Andrew Lichtenstein (29 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

DVD. Condition: Fair.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Near Fine. Book is in excellent condition, almost as if new.

Trade Paperback. Condition: Used - Good. America lies thousands of miles from the deserts of Iraq, and its civilians are rarely truly forced to confront the fact that it is a nation at war, and has been for more than four years. But every day, the list of casualties grows longer. The men and women killed in Iraq are buried every week back home. Their funerals are not dramatic national events, and they are rarely sites of political soul searching. Most families want to grieve privately, to remember their children as they knew them and as heroes who have died for all of us. Photographer Andrew Lichtenstein says of his prizewinning work, 'These funerals are about paying tribute to promising lives cut drastically short. There are some funerals that I never take the camera out of the bag. And then there are others that allow us, I can only hope, to begin to feel the true cost of war.' Lichtenstein's work has appeared in the 'New York Times, Time, Newsweek, Harper's, ' the 'Atlantic Monthly' and'Aperture,' among other publications. In this powerful new portrait of grief and sacrifice, he documents the families of eight American soldiers killed in Iraq. With interviews of the families by StoryCorps oral history producer and 'Slate' and MSNBC contributor Zachary Barr. 'Never Coming Home' is a project by Andrew Lichtenstein and Robert Peacock. Text by Andrew Lichtenstein, Zachary Barr. Front and back cover have minor shelf wear mostly around edges and a few faint scratch marks. Inside of book is in great shape.

Condition: New. Brand New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: Very Good. No Jacket. Comprehensive and unflinching look at life for Jews in post-war Germany. Bar small mark to edge of block, in VG order throughout. This is a charity sale for Friends Of Morston Church (reg.1099831). 8vo. 275pp.

Paperback. Condition: New. From Wounded Knee to the Edmund Pettus Bridge, and from the Upper Big Branch mine disaster to the Trail of Tears, Marked, Unmarked, Remembered presents photographs of significant sites from US history, posing unsettling questions about the contested memory of traumatic episodes from the nation's past. Focusing especially on landscapes related to African American, Native American, and labor history, Marked, Unmarked, Remembered reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory.These powerful photographs by award-winning photojournalist Andrew Lichtenstein are interspersed with short essays by some of the leading historians of the United States. The book is introduced with substantive meditations on meaning and landscape by Alex Lichtenstein, editor of the American Historical Review, and Edward T. Linenthal, former editor of the Journal of American History. Individually, these images convey American history in new and sometimes startling ways. Taken as a whole, the volume amounts to a starkly visual reckoning with the challenges of commemorating a violent and conflictual history of subjugation and resistance that we forget at our peril.

Brossura. Condition: new. English Text.Milano, 2007; paperback, pp. 72, ill., cm 24x16. America lies thousands of miles from the deserts of Iraq, and its civilians are rarely truly forced to confront the fact that it is a nation at war, and has been for more than four years. But every day, the list of casualties grows longer. The men and women killed in Iraq are buried every week back home. Their funerals are not dramatic national events, and they are rarely sites of political soul searching. Most families want to grieve privately, to remember their children as they knew them and as heroes who have died for all of us. Photographer Andrew Lichtenstein says of his prizewinning work, "These funerals are about paying tribute to promising lives cut drastically short. There are some funerals that I never take the camera out of the bag. And then there are others that allow us, I can only hope, to begin to feel the true cost of war." Lichtenstein's work has appeared in the New York Times, Time, Newsweek, Harper's, the Atlantic Monthly andAperture, among other publications. In this powerful new portrait of grief and sacrifice, he documents the families of eight American soldiers killed in Iraq. With interviews of the families by StoryCorps oral history producer and Slate and MSNBC contributor Zachary Barr. Never Coming Home is a project by Andrew Lichtenstein and Robert Peacock. Libro.

Condition: new.

Paperback. Condition: new. Paperback. From Wounded Knee to the Edmund Pettus Bridge, and from the Upper Big Branch mine disaster to the Trail of Tears, Marked, Unmarked, Remembered presents photographs of significant sites from US history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American, and labor history, Marked, Unmarked, Remembered reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory.These powerful photographs by award-winning photojournalist Andrew Lichtenstein are interspersed with short essays by some of the leading historians of the United States. The book is introduced with substantive meditations on meaning and landscape by Alex Lichtenstein, editor of the American Historical Review, and Edward T. Linenthal, former editor of the Journal of American History. Individually, these images convey American history in new and sometimes startling ways. Taken as a whole, the volume amounts to a starkly visual reckoning with the challenges of commemorating a violent and conflictual history of subjugation and resistance that we forget at our peril. From Wounded Knee to the Edmund Pettus Bridge, and from the Upper Big Branch mine disaster to the Trail of Tears, Marked, Unmarked, Remembered presents photographs of significant sites from US history, posing unsettling questions about the contested memory of traumatic episodes from America's past. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. 2017. First Edition. paperback. . . . . .

Paperback. Condition: Brand New. 180 pages. 8.50x9.00x0.50 inches. In Stock.

Paperback. Condition: Very Good. inscribed and signed by Alex. the covers are shelf rubbed, a little marked. internally clean and soundly bound. may require extra postage outside South Africa. [SK]. Our orders are shipped using tracked courier delivery services. Signed.

Condition: New. 2017. First Edition. paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

VG. No dj. stiff card covers. not price-clipped. no inscriptions. delightful clean copy. from the personal library of a dealer/collector.

Paperback. Condition: new. Paperback. From Wounded Knee to the Edmund Pettus Bridge, and from the Upper Big Branch mine disaster to the Trail of Tears, Marked, Unmarked, Remembered presents photographs of significant sites from US history, posing unsettling questions about the contested memory of traumatic episodes from the nations past. Focusing especially on landscapes related to African American, Native American, and labor history, Marked, Unmarked, Remembered reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory.These powerful photographs by award-winning photojournalist Andrew Lichtenstein are interspersed with short essays by some of the leading historians of the United States. The book is introduced with substantive meditations on meaning and landscape by Alex Lichtenstein, editor of the American Historical Review, and Edward T. Linenthal, former editor of the Journal of American History. Individually, these images convey American history in new and sometimes startling ways. Taken as a whole, the volume amounts to a starkly visual reckoning with the challenges of commemorating a violent and conflictual history of subjugation and resistance that we forget at our peril. From Wounded Knee to the Edmund Pettus Bridge, and from the Upper Big Branch mine disaster to the Trail of Tears, Marked, Unmarked, Remembered presents photographs of significant sites from US history, posing unsettling questions about the contested memory of traumatic episodes from America's past. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: Gut. 72 S. Einband leicht berieben. - For this book, from the fall of 2003 until the end of 2006, I attended between fifty and sixty funerals, I do not know, I never counted. Zachary Barr, a radio journalist, and I also visited ten families across America who had lost a brother, father, son, or husband, in Iraq. Some grieving families wholeheartedly supported the war, and the Bush administration for starting it. A few were very angry with the government. But for most, their loved one's death was deeply personal, beyond politics. It was from these families that I learned the most. They helped to show me what we have really lost: the incredible, priceless human sacrifice of war. ISBN 9788881586370 Sprache: Deutsch Gewicht in Gramm: 550 Mit zahlr. farb. Abb. Originalbroschur.

Paperback. Condition: New. From Wounded Knee to the Edmund Pettus Bridge, and from the Upper Big Branch mine disaster to the Trail of Tears, Marked, Unmarked, Remembered presents photographs of significant sites from US history, posing unsettling questions about the contested memory of traumatic episodes from the nation's past. Focusing especially on landscapes related to African American, Native American, and labor history, Marked, Unmarked, Remembered reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory.These powerful photographs by award-winning photojournalist Andrew Lichtenstein are interspersed with short essays by some of the leading historians of the United States. The book is introduced with substantive meditations on meaning and landscape by Alex Lichtenstein, editor of the American Historical Review, and Edward T. Linenthal, former editor of the Journal of American History. Individually, these images convey American history in new and sometimes startling ways. Taken as a whole, the volume amounts to a starkly visual reckoning with the challenges of commemorating a violent and conflictual history of subjugation and resistance that we forget at our peril.

30 pp.; 28 x 17.9 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 9 - December 9, 1973. Catalogue prepared by Louise Sperling and Richard S. Field. Artists include Peter Blake, John Clem Clarke, John Constable, Ron Davis, Bill Davison, Peter Dechar, Jim Dine, Michael English, Richard Estes, Eugene Feldman, Joe Goode, Adolph Gottlieb, Bob Graham, Melissa Gurdus, Richard Hamilton, Robert Indiana, Paul Jenkins, Jasper Johns, Alex Katz, Edward Kienholz, Roy Lichtenstein, Lowell Nesbitt, Georgia O'Keeffe, Claes Oldenburg, Kenneth Price, Robert Rauschenberg, John Salt, Andrew Stasik, Frank Stella and Andy Warhol. Includes glossary of printing techniques, time-lines and exhibition checklist. Front and back covers, printed by offset lithography, by Bill Davison, designed as an artwork specifically for the catalogue. Good. Rubbing and scratching of covers with light edge wear and wear to corners. Contents clean and unmarked.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Aceptable. Essays "Glamour Wounds: Rhonda Lieberman on The Jew Beat, Again," by Rhonda Lieberman; "Music: David Rimanelli and Tina Lyons on New Wave," by David Rimanelli and Tina Lyon; "Media Kids: Anne Marlowe on Rock at Princeton," by Ann Marlowe; "Exits and Entrances: Jeanne Silverthorne on David Mamets Oleanna," by Jeanne Silverthorne; "Film: Manohla Dargis on Gillian Armstrong's 'Last Days of Chez Nous,'" by Manohla Dargis; "Books: Gary Kamiya on James Miller's 'Passion of Michel Foucault,'" by Gary Kamiya; "Museum Piece: Thomas McEvilley on 'Exhibiting Cultures' and 'Museums and Communities,'" by Thomas McEvilley; "Eugenio Dittborn: Return to Sender," by Dan Cameron; "Half-Life: A Project for Artforum," by Nick Waplington with text by Jayne Anne Phillips; "Malice toward Nuns," Manohla Dargis talks with Abel Ferrara; "Luis Gordillo's Anxious Biology," by Lisa Liebmann; "You and I: The Art of Ketty La Rocca," by Judith Russi Kirshner; "The Sublime Theorist of Slovenia," Peter Canning interviews Slavoj i ek; "Openings: Chris Isner," by Daniela Salvioni. Reviews Donald Kuspit, Jan Avgikos, Barry Schwabsky, Kirby Gookin, Ben Lifson, Joshua Decter, A.M. Homes, David Pagel, Andrew Perchuk, Jenifer P. Borum, Keith Seward, Lois Nesbitt, Patricia C. Phillips, RoseLee Goldberg, Francine Koslow Miller, James Yood, Therese Lichtenstein, Maria Porges, Amy Gerstler, Benjamin Weissman, Laura U. Marks, Carlos Basualdo, José Luis Brea, Massimo Carboni, Giorgio Verzotti, Anne Dagbert, Miriam Rosen, Peter Nesweda, Claudia Jolles, Noemi Smolik, Sabine B. Vogel, Peter Funken, Michael Corris, Charles Green. Cover: Nick Waplington.

[50] pp.; 10.9 x 6.5 cm.; loose card[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Set of playing cards by Don Celender featuring images of well known artists, writers, and gallery owners, superimposed over images of religious figures. Verso has a quote about or by the art world figure pictured. Art world figures include : Francis Bacon, J. Oliver Mitchell, Ivan C. Karp, Donald Judd, Wayne Thiebaud, Claes Oldenburg, Philip Pearlstein, Ernest Trova, Elaine de Kooning, Alexander Liberman, Richard Estes, Cy Twombly, Lucy Lippard, Alex Katz, Lee Krasner, Norman Rockwell, Marisol, Richard L. Feigen, Jim Dine, Bob Morris, Denise René, Richard Lindner, Robert Motherwell, George Segal, Paul Jenkins, Thomas Hoving, John Coplans, Harry N. Abrams, Clyfford Still, Richard Artschwager, Isamu Noguchi, Andrew Wyeth, Victor Vasarely, Andy Warhol, Louise Nevelson, Josef Albers, Henry Geldzahler, Mark Tobey, Roy Lichtenstein, Lucas Samaras, Jasper Johns, Helen Frankenthaler, Marc Chagall, Henry Moore, Georgia O'Keeffe, and Hilton Kramer. Very Good. 8 mm. of light soiling to bottom left corner of lid. Light yellowing and dusting of bottom of box. Complete set of cards. Contents clean and unmarked.