Anson's father's work. It is actually an ambiguous installation. It is in fact a revival of a project that he had already developed for the Species of Spaces exhibition at the MACBA (Museu d'Art Contemporani de Barcelona). In collaboration with Be-PART, Waregem.…