Ana Janevski (120 results)

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Paperback. Condition: New.

Paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. Brand New.

Paperback. Condition: new. Paperback. MoMA Dance is a new series of monographs exploring dance makers in the twenty-first century. Each volume focuses on a single contemporary choreographer, presenting a rich collection of newly commissioned texts along with a definitive catalogue of the artist's projects. Accessible, informative, and inspiring, they are indispensible guides to contemporary dance for fans and scholars alike. Since shocking audiences in 1993, at age nineteen, with his radically sparse A bras le corps, Boris Charmatz has emerged as one of France's leading choreographers. Whether he's creating a dance composed solely of everyday actions, working with an ensemble of children, or running a "dancing museum," Charmatz's work experiments with the body as a vessel for subjectivity, history, and collective action. Featuring original essays and interviews and an oral history by Charmatz's contemporaries, the book is the first to explore the many facets of his career-as choreographer, writer, and director of France's Musee de la danse. Since shocking audiences in 1993, at age nineteen, with his radically sparse A bras le corps, Boris Charmatz has emerged as one of France's leading choreographers. Charmatz's work experiments with the body as a vessel for subjectivity, history, and collective action. This book explores the many facets of his career. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. pp. 160.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: New.

Condition: new.

Condition: New. 2017. Paperback. Num Pages: 160 pages, 40 colour illustrations. BIC Classification: ASD. Category: (G) General (US: Trade). Dimension: 248 x 165. . . . . . .

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: new.

Condition: As New. Unread book in perfect condition.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Brand New. 160 pages. 9.72x6.69x0.51 inches. In Stock.

Paperback. Condition: New. In the late 1960s and '70s, artists in Yugoslavia rejected the official language of expression licensed by the regime, abstract art, and replaced it with "anti-art" - works on the borderline of the form that balanced between amateurism and professionalism and breached modernist conventions. These artists seized upon the opportunities to disseminate their art offered by film clubs - public institutions that brought together amateur artists and served as enclaves of freedom. "As Soon as I Open My Eyes I See a Film" explores this crucial period in the Yugoslav art scene and situates it in the broader cultural context of Central and Eastern Europe.…

hardcover. Condition: fine. Color and black & white photographic illustrations and reproductions throughout. 200 pages. Square 4to, cream cloth-backed pictorial boards with black lettering at the spine. New York: The Museum of Modern Art, (2024). A fine copy. JONAS, Joan (illustrator).

Paperback. Condition: new. Paperback. An exploration of Judson Dance Theater's radical influence on postwar American art history and its lasting impact on contemporary artistic discourse. Taking its name from the Judson Memorial Church, a socially engaged Protestant congregation in New York's Greenwich Village, Judson Dance Theater was organized as a series of open workshops from which its participants developed performances. Redefining the kinds of movement that could count as dance, the Judson participants - Trisha Brown, Lucinda Childs, Philip Corner, Bill Dixon, Judith Dunn, David Gordon, Alex Hay, Deborah Hay, Fred Herko, Robert Morris, Steve Paxton, Rudy Perez, Yvonne Rainer, Robert Rauschenberg, Carolee Schneemann and Elaine Summers, among others - would go on to profoundly shape all fields of art in the second half of the 20th century.Judson Dance Theater: The Work Is Never Done highlights the ongoing significance of the history of Judson Dance Theater. Published in conjunction with an exhibition at The Museum of Modern Art, it charts the development of Judson, beginning with the workshops and classes led by Anna Halprin, Robert Ellis Dunn and James Waring, and exploring the influence of other figures working downtown such as Simone Forti and Andy Warhol, as well as venues for collective action like Judson Gallery and the Living Theatre. Lushly illustrated with film stills, photographic documentation, reproductions of sculptural objects, scores, music, poetry, architectural drawings and archival material, the publication celebrates the group's multidisciplinary and collaborative ethos as well as the range of its participants. The Work is Never Done Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Softcover/Paperback. Condition: Gut. 150 p.; ill. Good. Ex-library with usual markings. Clean pages. Sprache: Englisch Gewicht in Gramm: 490.

Condition: New. 2017. Paperback. Num Pages: 160 pages, 40 colour illustrations. BIC Classification: ASD. Category: (G) General (US: Trade). Dimension: 248 x 165. . . . . . . Books ship from the US and Ireland.

Condition: New. In the late 1960s and '70s, artists in Yugoslavia rejected the official language of expression licensed by the regime, abstract art, and replaced it with "anti-art". This book explores this crucial period in the Yugoslav art scene and situates it in the broader cultural context of Central and Eastern Europe. Num Pages: 344 pages, 40 colour plates, 120 halftones. BIC Classification: 1DVWY; ACXJ. Category: (P) Professional & Vocational. Dimension: 240 x 174 x 14. Weight in Grams: 534. . 2011. Paperback. . . . .…

Paperback. Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.