Tim Carpenter Little (14 results)

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Hardcover. Condition: new. Hardcover. An unassuming sequence of 42 medium-format photographs depicting slivers of the semirural landscape of Central IllinoisTim Carpenters (born 1968) Little is a visual memoir that completes a trilogy rooted in the sensibility and approach to the practice of camera he elaborated in the best-selling, book-length essay To Photograph Is to Learn How to Die (2022). In other words, he steadfastly upholds photographys capacity to bridge the gap between self and other, and to cultivate meaning in an alienating world. Less formally rigorous than Local Objects (2017) and less introspective and linear than Christmas Day, Bucks Pond Road, this new installment channels the perspective of a childs meandering mind, open to possible meanings, absorbing whatever the eyes encountermarks, buildings, branches, paths, the daylight of a Central Illinois afternoonnascent symbols everywhere, fleeting images improvised of mind and matter. Adapting a style in the lineage of the New Topographics photographersRobert Adams, John Gossage and Lewis Baltzthese black-and-white photographs are affecting in their minimalism, imbuing poignance within the banal composites of the Midwestern landscape. The volume itself is beautifully produced with a flush-cut cover treatment and a foil-stamped title. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condition: New. An unassuming sequence of 42 medium-format photographs depicting slivers of the semirural landscape of Central Illinois Tim Carpenter's (born 1968) Little is a visual memoir that completes a trilogy rooted in the sensibility and approach to the practice of "camera" he elaborated in the best-selling, book-length essay To Photograph Is to Learn How to Die (2022). In other words, he steadfastly upholds photography's capacity to bridge the gap between self and other, and to cultivate meaning in an alienating world. Less formally rigorous than Local Objects (2017) and less introspective and linear than Christmas Day, Bucks Pond Road, this new installment channels the perspective of a child's meandering mind, open to possible meanings, absorbing whatever the eyes encounter-marks, buildings, branches, paths, the daylight of a Central Illinois afternoon-nascent symbols everywhere, fleeting images improvised of mind and matter. Adapting a style in the lineage of the New Topographics photographers-Robert Adams, John Gossage and Lewis Baltz-these black-and-white photographs are affecting in their minimalism, imbuing poignance within the banal composites of the Midwestern landscape. The volume itself is beautifully produced with a flush-cut cover treatment and a foil-stamped title.…

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condition: New. Special order direct from the distributor.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condition: New. In English.

Hardcover. Condition: new. Hardcover. An unassuming sequence of 42 medium-format photographs depicting slivers of the semirural landscape of Central IllinoisTim Carpenters (born 1968) Little is a visual memoir that completes a trilogy rooted in the sensibility and approach to the practice of camera he elaborated in the best-selling, book-length essay To Photograph Is to Learn How to Die (2022). In other words, he steadfastly upholds photographys capacity to bridge the gap between self and other, and to cultivate meaning in an alienating world. Less formally rigorous than Local Objects (2017) and less introspective and linear than Christmas Day, Bucks Pond Road, this new installment channels the perspective of a childs meandering mind, open to possible meanings, absorbing whatever the eyes encountermarks, buildings, branches, paths, the daylight of a Central Illinois afternoonnascent symbols everywhere, fleeting images improvised of mind and matter. Adapting a style in the lineage of the New Topographics photographersRobert Adams, John Gossage and Lewis Baltzthese black-and-white photographs are affecting in their minimalism, imbuing poignance within the banal composites of the Midwestern landscape. The volume itself is beautifully produced with a flush-cut cover treatment and a foil-stamped title. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Condition: Neu. Neuware - An unassuming sequence of 42 medium-format photographs depicting slivers of the semirural landscape of Central Illinois Tim Carpenter's (born 1968) Little is a visual memoir that completes a trilogy rooted in the sensibility and approach to the practice of 'camera' he elaborated in the best-selling, book-length essay To Photograph Is to Learn How to Die (2022). In other words, he steadfastly upholds photography's capacity to bridge the gap between self and other, and to cultivate meaning in an alienating world. Less formally rigorous than Local Objects (2017) and less introspective and linear than Christmas Day, Bucks Pond Road, this new installment channels the perspective of a child's meandering mind, open to possible meanings, absorbing whatever the eyes encounter--marks, buildings, branches, paths, the daylight of a Central Illinois afternoon--nascent symbols everywhere, fleeting images improvised of mind and matter. Adapting a style in the lineage of the New Topographics photographers--Robert Adams, John Gossage and Lewis Baltz--these black-and-white photographs are affecting in their minimalism, imbuing poignance within the banal composites of the Midwestern landscape. The volume itself is beautifully produced with a flush-cut cover treatment and a foil-stamped title.…

Hardback. Condition: New. An unassuming sequence of 42 medium-format photographs depicting slivers of the semirural landscape of Central Illinois Tim Carpenter's (born 1968) Little is a visual memoir that completes a trilogy rooted in the sensibility and approach to the practice of "camera" he elaborated in the best-selling, book-length essay To Photograph Is to Learn How to Die (2022). In other words, he steadfastly upholds photography's capacity to bridge the gap between self and other, and to cultivate meaning in an alienating world. Less formally rigorous than Local Objects (2017) and less introspective and linear than Christmas Day, Bucks Pond Road, this new installment channels the perspective of a child's meandering mind, open to possible meanings, absorbing whatever the eyes encounter-marks, buildings, branches, paths, the daylight of a Central Illinois afternoon-nascent symbols everywhere, fleeting images improvised of mind and matter. Adapting a style in the lineage of the New Topographics photographers-Robert Adams, John Gossage and Lewis Baltz-these black-and-white photographs are affecting in their minimalism, imbuing poignance within the banal composites of the Midwestern landscape. The volume itself is beautifully produced with a flush-cut cover treatment and a foil-stamped title.…

Broché. Condition: D'occasion - Bon état. Orientations Magazine, Selected articles 1984-2002, Art of Japan. Broché (Softcover). Marque de lecture au dos, livre en très bon état sinon. Envoi rapide et soigné.

Hardcover. Condition: new. Hardcover. An unassuming sequence of 42 medium-format photographs depicting slivers of the semirural landscape of Central IllinoisTim Carpenters (born 1968) Little is a visual memoir that completes a trilogy rooted in the sensibility and approach to the practice of camera he elaborated in the best-selling, book-length essay To Photograph Is to Learn How to Die (2022). In other words, he steadfastly upholds photographys capacity to bridge the gap between self and other, and to cultivate meaning in an alienating world. Less formally rigorous than Local Objects (2017) and less introspective and linear than Christmas Day, Bucks Pond Road, this new installment channels the perspective of a childs meandering mind, open to possible meanings, absorbing whatever the eyes encountermarks, buildings, branches, paths, the daylight of a Central Illinois afternoonnascent symbols everywhere, fleeting images improvised of mind and matter. Adapting a style in the lineage of the New Topographics photographersRobert Adams, John Gossage and Lewis Baltzthese black-and-white photographs are affecting in their minimalism, imbuing poignance within the banal composites of the Midwestern landscape. The volume itself is beautifully produced with a flush-cut cover treatment and a foil-stamped title. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…