Tale Two Balconies by Brooks Kit (21 results)

Condition: New.

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Soft cover. Condition: As New. Softcover Paperback in unopened shrink-wrap. In stock. Ships from MN, USA.

Paperback or Softback. Condition: New. A Tale of Two Balconies. Book.

Condition: New.

Paperback. Condition: new. Paperback. A visually appealing, playful, and thought-provoking book about Katsushika Hokusai's The Sazaido of Gohyakurakanjiand James McNeill Whistler's Variations in Flesh Colour and Green - The Balcony. With a mirrored presentation that divides the book into two equal parts, A Tale of Two Balconies explores what makes each of these artworks unique. The text examines the circumstances of production and the particularity of their depicted locations in Edo Japan and Victorian England. The authors also explore the balcony as a construct that is at once both private and public. It creates a view, that allows one to visualize and juxtapose different cultural domains both within and beyond the balcony railing. These images are also immersive for the viewer, as they are tacitly included as part of the group of figures depicted within the scene. The book is presented so the reader can pick it up from either side and begin reading; there is no correct order. An art-making activity invites the reader to engage further with the themes of perspective and recollection. SELLING POINTS: Kit Brooks is the curator of Asian Art at the Princeton University Art Museum. Specializing in prints and paintings of Japan's Edo (16031868) and Meiji eras (18681912), their primary research interests revolve around the re-evaluation of eccentric artists of the eighteenth century, as well as the relationship between illustrated books and paintings, and special prints that emulate the visual qualities of other media. Brooks has held positions at the Smithsonian's National Museum of Asian Art, British Museum, Harvard Art Museums, and the Children's Museum in Boston. They curated the exhibition Uncanny Japan: The Art of Yoshitoshi (18391892) at the Worcester Art Museum (2015) and co-curated Living Proof: Drawing in 19th-Century Japan at the Pulitzer Arts Foundation (201718). At the National Museum of Asian Art, Kit worked on a number of exhibitions, including Underdogs and Antiheroes: Japanese Prints from the Moskowitz Collection (2022-2023). Kit also curated Ay-O's Happy Rainbow Hell, the first exhibition of the Japanese artist AyO's (b. 1931) work in the United States, and authored the accompanying catalogue. Kerry Roeder is an assistant professor in the history of art, design and visual culture at the Maryland Institute College of Art. As a curatorial fellow at the Smithsonian's National Museum of Asian Art, she curated Dewing's Poetic Worlds, and was a co-curator of the Whistler in Watercolor and The Peacock Room in Blue and White exhibitions. She contributed to the Whistler in Watercolor exhibition catalogue and online collection catalogue. She holds a PhD in art history from the University of Delaware with a focus on nineteenth- and twentieth-century American visual culture. Her book Wide Awake in Slumberland (2014), a monograph on cartoonist Winsor McCay, was nominated for an Eisner Award. She previously worked at the Corcoran Gallery of Art and the National Gallery and held fellowships at the National Portrait Gallery and the Library of Congress. SELLING POINTS: . Appealing examination of cultural histories and artistic constructions. . Thought-provoking volume encourages an appreciation of the individual perspective underlying any compositional construction. . Innovative mirrored format and inserted art-making activity incorporated into bound book ensure gift market appeal. 100 colour illustrations A cleverly designedbook about Katsushika Hokusai's TheSazaido of Gohyakurakanji and James McNeill Whistler's Variations in Flesh Colour and Green - TheBalcony, that includes drawing, collage, colouring and press-outactivities. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. With a presentationthat divides the book into two equal parts, ATale of Two Balconies investigates the elements that make eachof these artworks-both in the collection of the National Museum of Asian Art,Smithsonian Institution-unique. Exploring the depicted locations of each (inEdo Japan and Victorian England) enables deeper insight as the authors examinethe idea of the balcony itself as a construct at once both private and public -creating a view and juxtaposing the different cultural domains both within andbeyond the balcony railing.This stunning book is double-fronted, so readers can beginreading from either side. A carefully-designed centre section encouragesreaders to engage with the themes of perspective and recollection through theirown art-making activities - collage, drawing and colouring, even building apop-out Hokusai diorama and Victorian Whistler toy theatre.Alsofeatures works from Tate, National Portrait Gallery, London, The Hunterian, University of Glasgow, Russell-Cotes Art Gallery and Museum, Bournemouth, National Galleries of Scotland, Victoria and Albert Museum, London.

Condition: New. 2024. paperback. . . . . .

Condition: New.

Condition: new.

Paperback. Condition: Brand New. 164 pages. 10.00x9.00x10.00 inches. In Stock.

Condition: New. 2024. paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. Special order direct from the distributor.

paperback. Condition: New.

Condition: New.

Condition: New.

Paperback. Condition: Brand New. 164 pages. 10.00x9.00x10.00 inches. In Stock.

Paperback. Condition: new. Paperback. A visually appealing, playful, and thought-provoking book about Katsushika Hokusai's The Sazaido of Gohyakurakanjiand James McNeill Whistler's Variations in Flesh Colour and Green - The Balcony. With a mirrored presentation that divides the book into two equal parts, A Tale of Two Balconies explores what makes each of these artworks unique. The text examines the circumstances of production and the particularity of their depicted locations in Edo Japan and Victorian England. The authors also explore the balcony as a construct that is at once both private and public. It creates a view, that allows one to visualize and juxtapose different cultural domains both within and beyond the balcony railing. These images are also immersive for the viewer, as they are tacitly included as part of the group of figures depicted within the scene. The book is presented so the reader can pick it up from either side and begin reading; there is no correct order. An art-making activity invites the reader to engage further with the themes of perspective and recollection. SELLING POINTS: Kit Brooks is the curator of Asian Art at the Princeton University Art Museum. Specializing in prints and paintings of Japan's Edo (16031868) and Meiji eras (18681912), their primary research interests revolve around the re-evaluation of eccentric artists of the eighteenth century, as well as the relationship between illustrated books and paintings, and special prints that emulate the visual qualities of other media. Brooks has held positions at the Smithsonian's National Museum of Asian Art, British Museum, Harvard Art Museums, and the Children's Museum in Boston. They curated the exhibition Uncanny Japan: The Art of Yoshitoshi (18391892) at the Worcester Art Museum (2015) and co-curated Living Proof: Drawing in 19th-Century Japan at the Pulitzer Arts Foundation (201718). At the National Museum of Asian Art, Kit worked on a number of exhibitions, including Underdogs and Antiheroes: Japanese Prints from the Moskowitz Collection (2022-2023). Kit also curated Ay-O's Happy Rainbow Hell, the first exhibition of the Japanese artist AyO's (b. 1931) work in the United States, and authored the accompanying catalogue. Kerry Roeder is an assistant professor in the history of art, design and visual culture at the Maryland Institute College of Art. As a curatorial fellow at the Smithsonian's National Museum of Asian Art, she curated Dewing's Poetic Worlds, and was a co-curator of the Whistler in Watercolor and The Peacock Room in Blue and White exhibitions. She contributed to the Whistler in Watercolor exhibition catalogue and online collection catalogue. She holds a PhD in art history from the University of Delaware with a focus on nineteenth- and twentieth-century American visual culture. Her book Wide Awake in Slumberland (2014), a monograph on cartoonist Winsor McCay, was nominated for an Eisner Award. She previously worked at the Corcoran Gallery of Art and the National Gallery and held fellowships at the National Portrait Gallery and the Library of Congress. SELLING POINTS: . Appealing examination of cultural histories and artistic constructions. . Thought-provoking volume encourages an appreciation of the individual perspective underlying any compositional construction. . Innovative mirrored format and inserted art-making activity incorporated into bound book ensure gift market appeal. 100 colour illustrations A cleverly designedbook about Katsushika Hokusai's TheSazaido of Gohyakurakanji and James McNeill Whistler's Variations in Flesh Colour and Green - TheBalcony, that includes drawing, collage, colouring and press-outactivities. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: New. With a presentationthat divides the book into two equal parts, ATale of Two Balconies investigates the elements that make eachof these artworks-both in the collection of the National Museum of Asian Art,Smithsonian Institution-unique. Exploring the depicted locations of each (inEdo Japan and Victorian England) enables deeper insight as the authors examinethe idea of the balcony itself as a construct at once both private and public -creating a view and juxtaposing the different cultural domains both within andbeyond the balcony railing.This stunning book is double-fronted, so readers can beginreading from either side. A carefully-designed centre section encouragesreaders to engage with the themes of perspective and recollection through theirown art-making activities - collage, drawing and colouring, even building apop-out Hokusai diorama and Victorian Whistler toy theatre.Alsofeatures works from Tate, National Portrait Gallery, London, The Hunterian, University of Glasgow, Russell-Cotes Art Gallery and Museum, Bournemouth, National Galleries of Scotland, Victoria and Albert Museum, London.